“Sword of Desperation” press conference

Those who follow my World Film Festival coverage might be interested to know that the press conference for the Japanese movie Sword of Desperation (Hisshiken Torisashi) will be held tomorrow, document.write(“”); friday August 27th, at 2 pm (14:00) in the Complexe Desjardins’ Grande-Place. The movie, which is in competition, will be screened tomorrow at the Cinema Imperial at 9:00 and at the Maisonneuve Theatre at 21:30. The director Hideyuki Hirayama and screenwriter Hideri Ito will attend the press conference, which will be open to the public.
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A
video of the screening presentation and press conference is available.

A list of the upcoming press conferences can be found on the festival web site.

I will regularly update my list of Japanese films with new information as they are available. I’ll make a separate note for all major new information. Enjoy the festival!

Recommended TV series

There are two TV series that I’ve recently discovered and that I strongly recommend for various reasons:

Moyashimon Live-Action Drama

The story is based on the Moyashimon manga (first adapted into an anime in 2007: see ANNWikipedia and we had a nice article about it in PA #96) in which we follow the young Tadayasu as he enters an Agricultural University. Of course, he finds himself in all sorts of situations because of the special ability that allows him to see and communicate with micro-organisms like fungi and bacteria. I heard about the live-action drama adaptation several months ago, but I was surpised to discover yesterday that it was already available in North America through the Korean drama streaming site DramaFever.com (so far five episodes can be streamed for free) and FUNimation’s YouTube channel (also five episodes available so far; click here to see episode 1). It is both funny and very educational as it is relatively faithful to the original story (the choice of the cast is amazingly close to the original character designs).

Ken Follet’s The Pillars of the Earth


A friend recently recommended me Ken Follet’s book The Pillars of the Earth. I downloaded it to my iPad from Apple’s iBookstore ($6.99) and started reading it. It is a complex and dark historical saga set around a medieval stonemason named Tom Builder who dreams of building a cathedral (for more details see the Wikipedia entries on the novel & TV series, the IMDb entry as well as Ken Follet’s website). Then, by chance, I discovered that it had just been adapted into a Germano-Canadian 8-hour TV series showing on both Starz and The Movie Network. I’ve seen three of the eight episodes so far (a fourth is airing tonight) and I think it is a compelling historical epic well worth watching. Of course, as for all adaptations, it is not entirely faithful to the novel, but, despite the relatively somber subject, it’s a good piece of entertainment with great actors. I’ve seen a really bad review in The Washington Post, but USA Today give quite a positive impression, as well as talking about the show production and even about an “amplified edition” apps available for Apple’s iPad, iPhone and iPod Touch! If you like historical drama, it is certainly worth checking out.

Gyoko: rocking the fish

This afternoon, document.write(“”); while watching a documentary on French TV, I discovered an intriguing Japanese rock band (aren’t they all?) which is singing the virtues of eating fish! After a little research I even found a Wall Street Journal article talking about them.

“Captain” Tsurizao Morita, a former tuna fisherman, works in his fish shop by day and become the leader of the rock-band Gyoko (meaning fishing port) at night to promote the fish industry and convince his fellow Japanese countrymen & women to eat more fish. All their songs are about fish. During concerts he wield a big fisherman’s knife, slicing real fish that they serve afterward to the public.

An old article on Detour Japan gives us more details on the band native of Urayasu in the Tokyo Bay. The band has its own website and has released several CDs, two of them available on Apple’s iTunes store (one self-titled album, Gyoko, offering twelve songs for only $1.99 US and the other, Fish & Peace, available for $11.88 US). They even have videoclips on YouTube! Here’s their song “Maguro” (Tuna):

There’s also a weird promo clip, a news report and an extract from a Spanish documentary

Japanese rock bands will never cease to amaze me. If they are still rocking around, someone should invite them to an anime convention!

Fantasia 2010


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Tuesday, document.write(“”);
Fantasia announced the highlights of its programming and posted all the details on its website.

The 14th edition of the Fantasia International Film Festival, one of the largest events dedicated to genre cinema, will be held from July 8th to July 28th, at Concordia University’s Hall Theatre and a few other venues in Montreal. This year, with more government subsidies, the festival has widened and diversified even more its impressive programming. It offers nearly 300 movies, including over 120 feature-length films and several hundreds shorts, as well as a variety of documentaries, panel discussions, stage plays, outdoor screenings and many guests will be there to introduce and discuss their work.

The festival will open with Disney’s The Sorcerer’s Apprentice and close with Eli Craig’s horror film satire Tucker & Dale’s vs. Evil. Other notable events of the festival are the screenings of Fritz Lang’s restored Metropolis (1927, with 25 min. of previously lost footage; screened at the Place des Arts’ Salle Wilfrid Pelletier), Jean Cocteau’s Le Sang d’un Poête (1930, screened at the Rialto Theatre), and Ken Russell’s The Devils (who has a retrospective at the Cinémathèque Québécoise and will also receive an award for his unique contribution to cinema). Animators Don Bluth and Gary Goldman will also receive a dual lifetime achievement award. Among the movies from the West that intrigues me, I must also mention Centurion, “a breathtaking rollercoaster” set in roman time, directed by Neil Marshall (The Descent).

