Anime & manga updates

NHK World Japan continues to be a great source of information about Japanese culture with their documentary series.

The Apothecary Diaries Special

The documentary series “Anime Manga Explosion” offers a special on the manga and anime The Apothecary Diaries. It is a fantasy story based on a novel where, in a country inspired by the Tang dynasty’s China, a young girl trained as an apothecary is solving mysteries. The author (Hyūga natsu) and anime director (Naganuma Norihiro) talk about how the story and the anime were produced. This episode aired in May 24, 2025 and will be available as Video On Demand (VOD) until May 24, 2026.

Anime Sanctuaries

There was a documentary series named “Anime Sanctuaries” where the description said “Did you know that a lot of your favorite anime are based in real-life locations? Join us on a pilgrimage around Japan to the “Sanctuaries” that are the inspiration of some of the greatest anime!” Unfortunately, I missed it, there are no VOD available and no more air date. Sorry! Keep an eye and maybe they will broadcast it again.

It was probably referring to the Seichi junrei phenomenon where fans go to visit locations featured in their favourite series. It is also referred as “Anime Tourism.” You can find more information on the following sites: Anime-88 SpotsConnectDeepLogJapan TravelLivingInJapanTMDbWebJapan.

Plastic Models

The documentary series “Japanology Plus Mini“ offers an episode about Plastic Models: “Japan’s plastic models are popular worldwide. Shizuoka City leads the nation in plastic model shipments. We look at the city’s plastic model industry, from its history to the latest developments.” It was first aired on November 1 & 2, 2025 and will be available as VOD until November 1, 2026.

More Than Books

This is not about anime or manga, but it talks about a great interest of mine. The documentary series “Today’s Close-up” offers an episode about a new type of Japanese library. Titled “More Than Books: Libraries as Community Hubs” it is described as this: “So-called “lively libraries” that promote new concepts, such as allowing people to chat, eat and drink are gaining popularity, resulting in a sharp increase in users in an era of declining population. Some facilities use books and magazines to promote intergenerational exchanges and resolve local issues. In addition, some local governments have focused on their libraries’ ability to attract users by allowing people to use them for free as a key part of urban development. We visit a library in Gifu that has seen its visitor numbers increase tenfold. What is the potential for public spaces to evolve into places for everyone?” It was aired on November 6, 2025 and will be available as VOD until November 13, 2025.

Anime & manga updates [002.025.256]

Anime & manga updates

Manben: Otomo

Urasawa Naoki & Otomo Katsuhiro

Another update on Manben: The latest episode of the NHK World documentary series Manben: Behind the Scenes of Manga with Urasawa Naoki (which introduces us to mangaka like Morohoshi Daijiro, Shigeru Mizuki, Nishi Keiko, Chiba Tetsuya, or Iwamoto Nao) is about Otomo Katsuhiro, the internationally renowned legend who created a masterpiece that shaped and revolutionized manga. Urasawa discuss his work with Otomo over the original pages of his manga Domu.

The episode originally aired in Japan on March 24, 2025, but the English version just aired on September 12 and 13, 2025 and is now available to view as VOD (Video on Demand) until September 27, 2025.

Paper film: The curious origins of color Anime

“Much of the first animation came out of France in the early 20th century, but developed mainly in the United States with the rise of film. In Japan, black and white animation began in the nineteen tens, but colour didn’t become prominent until the nineteen sixties. Except for a brief little-known chapter. A U.S. researcher has rediscovered and successfully restored coloured anime created here in the nineteen-thirties. (…) In the 1930s, Japan produced animated movies on paper, not celluloid. A U.S. professor has been restoring existing films, which were known for their full color.”

This news story aired on September 4th, 2025 and is now available as VOD. The 7-min. clip is also available on Youtube.

Adapting Anime Costumes for Live-Action

Direct Talk interviews the stylist and costume designer Nakahara Sachiko who “translates the looks of popular Japanese anime and manga characters into costumes for live-action adaptations. She talks about making an impact on the global stage.” The show aired on July 22, 2025 and is now available as Video On Demand (VOD) until July 22, 2026.

History Uncovered: The Hiroshige Code

“Influential ukiyo-e artist Utagawa Hiroshige‘s “100 Famous Views of Edo“, a series of prints encoding his view of the changing face of Japan.”  Art historian Toshinobu Yasumura, Professor Timon Screech, Hinohara Kenji and Manabu Oishi discuss, interpret and explain the messages hidden in Hiroshige’s art. This episode of “Time and Tide” aired on August 30, 2025 and is now available as Video On Demand (VOD) until August 29, 2026.

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Anime & manga update [002.025.228]

Anime & manga update: Manben

Another update on Manben: The latest episodes of the NHK World documentary series Manben: Behind the Scenes of Manga with Urasawa Naoki (which introduces us to mangaka like Shigeru Mizuki, Nishi Keiko, Chiba Tetsuya, or Iwamoto Nao) is about Morohoshi Daijiro, a master of mystery. We see him ink a draft of the stand-alone short story 俺が増える(“Ore ga Fueru” / lit. “I will increase”) for the ongoing anthology Daijiro Morohoshi Theater (Moroboshi daijirō gekijō serialized in Shogakukan’s Big Comic Zōkan-gō [Big Comic Special] and compiled in vol. 3 — of six tankōbon so far). The episode originally aired in Japan in November 2020 (available on Youtube), but the English version just aired on July 16, 2025 (at 09:10 PM) and July 17, 2025 (at 03:10 AM, 09:10 AM, and 03:10 PM) and should be soon available to view as VOD (Video on Demand).