Of course, the most interesting part of the festival for us is its Asian programming. It offers 55 Asian movies (including 24 from Japan, 14 from Korea, 9 from Hong Kong, 3 from Thailand, 2 from China as well as from Vietnam, Indonesia and Malaysia).

The Japanese movies include eight anime features (twice as much as last year): Evangelion 2.0: You Can(Not) Advance, First Squad: The Moment of Truth (a Japan/Russia co-production), Gintama: The Movie, King of Thorn, Mai Mai Miracle, Oblivion Island: Haruka and the Magic Mirror, Space Battleship Yamato: Resurrection, and Summer Wars (best animated feature at the 2010 Japanese Academy Awards). Other notable animations are The Land Before Time (USA, Don Bluth), Technotise: Edit & I (Serbia) and What is not Romance? (Korea).

The live-action Japanese movies includes (click on the link for details): Air Doll (Dir. Hirokazu Kore-eda), Alien Vs Ninja, Battle in Outer Space (a 1960 classic dir. by Ishiro Honda), Boys on the Run, Brass Knuckle Boys, Crows Zero 2 (Dir. Takashi Miike), Fish Story, Golden Slumber, Higanjima, Kuroneko (a 1968 classic), Mutant Girls Squad, Raise the Castle!, Rinco’s Restaurant, Sawako Decides, Symbol, and Van Von Hunter (a USA/Japan co-production written & directed by Tokyopop’s Stu Levy and Steven Calcote). We must also note the quite funny Les homme d’une autre planète (a Thailand/Japan/Taiwan “co-production” “dubbed” in French!)

The Japanese and anime-related guests include: Yoshinori Chiba (Dir. of Alien Vs Ninja), Stu Levy (founder of Tokyopop and co-dir. of Van Von Hunter), Yuri Lowenthal (popular voice-actor (Bleach, Code Geass, Naruto) and actor in Van Von Hunter), Yoshihiro Nishimura (co-dir. of Mutant Girls Squad), Tara Platt (voice-actress (Buso Renkin, Naruto) and panelist), and Mai Tominaga (dir. of Rinco’s Restaurant).

Finally, two of the panels might be of interest for the animation fans: “The Current and Future State of Traditional Animation Cinema: Death, Comeback and Resurrection” (Sunday July 18th 1:00 pm, at the EV-01.615 amphitheatre (1515 Ste-Catherine W), with Don Bluth, Gary Goldman, Gerard Potterton and Luc Chamberland) and “Voice Over, Voice Actor” (Sunday July 18th 3:00 pm, at the EV-01.615 amphitheatre (1515 Ste-Catherine W), with Yuri Lowenthal & Tara Platt).

The schedule for all the movies mentioned above can be found here.

Enjoy the festival!

(updated 2010/07/06)

Press Release: J-FEST, Japan right next to your door

Montreal, document.write(“”); QC, June 14, 2010 — STUDIO BATSU INC. and YOUKAI WEAR is pleased to announce the 5th edition of J FEST, the 1st traveling event in North America specifically and genuinely dedicated to Japanese Music and development of Japanese Music Business Overseas.
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WHAT:
J FEST vol.5: J FEST 1st ANNIVERSARY. Partly a club event and a festival, J FEST takes you instantaneously to the country of the rising sun, with its warm and unusual atmosphere… DJ JOKE will mix Japanese hits all night through. Music Videos of popular and up-coming Japanese artists and Video Messages exclusively recorded for J FEST by popular Japanese artists are played throughout the event.

“Japan is ten years ahead in the show business world. J FEST is an exceptional opportunity to contemplate our lateness.” said Hubert MANSION , lawyer specialized in the music industry, teacher at L’Ecole du show Business and author of  “Tout le monde vous dira NON”

“Oh my god, man! I couldn’t even imagine J FEST was something like that… It’s impressive!!!” said MUSIQUE PLUS, the Canadian equivalent of MTV.? Watch Musique Plus Video at J FEST, here.?

Shiatsu, Japanese nail designs, Japanese Food and also Fashion shows, dance performances and a lot of surprises are also part of the event.

WHEN:
Saturday, July 17th, 2010 from 8:30 pm – 12:00 am

WHERE:
@ ALIZÉ – 900 Ontario East, Montreal , QC, Canada

WHY:
The goal of J FEST is to gather around J MUSIC, all the people who want to discover a new aspect of Japan , and all the fans of Japanese pop culture. To this cultural goal is added a will to create business opportunities between the North American and Japanese music industries and create a solid bridge between these 2 cultures. ?From the end of 2010, J FEST will take place in New York, Toronto and Vancouver and is prepared to be held in any other city that will make the request to host the event.

Admission:
J FEST is a +18 event. An approved ID is required.? The entrance fee is 8$ in advance and 10$ at the door.