Daijiro Morohoshi is a mangaka specializing in strange, horror, mystery or folklore stories. In 1970, he made his debut in COM magazine. In 1974, he was selected for the 7th Tezuka Award for the short story “Seibutsu Toshi” and he won the fourth Tezuka Osamu Cultural Prize in 2000 with Saiyū Yōenden. His works have not been very successful and he is not very well known in the West (his only works translated are BOX: Qu’y a-t-il dans la boite? published in French by Le Lézard Noir and Shiori et Shimiko partially (5 vol.) published in French by Doki Doki), but he received enormous recognition from his peers (he is known as the “manga artist of manga artist”) particularly for his detailed style. His majors works are Yōkai Hunter (1974), Mud Men [1975-82], Ankoku Shinwa [1976], Kōshi Ankokuden [1977-78] and Saiyū Yōenden [1983, ongoing].

For more info: ANNManga Updates • Wikipedia [ENFRJP]

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Anime & manga update [002.025.208]

Anime & manga update

Update: Young Magazine English version

NHK World News reports that Kodansha  announced that, to commemorate the magazine’s 45th anniversary, it is releasing a special English-language edition of Young Magazine, its popular magazine for young adults. According to NHK World Japan, “Young Magazine USA will have about 1,000 pages featuring 20 titles on themes including Sci-Fi and cyberpunk.” Kodansha will hand out the special edition at Anime NYC in August 21-24 and at Kinokuniya  bookstores in the US from August 21 to November 10. It is unclear if this will be a one-shot edition or if more issues of the magazine are planned. According to ANN, “Readers will be able to vote for their favorites among 16 eligible titles, with the winners earning serialization on the K MANGA App.” [Sources: ANNNHK World Japan]

The Professionals

Another interesting TV series on NHK WORLD Japan is “The Professionals“ about “exceptional people who are breaking new ground and making a difference in their area of expertise.” There are currently eight episodes available. Yesterday, I watched an interesting episode about Honda Tsuneyuki, a toy developer who designs capsule toys. He introduced capsule toys of unprecedented size: 7-centimetre ! In this documentary, we follow him as he is producing the capsule toy of a big Gundam head.

A Tiny Universe in the Palm of Your Hand: Honda Tsuneyuki, Toy Developer” aired July 25 (10:10 PM) and July 26 (06:10 AM, 11:10 AM, 05:10 PM), but should be available as VOD soon.

Anime & Manga Explosion !

The latest episode of the NHK WORLD Japan documentary series “Anime & Manga Explosion !” is about anime and manga adapting mythological themes. The first part tells us about the anime adaptation of Masami Kurumada’s manga Saint Seiya directed by Morishita Kozo. The second part talks about a manga inspired by the Japanese folk tale of Momotaro (with a serious twist!): Tougen Anki by Yura Urushibara — which has just started airing on Nippon TV as an anime adaptation by Studio Hibari under the direction of Ato Nonaka. In this episode they mentioned Anime News Network !

Classic Tales Reborn: SAINT SEIYA / TOUGEN ANKI” aired July 26 (11:10 PM) and July 27 (05:10 AM, 10:10 AM, 04:10 PM), but should be available as VOD soon. There are eight episodes of  Anime & Manga Explosion !” currently available as Video On Demand (VOD).

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Anime & manga updates [002.025.194]

Anime & manga updates

Manben

I’ve talked about “Manben” a couple of years ago, but here’s another update.

The latest episodes of the NHK World documentary series Manben: Behind the Scenes of Manga with Urasawa Naoki (which introduces us to mangaka like Shigeru Mizuki, Nishi Keiko or Chiba Tetsuya) is about Iwamoto Nao, a popular shojo manga artist known for her rich worlds of fantasy, romance, and adventure. Over a four-day period, we see her work on pages for Seven Knights of the Marronnier Kingdom. The episode originally aired in Japan in October 2020, but the English version just aired on July 12, 2025 (at 09:10 PM) and July 13, 2025 (at 03:10 AM, 09:10 AM, and 03:10 PM) and should be soon available to view as VOD (Video on Demand).

Iwamoto Nao (岩本 ナオ) is a shōjo mangaka who made her debut when she received the 10th Gekkan Flowers Comic Audition Golden Flower Award for her work “Sono Kanojo no Sonzai” which was subsequently published in the May 2004 issue of Monthly Flowers. She also received in 2009 the 55th Shogakukan Manga Awards in Shojo category for Machi de Uwasa no Tengu no Ko. She is mostly known for the latter as well as for Kin no Kuni Mizu no Kuni and Marronnier Oukoku no Shichinin no Kishi, but she has published more than half a dozen titles:

  • スケルトンインザクローゼット [Sukeruton in za Kuroozetto / Skeleton in the Closet] : a collection of 7 stories, serialized in Flowers, Shogakukan, 2005.
  • イエスタデイ、イエス ア デイ[Iesutadi Iesu a Di / Yesterday, Yes a Day] : serialized in Flowers, Shogakukan, 2006, 1 vol.
  • あめなしむらやくば さんぎょうか けん かんこうがかり [Amenashi-mura Yakuba Sangyou-ka ken Kankougakari ]: serialized in Rinka, 2007, 3 vol.
  • 町でうわさの天狗の子 [Machi de Uwasa no Tengu no Ko / lit. “The Tengu Child Rumored in Town”] : serialized in Flowers, Shogakukan, 2007, 12 vol. Translated in French by Kazé as Spiritual Princess. [Nelligan]
  • ジャイキリ読んで〇〇してきました [Jaikiri Yonde Maru Maru Shite Kimashita / lit. “I Started Doing 〇〇 After Reading Giant Killing”] : an essay manga published in “Giant Killing extra”, Kodansha, 2010.
  • 金の国水の国 [Kin no Kuni Mizu no Kuni / lit. “Gold Kingdom and Water Kingdom”] : serialized in Flowers, Shogakukan, 2014, 1 vol. It was adapted into an anime movie in 2023 and translated in English by Seven Seas. Also translated in French by Akata as Les noces de l’or et de l’eau.
  • 七叶树王国的七名骑士 [Marronnier Oukoku no Shichinin no Kishi / lit. “Seven famous swordsmen of the Seven Leaf Kingdom”] : serialized in Flowers, Shogakukan, 2016, 10 vol., ongoing series. Translated in French by Akata as Les 7 chevaliers du royaume des Marronniers.
  • 岩本ナオ 古今東西しごと集 [Iwamoto Nao Kokon Touzai Shigoto-shuu / lit. “Nao Iwamoto: A collection of work from around the world, past and present”] : an anthology collecting 4 stories to celebrate her 15th year anniversary in the industry, Shogakukan, 2019.

[ AniListANNGoodreadsLesLibrairesMangaUpdatesNelliganWikipedia ]

Léviathan

The anime adaption of Scott Westerfeld‘s young adult novel series, Leviathan, is now available on Netflix. Produced by Studio Orange (Trigun Stampede, Beastars), it is set in an early twentieth century alternate steampunk past and tells the story of an Austrian fugitive prince and a Scottish airman in disguise who find themselves aboard the HMS Leviathan, a genetically engineered airship, fighting mechanized war machines in order to prevent a world war.

I have now watch half of the twelve episodes of the series and I must say that I am VERY impressed with this anime. It is quite faithful to the original book (of course, like all adaptation, there are a few shortcuts here and there, and some changes, but it is very respectful of the original) and the animation is of very high quality. It is somewhat reminiscent of Gundam (character designs) and Miyazaki (particularly the watercolour storyboard of the end credits by Christopher Ferreira & Alex Alice). It is an excellent work that I strongly recommend to all anime fans, particularly if you already know the novels or if you are interested in alternate history and steampunk.

Leviathan, Japan, 2025, anime series, 12 episodes of 25 min.: Dir.: Christophe Ferreira; Scr.: Yuichiro Kido, Yukata Yasunaga (based on Scott Westerfeld’s novels); Studio: Qubic, Orange; Anim. Prod.: Tokuya Ogawa, Daigo Ikeda; Voice dir.: Yoshimi Iide;  Char. Des.: Ayumi Kurashima;  Mecha des.: Takehiko Hoashi, Shinobu Tsuneki;  Creature des.: Le Yamamura;  Art dir.: Tadashi Nakajima;  Ed.: Edit Room Seyama, Rie Matsubara; Mus.: Nobuko Toda, Kazuma Jinnouchi, Joe Hisaishi (op & closing theme); Prod.: Katrina Minett, Yoshihiro Watanabe; Distr.: Netflix; Cast: Natsumi Fujiwara (Dylan), Ayumu Murase (Alek), Shunsuke Sakuya (Volger), Yasuhiro Mamiya (Klopp), Mie Sonozaki (Dr. Nora Barlow), Ivan Shibata (Newkirk), Fairouz Ai (Lilit), Hiroki Touchi (Tesla), Ikuko Tani (Nene), Genta Nakamura (Hoffman), Daichi Hayashi (Rigby), Satoshi Niwa (Matthews), Naoto Kobayashi (Thomas), Yukitaro Namura (Hirst), Michio Hazama (George Darwin), Takahiro Fujiwara (Pavel), Naomi Kusumi (Zaven), Tessyo Genda (Sultan).

[ ANNIMDbWikipedia ]

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Anime & manga updates [002.025.165]

Anime & manga updates

Manben

The latest episodes of the NHK World documentary series Manben: Behind the Scenes of Manga with Urasawa Naoki (which introduces us to mangaka like Shigeru Mizuki or Nishi Keiko) is about Chiba Tetsuya, the creator of the legendary series Ashita no Joe. The episode originally aired in Japan in 2020, but the English version just aired on June 13, 2025 (at 09:10 PM) and June 14, 2025 (at 03:10 AM, 09:10 AM, and 03:10 PM) and should be soon available to view as VOD (Video on Demand).