Registration:
For more information, http://jfest.studiobatsu.com
or contact: jfest@studiobatsu.com

About the Company:
K.JOE, founder of STUDIO BATSU INC., has organized  Japanese Pop culture related events for over 15 years in Europe, Japan and North America. ?He is also specialized in booking tours for Japanese Music Labels or artists in Europe, Japan and North America . ?He speaks fluently French, English and Japanese. ?With his global vision and his background in the Japanese Music industry and Japanese entertainment world, STUDIO BATSU INC. is about to be an unavoidable bridge between North America and Japan.

Media contact:
J. “K.JOE” Tamko:  media@studiobatsu.com

More Videos about J FEST: http://www.youtube.com/user/JFEST777

Shopping Japanese in Montreal

Tuesday I visited with my wife a (very) small japanese boutique in downtown Montreal. It’s called “Coco Montreal Space.” They have imported goods from Japan, document.write(“”); designer’s accessories, cookies and many bargains (used books & clothes). It is located at 4055 Ste-Catherine West, #135-B (downstairs, near Metro Atwater) and is open Monday through Friday from 13:00 to 18:00. They also have a small room where they plan to offer various workshops and language courses. It’s cute, but they don’t have much stuff.
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“Coco Montreal Space” is related to the
Coco Montreal free newspaper, dedicated to Canada-Japan cultural exchange (mostly for Japanese expats and Japanese language students).

This reminds me that there are a few other places to shop Japanese in Montreal:

First, there is the “Collection du Japon” store and its related “R. Uchiyama” Japanese Green Tea importer. It is located at 460, Sainte-Catherine West, #423 (Metro McGill, entrance near the Future Shop, on the 4th floor) and is open 13:00-18:00 (Tue-Fri), 10:00-16:00 (Sat). We visit it frequently and recommend it. You can find all sorts of Japanese stuff there: kimonos, books, decoration, kitchen ware, etc.

There is also the “Miyamoto” food store located at 382 Victoria Avenue (near Metro Vendome) and opened 10:00-20:00 (Mon-Fri), 9:00-17:00 (Sat & Sun).

I can also recommand the Japanese restaurant “Sakura Gardens” if you want a “real” Japanese food experience. It is located at 2170 de la Montagne (near Metro Peel). It is opened 11:45-14:30 (Mon-Fri), 12:00-14:30 (Sat) for lunch and 17:30-22:00 (Sun-Thu), 17:30-22:30 (Fri-Sat) for dinner.

33rd Japan Academy Prize Winners

The winners for the 2010 Japan Academy Awards (see our blog entry on the nominations) are just in:

  • Best Picture: The Sun That Doesn’t Set (Setsuro Wakamatsu)?
  • Best Animated Feature: Summer Wars (Mamoru Hosoda)
  • Best Director: Daisaku Kimura (Mt. Tsurugidake)
  • Best Screenplay: Miwa Nishikawa (Dear Doctor)?
  • Best Actor: Ken Watanabe (The Sun That Doesn’t Set)?
  • Best Actress: Takako Matsu (Villon’s Wife)?
  • Best Supporting Actor: Teruyuki Kagawa (Mt. Tsurugidake)?
  • Best Supporting Actress: Kimiko Yo (Dear Doctor)
  • Best Music: Shinichiro Ikebe (Mt. Tsurugidake)
  • Best Cinematography: Daisaku Kimura (Mt. Tsurugidake)?
  • Best Lighting Direction: Kawabe Takayuki (Mt. Tsurugidake)?
  • Best Art Direction: Yohei Taneda & Kyoko Yauchi (Villon’s Wife)?
  • Best Sound Recording: Teiichi Saito (Mt. Tsurugidake)?
  • Best Film Editing: Takao Arai (The Sun That Doesn’t Set)
  • Best Foreign Language Film: Gran Torino (Clint Eastwood)

(Sources: 日本アカデミー賞,  Wildgrounds).

Dear Doctor / Dia dokuta [ Official site, IMDb ]

Mt. Tsurugidake / Tsurugidake: Ten no ki [ Official site, IMDb ]

Summer Wars / サマーウォーズ [ Official site, ANN ]

Sun That Doesn’t Set (The) / Shizumanu Taiyo [ Official site, IMDb ]

Villon’s Wife / Viyon no tsuma [ Official site, IMDb ]

Le Gourmet Solitaire

GourmetSolitaire_cov“On ne sait presque rien de lui. Il travaille dans le commerce, mais ce n’est pas un homme pressé; il aime les femmes, mais préfère vivre seul; c’est un gastronome, mais il apprécie par-dessus tout la cuisine simple des quartiers populaires… Cet homme, c’est le gourmet solitaire. Imaginé par Masayuki Kusumi, ce personnage hors du commun prend vie sous la plume de Jirô Taniguchi, sur un mode de récit proche de l’Homme qui marche: chaque histoire l’amène ainsi à goûter un plat typiquement japonais, faisant renaître en lui des souvenirs enfouis, émerger des pensées neuves ou suscitant de furtives rencontres. Ainsi la visite d’un sushi-bar au milieu de l’après-midi lui fait-il voir d’un autre œil les innocentes ménagères qui fréquentent le lieu, ou prend-il conscience, à l’occasion du match de Base-ball, des vertus tonifiantes du curry… Le Gourmet solitaire est un met de choix dans l’œuvre de Taniguchi.” [Texte d’intro sur le site de l’éditeur]

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33rd Japan Academy Prize Nominations

The nominations for the 2010 Japan Academy Prize (the Japanese equivalent for the Motion Picture Academy Awards, a.k.a the Oscars) are just in.

The nominees for Best Picture and Best Director are:

The nominees for Best Animation are:

Japan Centenarian population over 40,000

I just read today on my iPod that the Japanese population over 100 year-old had passed 40, document.write(“”); 000 ! And most of them are women.

I was quite surprised. I was expecting a few thousands but not that much. It has doubled in the last six years and, according to U.N. projections, it will nearly reach the million by 2050. It is true that Japan has a quickly aging population and that their life expectency is greater than the average north american… but that’s a lot of very old people. Japan must really prepare for the coming health-care and retirement crisis that it is likely to face soon. Many developped nation will eventually experience a similar problem (although not as acute as it is the case in Japan). Hopefully, the new Japanese government will find ways to prepare for such a situation….

Fantasia 2009


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In a press conference held on Monday June 29th
Fantasia announced the highlights of its programmation:

The 13th edition of the Fantasia Film Festival, document.write(“”); North America’s largest genre cinema event, will be held from July 9th to July 29th, 2009 at Concordia University’s Hall Theatre in Montreal. This year the festival offers over 115 feature-length films, as well as an impressive selection of shorts, documentaries, panel discussions, outdoor screenings and more than fifty guests that will be there to introduce their movies. The programmation’s details will be available online for free and the Program Book will be on sale Friday July 3rd at the cost of $5. Tickets will be available from July 7th for $8.00 or $70 for 10 tickets. There are also 8 “Fantastic Week-End” programs (including 6 to 13 films) available for $8 each.

The programming offers over 50 Asian movies (including 35 from Japan, 15 from Korea, 6 from China/Hong Kong and 3 from Thailand).

This year the festival is a little weak on the anime side as it includes only four Japanese animated features: Eureka Seven: Good Night, Sleep Tight, Young Lovers (Dir.: Tomoyuki Kyoda), Evangelion: 1.0 You Are (Not) Alone (Dir.: Hideaki Anno), Genius Party Beyond (a shorts anthology by 4’C Studio) and Hells (Dir.: Yoshiki Yamakawa, Madhouse Studio). There’s also Cencoroll (a short shown with Genius Party Beyond).

The most interesting Japanese movies of the festival (interesting to us because they are anime & manga related) definitely are 20th Century Boys: Chapter One and 20th Century Boys: Chapter Two—The Last Hope (based on Naoki Urasawa’s manga and directed by Yukihiko Tsutsumi), M.W. (based on a manga by Osamu Tezuka and directed by Hitoshi Iwamoto) and Yatterman (based on Tatsunoko’s 1977-79 anime TV series Time Bokan 2: Yatt?man (or its 2008 remake); directed by Takashi Miike, it’s the opening film of the festival hosted by producer Yoshinori Chiba).

There’s also an anime & manga-related Korean movie: Antique (Dir.: Min Kyu-dong; based on the Japanese manga Antique Bakery by Fumi Yoshinaga).

The other Japanese movies includes Battle League in Kyoto (Dir.: Katsuhide Motoki, based on a fantasy novel by Manabu Makime), The Clone Returns Home (Dir.: Kanji Nakajima), Crime or Punishment?!? (Dir.: Keralino Sandorovich), Cyborg She (dir.: Kwak Jae-young), Fine, Totally Fine (Dir.: Yosuke Fujita), GS Wonderland (dir.: Ry?ichi Honda), Hard Revenge, Milly and Hard Revenge, Milly: Bloody Battle (hosted by writer/director Takanori Tsujimoto), House (Dir.: Nobuhiko Obayashi), Instant Swamp (Dir.: Satoshi Miki), K-20: Legend of the Mask (Dir.: Shimako Sato), Lalapipo (Dir.: Masayuki Miyano), Love Exposure (Dir.: Sion Sono), Nightmare Detective 2 (Dir.: Shinya Tsukamoto), Orochi (Dir.: Norio Tsurata), Paco and the Magic Book (Dir.: Tetsuya Nakashima), Samurai Princess (Dir.: Kengo Kaji), Tokyo OnlyPic 2008 (Dir.: Riichiro Mashima), Vampire Girl Vs Frankenstein Girl (Dir.: Naoyuki Tomomatsu & Yoshihiro Nishimura) and With Rain (a short shown as part of “Celluloid Experiments”).

The festival, in association with the Cinémathèque Québécoise and Ciné-Asie, also presents “Behind the Pink Curtain,” a line-up of Japanese erotic films (pinku eiga): Blue Film Woman (1969), Gushing Prayer (1971), S&M Hunter (1986), Secret Hot Spring Resort: Star Fish at Night (1970) and Yariman (2008).