Tetsuya CHIBA [jp], now 86 year-old, talks about creating Ashita No Joe and we see him working on a few pages of his latest autobiographical series, Hinemosu no Tari Nikki [ひねもすのたり日記 / lit. “Daytime diary”]. He was recently the first mangaka to be honoured with the prestigious Order of Culture award. 

Midnight Diner

If you are into Japanese drama tv series, I strongly recommend Midnight Diner [深夜食堂 / Shinya shokudō]. Based on a manga by Yarō Abe, it offers five seasons of ten 25-minute episodes each, directed by Joji Matsuoka and starring Kaoru Kobayashi. The first three seasons aired in Japan on MBS from October 2009 to December 2014 and the last two seasons (titled Midnight Diner: Tokyo Stories) aired on Netflix from October 2016 to October 2019. All five seasons are now available subtitled on Netflix. It tells the story of a chef, known only as “Master”, who operate a 12-seat late-night diner in Shinjuku. It is opened from midnight to 7 am and the menu offers only Tonjiru (pork miso soup), but the chef can cook whatever customers request as long as he has the ingredients for it. Each episode focuses on one specific Japanese dish and the life drama of one of his regular costumer. It has also spawn two movies (in 2014 and 2016). It is a really great series as it offers the drama of daily life, is often funny and sometimes falls into fantasy (or magical realism). I really like it.

Leviathan

The anime adaption of Scott Westerfeld‘s young adult novel series, Leviathan, is coming to Netflix on July 10th. Produced by Studio Orange (Trigun Stampede, Beastars), it is set in an early twentieth century alternate steampunk past and tells the story of an Austrian fugitive prince and a Scottish airman in disguise who find themselves aboard the HMS Leviathan, a genetically engineered airship, fighting mechanized war machines in order to prevent a world war. It is quite promising. You can watch the teaser on Youtube:

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Anime update [002.025.0054]

Beastars

One of the latest episodes of the NHK World documentary series Anime Manga Explosion is dedicated to the manga and anime Beastars. It first aired on NHK World on December 28, 2024, but was broadcast again this weekend. It is available as Video On Demand (VOD) until December 29, 2025.

Beastars is “a popular manga that uses a world of anthropomorphic animals to explore modern social issues. Through an exclusive interview with creator Itagaki Paru, learn how BEASTARS came to life and the passion behind it. Plus, take a behind-the-scenes look at the anime’s final season and the innovations that enhance its realism.”

Beastars is a shōnen manga by Paru Itagaki that was first serialized in Weekly Shōnen Champion from September 2016 to October 2020 before being compiled in 22 volumes by Akita Shoten. It was adapted into an anime by Studio Orange under the direction of Shin’ichi Matsumi and is airing on Fuji TV‘s +Ultra programming block since October 10, 2019. There are 36 episodes so far. It has been licensed on Netflix.

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Wangan Police Station

When I was producing the Protoculture Addicts magazine in the ’90s and early 2000s, I used to watch a lot of Japanese TV drama thanks to friends in Japan and in the U.S. who were recording them and sending us copies. I was greatly enjoying those shows and I must admit that I miss them. One of the shows I liked a lot was Odoru Daisôsasen, a police procedural comedy. A few months ago I noticed that Netflix started adding to their lineup Japanese TV drama like Jin, Asura, The Makanai, Okura: Cold Case Investigation, Shinjuku Field Hospital, Quartet, etc.

I recently said to my wife, “I just hope that Netflix will add nice shows like Odoru Daisôsasen…” and, to my astonishment, I discovered a couple of weeks ago that Odoru Daisôsasen was indeed offered on Netflix ! I started watching it again. Of course, the quality of the picture is not as good as what we see today and the screen aspect ratio is almost square (after all it was produced in 1997), but it was still funny, interesting, entertaining and very enjoyable. I remembered that we published an article in the magazine about the show and I decided to share with you here a slightly updated version of this article (or you can read the original illustrated article here, in PDF — Enjoy!).

Go to Netflix and have a look, I am sure you will like it. [CJP]

> Please, read the warning for possible spoilers <<

Odoru Daisosasen

By Miyako Matsuda (From Protoculture Addicts #60: 15-18)

Overview

Odoru Daisôsasen (“The Big Dancing Criminal Investigation Line”) TV series is sometimes called Dancing Detective, sometimes Rhythm & Police, but it’s mainly called Wangan Police Station (WPS) among North American anime otaku. If you’re a Patlabor fan, you will absolutely love this TV series which started in January 1997 and became a super hit in Japan! Up ’till now [in May 2000], there are eleven TV episodes, three TV Special “movies,” and a theatrical release (Bayside Shakedown The Movie, which was shown at the Montréal World Film Festival ’99 — see PA#59: 15; three more movies will be added later [in 2003, 2010, 2012], plus three spin-off movies [two in 2005, and one in 2024] and a new movie is coming in 2026). In fact, the TV series was so popular that, according to news reports, over 3000 fans waited in line all night to be able to see the premiere of the movie and to meet the director & the actors at the Nichigeki Toho Theatre in the fashionable district of Yuraku-cho in Tokyo. We heard that it has also become very popular among Japanese anime otaku and that, at the Comic Market, many fans dressed like Detective Sergeant Aoshima, the main character of this show! Odoru Daisôsasen surely became a big phenomenon! The TV series and TV Specials are already available on videos (in Japanese) by Pony Canyon, and we do hope that a North American releaser will pick this title up some day to bring this very interesting human story to English-speaking fans.