Fantasia also presents a “Classic Daikaiju Special” that will include a documentary, Bringing Godzilla Down to Size: The Art of Japanese Special Effects, a short, Gehara the Dark and Long Haired Monster, and a classic monster movie, Mothra (1961)!

As part of its “Fantasia Under the Stars” segment, the festival will also presents outdoor screenings of Tokyo Zombie (Dir.: Sakichi Sato) on 7/17 and Adrift in Tokyo (Dir.: Satoshi Miki) on 7/18 at 21:00 in the Parc de la Paix (St-Laurent boulevard between Ste-Catherine’s and René-Lévesque).

Notable is the recent French documentary by Yves Montmayeur: Yakuza Eiga: Une Histoire Secrète du Cinéma Japonais (“Yakuza Eiga: A Secret History of Japanese Cinema”).

The Japanese guests list includes Yoshinori Chia (Yatterman producer), Tomohiro Hayashi (Yatterman producer), Yoshihiro Nishimura (Vampire Girl Vs Frankenstein Girl director), and Takanori Tsujimoto (Hard Revenge, Milly writer & director).

We will add more details as they are available (updated: 7/4, 7/5, 7/8).

View a calendar of the Japanese movies’ screenings.

Bon festival!

Chibi-PA

After fifteen hours of travelling we finally arrived at West Palm Beach. The temperature was quite hot (about 30′ C/86′ F) and excessively humid—I don’t know how people can live in such a climate (constantly moving from the air-conditioned buildings to the sweltering outside is enough to catch one’s death). Jason & Lynn, document.write(“”); the Chibi-PA organizers, picked us up at the airport. I was disappointed to learn that the convention’s name is not pronounced “PeeHey” (as it could have been an hommage to Protoculture Addicts — J/K) but “Paw” and simply means “small party.” We quickly escaped to our beautiful hotel suite at the Crown Plaza to get some well deserved sleep.
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On Saturday, after a quick breakfast at the hotel, we took the shuttle for the convention center located a couple of miles away. Having the convention so far apart of the hotel was not inconvenient because of the shuttle (but it ran only on an hourly schedule and, the convention center not being a regular stop, you had to call to be picked up—but you could always catch the shuttle downtown, just a 5-minute walk from the convention). The first thing I did was to check the convention’s layout. It was good as it was all concentrated in the same area of the
Convention Center, on two floors (unfortunately neither the floor plans nor the schedule are/were available on Chibi-PA’s website). On the first floor, you had the registration, one small dealer room, three video room, one panel room, and a video game room (further away in the convention center there was also a vendor offering some fast food). On the second floor, you had a large dealer room, the main event room and, along the balcony, the artist alley. The dealer rooms were stacked with various nice goodies and the convention was pretty well organized and staffed. I have no complain.

The main guest (beside myself) was Makoto Nagano, the champion of the Japanese obstacle game show Sasuke (known as “Ninja Warrior” in North America) and his Q&A was the first event I attended. He arrived late, but the delay allowed the room to fill up. It was interesting to learn about this guy (I never heard of him before since the show is not broadcast in Canada, and I was more interested in his life as the captain of a fishing boat than in the game show itself), but unfortunately the english pronounciation of the Japanese translator was not very good and it was sometime difficult to get what she was saying. Right after that event, Nagano-san did an autograph session on the second floor balcony and I set up my table right beside his to sell and introduce my magazine to the crowd. At 5 pm we ran a panel where we introduced the magazine, answered questions, did a small focus group to get feedback from the audiance and discussed the anime industry situation. The crowd was good, in fact better than I expected (the room was half full, with about 20-30 people). I gave away copies of the magazine to each participant. I missed the koto and Fushu Daiko concerts (I was busy holding our presentation table and the panel), but attended a very interesting panel following ours, “Kimono Class with Yoshiko Carlton,” where a couple of Japanese ladies explained the intricacies of wearing a kimono. At 7:30 pm we walked to the beautiful CityPlace mall downtown, ate at a mexican restaurant and picked up some snacks at a grocery store before going back to the hotel to rest.

On Sunday, after a quick breakfast at the hotel, we arrived at the convention on time to attend the second of Nagano-san Q&A. After that we walked again around the nice outdoor CityPlace mall to take pictures. Then, while Nagano-san was again signing autograph, I hold the magazine presentation table. At 3 pm we had another panel, but no one came (the crowd was definitely thinner on Sunday). We hung around the convention a little (checking more carefully the dealer room). After that we walked around downtown in search of the beach (it’s called West Palm Beach, isn’t it?) but it was not within walking distance (we did make it to the “canal”). We finally came back to the hotel to rest before going out to eat with the convention organizers. I wish we could have some time with Nagano-san to discuss and do an interview.

Early Monday morning Jason & Lynn drove us to the Fort Lauderdale airport from where we flew back to Baltimore and then Burlington, where a friend picked us up and drove us back to Montreal. Flying over the trees in Vermont, with all their various fall colors, was beautiful. The trip back took only eleven hours and was a little less tiring, but the whole week-end left me rather exhausted (it must have been due to the heat and flying five planes in four days).

An amusing anecdote: at the same time than Chibi-PA, the Palm Beach County Convention Center was also hosting some Christian group convention on Saturday and some church activities on Sunday. It was funny to see all those people dressed as their best on one side of the convention center and, on the other side, fans dressed as their favorite anime character! At some point Sunday, someone (presumably attending the “other” convention) came nearby the registration area and shout some invectives equating us to the devil. Cool.

Overall Chibi-PA was a nice convention. The Florida convention scene is clearly well organized (although it is knowing the usual occasional feuds among competing organizers), but the demographics of the state (mostly an aging population of retirees who doesn’t care much for anime) are condemning the local anime conventions to remains small and barely solvent. However, there is nothing wrong with small conventions. There might not be any industry panels or many big guests, but they are usually the most fun to attend. If Chibi-PA was a small party (I estimated the attendance around 1200) for the fans to congregate and enjoy themselves (I only wish I had more time to enjoy its activities), its most endearing quality was that it extended its focus not only to anime and manga, but also to many related aspects of Japanese culture. If you have the opportunity to attend Chibi-PA in the future, I recommand you to do so. Let’s party!

I’ll post some pictures and video clips later.

Fantasia 2008


Today Fantasia announced its programmation:

The 12th edition of the Fantasia Film Festival, document.write(“”); North America’s premier genre cinema event, will be held from July 3rd to July 21st, 2008 in three theatres (Hall, J.A. DeSeve and D.B. Clarke) of Montreal’s Concordia University. This year it offers more than 100 feature films, over 200 shorts, 7 documentaries and there will be also more than fifty guests present to introduce their movies. The Program Book will be on sale Sunday June 29th at the cost of $5. Tickets will be available from July 3rd for $8.00 or $70 for 10 tickets.

The programming includes 56 Asian movies: 23 from Japan, 1 from China, 10 from Hong Kong, 16 from Korea, 5 from Thailand and 1 from Vietnam.

The selection of anime is rather thin this year: Batman: Gotham Knight (a USA/Japan coproduction that give the Animatrix treatment to Batman with six animated shorts directed by Yasuhiro Aoki, Futoshi Higashide, Toshiyuki Kuboka, Hiroshi Morioka, Shoujirou Nishimi and Nam Jong-sik) and Genius Party (the experimental animated anthology from studio 4’C that we talked about in PA#96).

However, the selection offers more live-action movies based on manga. The most obvious is L: Change the World (Hideo Nakata’s [Ring] prequel based on Death Note), but there’s also Akanbo Shoujo (directed by Yudai Yamaguchi based on the popular Kazuo Umezu’s popular manga), Always: Sunset on Third Street 2 (dir. by Takashi Yamazaki and adapted from Yohei Saigan’s manga Sanchome no Yuhi: Yuyake no Uta), Be a Man! Samurai School (dir. by Tak Sakaguchi, based on Akira Miyashita’s manga Sakigake! Otoko Juku) and Le Grand Chef (a Korean movie dir. by Jeon Yun-su and based on a popular Manhwa).

The festival will also show three Nikkatsu action movies from the 60s: A Colt is my Passport (1967), Gangster VIP (1968), and Velvet Hustler (1967).

The other Japanese movies are: Accuracy of Death, Adrift in Tokyo, Black Belt, Chanbara Beauty, The Chasing World, Gachi Boy: Wresling with a Memory, Machine Girl (a coproduction with the USA), The Most Beautiful Night in the World, Negative Happy Chain Saw Edge, Robo Rock, Sasori (a coproduction with HK), The Shadow Spirit, Shamo (a coproduction with HK), Sukiyaki Western Django (the latest Takashi Miike), Tokyo Gore Police and X-Cross.

Another notable movie is The Midnight Meat Train (a USA movie dir. by Ryuhei Kitamura [Versus, Aragami] and based on a story by Clive Barker).

The Japanese guests will be Tak Sakaguchi (Tokyo Gore Police, Be a Man! Samurai School), Isao Karasawa (Be a Man! Samurai School), Ryuhei Kitamura (Midnight Meat Train), Eihi Shiina (Tokyo Gore Police), Yoshihiro Nishimura (Tokyo Gore Police) and we must also mention Mark Schilling (the movie historian, who will present A Colt Is my Passport).

The other Asian movies are: Alone (Thai), Art of the Devil 3 (Thai), The Assembly (China), Beautiful Sunday (Kor), The Butcher (Kor), The Detective (HK), Disciples of the 36th Chamber (HK, a Shaw Brothers movie with Gordon Liu, who will attend the movie presentation), An Emperess & the Warrior (HK/China), Epitaph (Kor), 4bia (Thai), Going by the Book (Kor), Handle Me with Care (Thai), A Love (Kor), Mad Detective (HK), May 18th (Kor), The Moss (HK), Muay Thai Chaiya (Thai), No Mercy for the Rude (Kor), Our Town (Kor), Paradise Murdered (Kor), Punch Lady (Kor), The Pye-Dog (HK), The Rebel (Vietnam), Seven Days (Kor), The Sparrow (HK), A Tale of Legendary Libido (Kor), Triangle (HK/China), Voice of a Murdered (Kor), Who’s that Knocking at my Door? (Kor), and Wide Awake (Kor).