“Wangan” means Bayside. It’s the fictitious name of the police station, located near the Rainbow Bridge and Tokyo Bay. In fact, this show’s world is quite real! We viewers know that it’s fiction, with lots of fictitious small details, to reflect today’s Japan and its youth culture. In one episode, we see a character named Noguchi who’s an anime otaku (he loves the Sailor Moon-like character Pink Sapphire!) and a stalker! And there is this place called “The Image Club” where customers go and can meet girls who wear anime & TV characters’ costumes, etc. We all know it’s a fictitious TV show and yet, this Wangan world is very real, as if we’re part of the show. If we enter Wangan’s world, we all know these things exist! 

The main character, Sunsaku Aoshima, is played by none other than Yuji Oda, who’s quite charming and all viewers would feel empathy and love his honesty. Aoshima-kun is a Police Sergeant. He always introduces himself to the people he meets saying, “I’m Police Sergeant Aoshima, the same name as Tokyo prefectural governor!” The reason why we begin to like Aoshima-kun immediately is that he’s NOT an ordinary cop. He used to be a salesman in a computer company, but he was bored, so he quit his job and became a cop! He’s just like any of us: he wants excitement in his life and he wants justice! But of course, our lives don’t always go the way we want and life is full of disappointments! Just like many of us, he wants to be a “cool” cop, and yet, he faces many hardships and disappointments. This is why many people become fans of this show, I think!

Wangan Police Station saga was created by Director Katsuyuki Motohiro (who’s in his 30s and you’d definitely feel the fresh air of youth while you’re watching this show!) and screenplay writer Ryoichi Kimizuka, and lots of enthusiastic crew members. The more we watch this show, one episode to the next, we start feeling tremendous empathy toward all its characters. American TV shows like ER, Chicago Hope, etc., are great in their own way, but it is rare to see a show like WPS which can offer a full range of joy, anger, sadness, and enjoyment, captivating us by the strength of its story and its refreshing new views of society. The way each character speaks reminds us of who they are and that they are part of a vertically structured society (which is probably similar to the American police forces & military). Also, WPS world’s criminals are really psycho & weirdos (an anime otaku psycho, an insurance salesman murderer, a gigolo drug dealer, an intelligent psycho bomber, etc.) who also reflect our own times. Interestingly, computers and the internet are often part of the story…

After viewing, you’ll feel like clapping your hands with its theme song “Love Somebody”. Highly Recommended!! [MM; with contributions by CJP]

Odoru Daisôsasen (踊る大捜査線 / lit. “The Big Dancing Investigation Line”), a.k.a. Dancing Detective, Wangan Police Station, Bayside Shakedown, Rhythm and Police; Japan, TV Drama, 11 eps (45 min.) + 3 specials (100 min.) + 4 movies; aired on: Fuji TV (FNS) Tuesdays at 21:00 from January 7 to March 18, 1997; Dir.: Katsuyuki Motohiro, Kensaku Sawada; Scr.: Ryoichi Kimizuka; Prod.: Chihiro Kameyama, Shôji Hidefumi; Cast: Yuji Oda (Shunsaku Aoshima), Toshiro Yanagiba (Shinji Muroi), Eri Fukasu (Sumire Onda), Miki Mizuno (Yukino Kashiwagi), Chosuke Ikariya (Heihachiro Waku), Yusuke Santa Maria (Masayoshi Mashita), Takehiko Ono (Kengo Hakamada), Soichiro Kitamura (Kanda),Kenta Sadoi (Jiro Uozumi).

Reference: Kinema Junpo #1269 (01/98): 26-63. For more information you can check out those web sites:

[ AsianWikiFuji TVIMDbNetflixOfficialPrime Jp •  Wikipedia ]

Special thanks to Junpei Kamada & Vincent R. Wilson who provided the videos.

© 1997-98 Fuji Television Network, Inc.

Characters

Sunsaku AOSHIMA

Wangan Police Station Criminal Case department police sergeant. He is the main character of this story. He used to be a salesperson in a computer company but, due to boredom & disputes among private companies, he quit & became a police sergeant. He began to feel sadness & great frustration inside Wangan Police Station because of unreasonable bureaucracy, but he’s very optimistic and began to change people around him. He’s basically “an eternal kid” himself, who loves children, and he is very sincere. Actor: Yuji Oda.

Sumire ONDA

Wangan Police Station theft department police sergeant. Until she met Aoshima-kun, she used to be like an office lady of Wangan Police Station. She was attacked by a psycho-criminal in the past and has a deep scar in her heart. She looks cold outwardly, but inside she’s naive & gentle. She never forgives a criminal who abuses women. Actress: Eri Fukatsu.

Heihachiro WAKU

Wangan Police Station detective leading officer. He is like Japan’s Morgan Freeman! He’s a role model for Aoshima-kun who looks up to him at all times. Six years ago, his young detective partner officer was murdered. When he met Aoshima, he decided to dedicate his life to catching criminals. A man of justice with very philosophical words. Actor Chôsuke Ikariya is absolutely perfect for this role.