Happy Festival!

(See also the ANN news entry)

I Survived a Japanese Game Show!

I usually hate reality TV, document.write(“”); but I stumbled upon this one while channel surfing during my lunch break. I watched a few minutes out of curiosity and it was quite hilarious.

The idea behind this show is pretty simple: ten americans have been selected to participate in a reality TV game show — the funny things is that they have NO idea in which kind of show they are participating — and are send to Japan to compete in Japanese game shows (and we all know how silly and punishing those can be). All this for a chance to win a mere quarter of million dollars.

I’ve seen maybe ten minutes of it. It is funny, but not because of the silly game shows (I pity the poor souls who participate in this humiliation). Most of the participants never left the USA (even their State in some cases), so for them Japan is like they landed on Mars! I am not sure I could take more of it. I’ve recorded it on the PVR to check it later. Just in case!

It runs on ABC Tuesday at 9 PM.

More movie & festival reviews

I’ve just put online a bunch of movie reviews from last year’s Montreal World Film Festival.
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You can access them either at this updated
blog entry or on Protoculture’s web site.

30th Japan Academy Prize

On February 16th were held the 30th Japan Academy Prize–the equivalent of the American Academy Awards for Japan. Like for the Oscars, the Japanese movies awards are voted by the members of the Nippon Academy-cho Association, so it is not a popularity prize but one voted by their peers. However, it remains an excellent way to take the pulse of the Japanese cinema.

The presentation of the awards is very different compared to its American conterpart: the film industry people sit not in a theatre but around tables and there’s no entertainment show, no singing, no slapstic jokes, no long speaches. Instead, a TV presentator interview every single nominee. It allows us to learn much about the background of the actors and about the movies.

Here are the winners for 2007:

Best Movie: Hula Girls. The other nominees were: Ashita no Kioku (Memories of Tomorrow), Yamato, The Uchoten Hotel (Suite Dreams) [see review in PA#90: 74], Bushi no Ichibun (Love & Honor).

Best Anime: Toki wo Kakeru Shoujo (The Girl Who Leapt Through Time). The other nominees were: Stormy Night, Tales From Earthsea, Brave Story, Detective Conan: The Private Eyes’ Requiem.

Best Director: Sang-Il Lee (Hula Girls). The other nominees were: Junya Sato (Yamato), Tetsuya Nakashima (The Life Of Hated Matsuko), Koki Mitani (Uchoten Hotel), Yoji Yamada (Bushi no Ichibun).

Best Actor: Ken Watanabe (Memories Of Tomorrow). The other nominees were: Joe Odagiri (Yureru), Satoshi Tsumabuki (Namida Soujou), Akira Terao (The Algebra Which The Doctor Loved), Koji Yakusyo (Uchoten Hotel).

Best Actress: Miki Nakatani (Life Of Hated Matsuko) [she was playing Hermes in Train Man]. The other nominees were: Rei Dan (Bushi no Ichibun), Masami Nagasawa (Namida Soujou), Kanako Higuchi (Memories of Tomorrow), Yasuko Matsuyuki (Hula Girls).

Best Supporting Actor: Takashi Sasano (Bushi no Ichibun). The other nominees were: Takao Osawa (Rinding In The Metro), Teruyuki Kagawa (Yureru (Swing)), Koichi Sato (Uchoten Hotel), Kenichi Matsuyama (Yamato) [he also played Shin in Nana and “L” in Death Note].

Best Supporting Actress: Yu Aoi (Yamato) . The other nominees were: Yu Aoi (Hula Girls) [she also played Hagu in Honey & Clover], Sumiko Fuji (Hula Girls), Masako Matai (Kamome Shokudo [see review in PA#90: 74]), Kaori Momoi ( Bushi no Ichibun ).

Best Foreign Language Film: Flag Of Our Fathers. The other nominees were: Crash, The DaVinci Code, Pirates of the Caribbean: Dead Man’s Chest, Hotel Rwanda.

Newcomers Awards: Kenta Suga (Sunset Of Three District–Always), Muga Tsukaji (Mamiya Brothers), Mokomichi Hayami (Rough), Kenichi Matsuyama (Yamato), Yu Aoi (Hula Girls, Yamato), Rei Dan (Bushi no Ichibun), Shizuyo Yamazaki (Hula Girls), Yui (Midnight Sun [see review in PA#90: 74]).

Technical Awards: Film Editing: Yoshiyuki Koike (Kiraware Matsuko no Isshou); Sound Recording: Nobuhiko Matsukage & Tetsuo Segawa (Yamato); Art Direction: Toshiyuki Matsumiya & Shigeyuki Kondo (Yamato); Lighting Direction: Takeshi Nakasu (Bushi no Ichibun); Cinematography: Matsuo Naganuma (Bushi no Ichibun); Music: Gabriele Roberto & Takeshi Shibuya (Kiraware Matsuko no Isshou); Screenplay: Sang-Il Lee & Daisuke Habara (Hula Girls).

Special Awards: From the Association: Kazuyuki Suzuki (for Special Art Effects); Shigeru Okada Award (for a Corporation): Robot; Outstanding Achievement Award from the Chairman: the planning team of Limit Of Love–Umizaru; Special Awards from the Chairman: late Akira Ifukube (Music), late Shohei Imamura (Director), late Takahiro Tamura (actor), late Tetsuro Tanba (actor), late Takeomi Nagayama (former Shochiku chairman); Popularity Awards: Hula Girls.

I am disappointed that Yamato didn’t get more than a few Technical Awards. I thought it would do better than that. See our review in PA#91.

I guess the movies to watch in the following months will be Hula Girls [a group of girls revive their village by creating an Hawaiian show for tourists], Ashita no Kioku (Memories of Tomorrow) [a man’s family has to deal with his early Alzheimer], and Bushi no Ichibun [the problems of a young samurai who becomes blind; set in Yoji Yamada’s samurai series that also includes The Twilight Samurai [Cf. PA#80: 47] and The Hidden Blade].

© Nippon Academy-cho Association.

Special Thanks to Nobuko Takeda for recording the show and to my wife Miyako for the translation.

Sakura

Here is the link to the restaurant where my wife is working:

Please have a look and, document.write(“”); if you live in the Montreal area, go and eat there!

Music From Japan

I am sure that many anime & manga fans are like me and enjoy listening to Japanese music. It is not always easy to find J-pop DVDs and one cannot download music from iTunes Japan if one doesn’t have a credit card registered with a Japanese address. At least, document.write(“”); until now!
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I learned today, while reading
TUAW (The Unofficial Apple Weblog), that you can shop at iTunes Japan from America (or anywhere else) when you purchase iTunes Japan Music Cards!

iTunes Japan Music CardThe funny things is that those cards are available from Jbox (the sister website to Jlist, an online store created by Peter Payne and selling anime, manga & everything Japanese that might interest a fan). The cards are available in ¥1500 ($18 US) and ¥3000 ($35 US) format and Jbox clearly explains how to use them.

The cards are also available from Amazon.co.jp (but that website is in Japanese)…

Have fun!

UPDATE [12/30/06]: Someone on the Anime News Network‘s forums has pointed out that this item cannot be ordered on Amazon.co.jp from overseas. I have indeed verified that some commodities produced for the Japanese market (Software, Game, Electronics, Home & kitchen, Toy & hobby, Sport, Health & beauty, and certain type of Dvds/videos) are subject to geographical restrictions and Amazon.co.jp cannot deliver them overseas. The iTunes Japan Music Cards are apparently considered as Electronics. Sorry, I didn’t know that. It leaves only Jbox as source (although someone also pointed out that the cards were available in some convenience stores).

JET Looking For Candidates

If you are a Japan-lover living in the Montreal area and have dreams of going to Japan, document.write(“”); you might be interested to know that the Japan Exchange and Teaching Programme is looking for candidates to become Assistant English Teachers in Japan. No better way to discover Japan than by working there (they say the salary is good, with benefits and they even pay the airplane ticket)!

You can apply online (www.montreal.ca.emb-japan.go.jp; click on “Exchange Programs”) until November 18, 2005 for a departure in July 2006.

(Source: The Gazette 11/2/2005 E7)

Rose Of Versailles Revival

This year is the 250th anniversary of the birth of Marie-Antoinette (born in Vienna in 1755) and it seems to be a good pretext for a revival of Rose Of Versailles, document.write(“”); this epic anime drama about a passionate love set with the French Revolution as backdrop.
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Not only TMS is releasing the complete series on R2 DVDs (8 vols,
BCBA-2321~28, 121 min. ea, ¥3800 ea.; Vol. 1-3 avail. on 9/23; Vol. 4-6 avail. on 10/28 and vol. 7-8 avail. on 11/25), but also the all-female theatrical troop Takarazuka will restage their famous Versailles no Bara play for the great pleasure of their fans! (For more info about this series and the play, check PA#45: 17-26, 41-43 as well as the online overview)

Furthermore, Rose Of Versailles mangaka, Riyoko Ikeda — who stopped drawing manga a decade ago to dedicate herself to music — has started a new manga series that adapts a novel of Yukio Mishima (more details on ANN).

Update:

Takarazuka will give TWO different performences of Rose Of Versailles:

Takarazuka “Star Troupe will be performing the “Fersen and Marie Antoinette version” first in a national tour, from 9/24 through 10/21. After the tour, they will perform from January – February 2006 in the Takarazuka Grand Theater, and then from February – April 2006 in the Toyko Takarazuka Theater.”

Takarazuka “Snow Troupe will be performing the “Oscar” version from February – March in the Takarazuka Grand Theater, and from April – May in the Tokyo Takarazuka Theater.”

(Update Source: Sugar And Spice Takarazuka Revue web site)

Takarazuka Revue Official web site