Shinji MUROI

The Metropolitan Police Board Criminal Councillor. He’s the elite of Japan’s National Government officer. When he met Aoshima-kun, his policy changed, to be more caring, and he tries to be flexible to deal with things case by case. He doesn’t talk very much, but has the courage of his convictions and is very brave. He knits his brows a lot (frowning makes wrinkles appear between his eyes, which characterize him). He’s originally from Akita Prefecture of Northern Japan. When he meets people from his prefecture, he starts talking with his thick dialect. Because of that, other city officers who graduated from Tokyo University look down on him. He is elite, but very human. Actor: Toshiro Yanagiba.

Yukino KASHIWAGI

Wangan Police Station traffic department lady officer. She was the daughter of a murdered victim, and couldn’t talk for a while due to her great emotional shock. Aoshima-kun helps her to get back to social life and she becomes a criminal case officer sergeant. Actress: Miki Mizuno.

Masayoshi MASHITA

Wangan Police Station Detective. He’s the son of an elite officer of the Metropolitan Police Board and he wants to go “up” as a professional officer. He is cheerful, full of wit and loved by everyone. Actor: Yusuke Santa Maria.

The Three Amigos

Wangan Police Station chief detectives. They are called “The Three Amigos” due to the fact that they are always together and that they constantly flatter top officers to secure their salary. Actors: Soichiro Kitamura, Akira Saito, Takehiko Ono.

Synopses

>> Please, read the warning for possible spoilers <<

1. Salary-man Police Officer & His First Difficult Case 

Aoshima-kun, a 29-year-old police sergeant arrives for his first assignment at the Wangan Police Station  with enthusiasm, but Sergeant Sumire Onda totally ignores him. When he arrives at his first murder scene, he is treated as a nuisance. He meets the elite officer Muroi, but Detective Waku takes him away. In his office, all members act separately and they don’t even look like serious officers. Aoshima-kun is disappointed. The first job he gets is to be a driver for Councillor Muroi, to bring him to the General Hospital to see a daughter of the murder victim. She can’t talk due to her emotional shock, but Ashima approaches her gently. He also has to investigate a suspicious insurance salesman named Tanaka. He finds some comfort talking with Tanaka, but later discovers that Tanaka, bored by his routine job, is the murderer they were looking for! Ashima is shocked, “That man could have been me”. 

2. The delivered goods of love & revenge

Detective Waku is targetted by a police-killer named Yamabe. In the past, Waku-san has hit him during an inquiry, and that’s why Yamabe killed another police officer in revenge, Councillor Muroi thinks. Meanwhile, a fancy chair is delivered to Wangan Police Station for Waku-san, who thinks it is a gift from someone in the Police station that took pity of his old age & badly aching back. He sits… then, something is very wrong! There is a bomb under the chair and he can’t get up. Ashima-kun tries to help, but, accidentally, touches a wire and he can’t move at all either! During the ordeal, every member of Wangan Station offers their opinion. Finally, the Special Force arrives and both of them are saved on time. Muroi-san having behaved as a “gentleman”, the criminal Yamabe says to him,”I won’t take my revenge on you” before being taken away.

3. The erased report and her incident

Sergeant Sumire-chan is investigating a theft case, but the criminal is the son of a high government official named Tetsuya, and Sumire is ordered to stop investigating the case! She becomes angry and brings Keiko & Aoshima to a jail cell and stays there to protest the decision. Councillor Muroi arrives at Wangan station to talk to her, letting her know that she can investigate as long as she doesn’t bring the case to the media. Aoshima gets angry also, and shouts at Councillor Muroi, “The police station is not like a private sector company, right?!” Meanwhile the thief Tetsuya shows no remorse and Aoshima gets even angrier! Aoshima is scolded by Tetsuya’s lawyer, but Councillor Muroi protects him. Muroi says, “I shall become a top officer!” Aoshima smiles at him.

4. A girl’s tears and the pride of police officer 

Councillor Muroi is beginning to like Aoshima-kun very much, and wants him to be his subordinate. Muroi gives to Aoshima a chance to arrest the criminal Ooki, who’s a serial robber. Aoshima arrives at the nightclub to arrest him, but he sees a girl who is attacked by a violent man. Instead of arresting Ooki, Aoshima chooses to help the girl who is being abused. Councillor Muroi is extremely upset by this failure. However, Detective Waku & the other Wangan Police Station members, who were listening on the radio, go out to find and arrest Oaki, and bring him to Muroi.

5. Can’t hear her screaming voice!

Sergeant Sumire Onda is attacked on the way home. The criminal, Noguchi, is obsessed by her and has previously attacked her! Fortunately, Sumire-chan isn’t injured much, but Noguchi sends her a videotape of her apartment! He confuses Sergent Sumire with the anime character Pink Sapphire, and since she rejected him, he’s planning to take revenge on her. He’s a terrible stalker! About the same time, two other crimes are committed in the same way, and Detective Mashita retraces Noguchi through the Internet! Sumire agreed to become a decoy. In a parking lot, Aoshima looses sight of Sumire, and she’s again attacked by Noguchi, but, fortunately, Muroi arrives in time to save her and arrest the psycho-criminal Noguchi.

6. A Waiting Detective & her love and truth

Wangan police station is full of joy with the presence of a young girl entertainer, but Aoshima & Waku-san are on a stakeout to catch a drug dealer. Aoshima is shocked to find out that Ms. Yukino, the victim’s daughter in the first episode, is involved! Councillor Muroi doesn’t even remember her and when she receives a package with drugs, she’s arrested. She was a gal-pal of the drug dealer Iwase when she was a student in Los Angeles, but knew nothing of his drug dealings. Aoshima purposely makes her angry & she hits him, so he can arrest her and keep her from being brought to the headquarters. Ashima now has 48 hours to find and arrest the drug dealer Iwase.

7. 48 hours time limit

Waku-san brings Aoshima to meet his informant, Tatsumura (nicknamed the “mole”), to get a lead on Iwase. They succeeded in getting the list of Iwase’s former gal pals. Meanwhile, Ms. Yukino tells Aoshima about a gal named Ayako Sumida. The very next day, Aoshima succeeds to sneak in the company where Sumida’s gal works to get more information on her. While Detective Mashita & Sergeant Sumire are trying to kill the time and keep Ms. Yukino longer in Wangan station, finally, Detective Waku & Aoshima, who followed Ms. Sumida, arrive at the station with the drug dealer Iwase for Muroi to arrest him publicly. Waku says to Aoshima, “Go to the top, if you want to do the right thing!”

8. Farewell our beloved detective

The HQ hires “The Profiling Team,” three young nerd detectives who think they can solve any crimes just at looking at all the data on their computer! Detective Waku is furious for being ignored and leaves to investigate by his own old-fashioned way. Meanwhile, Sumire-chan is taking care of a little girl, Ai, who was alone in her parents’ house when it was visited by a thief. Councillor Muroi also feels great “doubt” for this trendy scientific crime-solving method and those brainy kids from the university. The Profiling Team thinks the criminal they are looking for is a man named Shibuya. Detective Waku rather suspects a man named Kubota. Muroi orders to check both suspects and it turns out that Kubota is the thief whom Sumire was looking for. Shibuya was indeed the criminal as the team said, but they realize how difficult it is to confront a criminal! Aoshima is the one who succeeds in making Shibuya confess.

9. Wangan Police Station Big Panic! Danger to Sergeant Aoshima. 

An unemployed student tries to commit suicide, and Detective Waku & Aoshima succeeds in stoping him. Councillor Muroi asks them to protect the mistress of a suspect murderer. She is very selfish, saying that, “I never asked him to murder anyone!” Aoshima & the other station members can’t stand her. Meanwhile, Aoshima finds a suspicious man looking around the station and relay the information to Muroi by fax, but receives no reply. The mistress is released for lack of evidence, and, on her way out, an elder brother of the victim (the suspect spotted by Aoshima) attacks her. Aoshima tried to stop him, but gets stabbed! Thanks to the lucky charm he always carries, Aoshima survives, but he gets angry at Muroi for not helping him earlier. Muroi feels great responsibility. “This was my fault,” and he promises to do more…

10. The Deadly Bullet: Detective’s tears were erased by the rain. 

Tatsumura (the “mole”) gives Detective Waku information about an old murder case where the victim was a police officer. This case is important to Waku-san, but he will retire in a week, so he decides to do things his own way. Aoshima asks Muroi for help but without success (bureaucracy!). Waku finally arrests a man named Toshi, who bragged of being a cop killer, but admits he was just doing like his buddy Anzai, who just came back from the Philippines. Anzai is an illegal gun dealer with a big scar on the face. At the same time, Ms. Yukino is coming back from her police entry exam and Mashita offers to walk her home. On their way, Mashita stops a man acting suspiciously. The man, who has a scar on the face, shots Mashita! Yukino screams! Later, all Wangan members are distributed weapons and they are looking for evidence under the heavy rain…

11. Farewell Sergeant Aoshima

Detective Mashita is in the hospital, heavily injured. Wangan station members find out information about Anzai on Detective Mashita’s internet homepage! Aoshima & Sumire go to see a man named Shiraishi, and they accidentally meet Anzai in the “Image Club” — a place where men buy prostitutes wearing anime costumes! Anzai starts shooting at Aoshima, so he had no choice but to shoot back. Instead of helping each other, the top elite bureaucrats are worried about the appearances. Councillor Muroi gets furious, and runs from the office. Aoshima & Muroi finally find the bar where Anzai is, after asking Yamabe about the location. Finally, they can arrest Anzai. Detective Waku says he wants Aoshima to continue his work after his retirement. He leaves Wangan Station saying, “I’m leaving, but Wangan Station doesn’t die as long as you have Aoshima.” A week later, Councillor Muroi & Aoshima receive their punishment for not obeying orders, but Aoshima is happy, saying to Muroi, “You, you stay on top for me!” Both smile at each other. Several days later, Aoshima starts his new assignment as an officer in a neighbourhood Police Box. On the street, he encounters an old lady, Mrs. Yoshida, who gave him his precious lucky charm!

The End of the Year Police Special

The year ’97 is almost over. With the help of Councillor Muroi, Ashima can come back to the Wangan Police Station after a long (longer than planned!) absence, but no one wants him in any department! He ends up in the Traffic Department with Ms. Yukino, but gets involved with an injury case at an elementary school. Then, he is sent to Life Safety Department and then to another Department, and another! During all this time, he is still investigating the elementary school incident and finally arrests a young drug addict named “Kagami.” Kagami somehow sneaks out while the station’s staff is distracted and takes one of the Three Amigos hostages with a gun! It turns out that Kagami is also a murderer wanted by the Metropolitan Police HQ! The elite officer Shinjo says, “For his crime he deserves death” and tries to shoot Kagami, but at the right moment Councillor Muroi calls the Special Force, S.A.T., and Kagami is finally arrested!

Wangan Side Story: The Female Cop Story

Ms. Natsumi Shinohara arrives at the Wangan Police Station after graduating from the Police Academy to be a Police Lady in the Traffic Department. She shows the newcomers’ enthusiasm, but her hopes are destroyed when she is put under the responsibility of Ms. Kuwano, a “natural-born old maid” & very inflexible female cop. Natsumi finally gets tired of being pushed around! She screams after going through so many unpleasant incidents, “If you’re right, I’m quitting!” Later, Natsumi gets accidentally involved with a criminal whom the police HQ had been looking for. She is asked to chase the criminal’s car, and Kuwano is assisting her through the radio. Natsumi succeeds in hitting the criminal’s car and arrests him. After the incident, Kuwano is transferred and Natsumi shows her respect by saluting, “We’re all police officers”.

The Autumn Crime Eradication Special

Aoshima-kun comes back to Wangan station after a month of investigation under cover. After an arson incident, the criminal and the woman who ordered him to commit the crime are arrested and Aoshima is asked to pick them up. Somehow, the woman escapes. Aoshima and Sumire are punished for letting her escape, especially Sumire who seems sympathetic to the woman who had been abused by her boyfriend. Councillor Muroi wants Aoshima to follow Sumire and report her activities. He is also tapping the telephone wire of Wangan station to investigate both Aoshima & Sumire! Ashima accuses him of betrayal & treachery. The woman is arrested by Shinjo, but Aoshima also insists on investigating the victim (the woman’s boyfriend and abuser) equally. Sumire is furious for finding out that she was tapped. Even after the arrest, all members feel betrayed and this incident had deepened the emotional split among Wangan members.

Japanese Movies at the 1999 MWFF

Odoru Daisôsasen: The Movie (Bayside Shakedown)

By Miyako Matsuda (From Protoculture Addicts #59: 15)

This very original Police show will totally charm you! Bayside Shakedown was the English language title at the 1999 Montreal World Film Festival, but the original title is Odoru Daisôsasen The Movie: Wangansho Shijo Saiaku No 3-kakan, which means “The Dancing Large Criminal Investigation Line Movie: The Worst 3 Days In Wangan Police Station History” (gee, too long, eh?). It is also known by fans as Rhythm & Police or Wangan Police Station. Actually, it was a super popular hit TV show in Japan (it started in January 1997 and there were eleven 45-min. episodes, followed by four TV Specials — we will cover this series in a future issue of the magazine), so it is no surprise that they brought those characters back in a movie! Both the series and the movie have very comical scenes that make you laugh, as well as some serious ones (like exposing the ugly politics among Japanese bureaucrats), that make you think. In any case, it’s captivating and you can’t take your eyes off the screen!

It tells the everyday life story of Wangan (Bayside) Precinct Police Station in Tokyo: murder cases, petty thefts, kidnapping cases, etc. In a way, it’s like many other cop shows, but the storytelling is very original and those characters are charming. The leading character is Detective Aoshima-kun (played by Yuji Oda) who’s young and idealistic. He used to be an office worker in a computer company, but he was bored to death and longed for being a cool police detective. So, he quit the job to join Wangan Police Station. However, he is quickly disillusioned. He thought that being a detective would mean arresting criminals and doing murder investigations, but finds his work paralyzed by police stations’ territorial disputes spawned from the Japanese vertically structured society and bureaucracy. Maybe that job is just as bad as in the private sector? The local cops are always pushed around by the Headquarters’ officers and warned to keep their noses out of the investigations despite the fact that Wangan people know the area better. Being so helpless makes Aoshima feel despaired, but, having befriended Inspector Muroi, from Headquarters, he convinces him to try helping citizens instead of just being an elite bureaucrat.

Another great character is Detective Waku (nicknamed “The Japanese Morgan Freeman”!), an old and extremely philosophical cop who plays the role of a mentor for Aoshima. As a guest appearance, we can also see Ms. Kyoko Koizumi (a former Japanese idol singer nicknamed “Kyon Kyon”) who plays a psycho! This female character, a nurse who became unemployed, is like a child living in her own world and she kills people who want to die. She’s a really scary character. Well, actually in Bayside Shakedown The Movie, all criminals are “psychos” who can’t grow up and remain children psychologically. A bunch of teenagers kidnap a company’s president and they think that’s a game! Time has really changed. Now, with the Internet, where psychos and criminals can communicate and exchange ideas, the nature of crime itself has changed.

The director, Mr. Katsuyuki Motohiro, is very young. Born in 1965, his background is in TV, where he directed several variety shows and dramas. The movie still has this “TV show” feel, but Director Motohiro also gives an incredible tempo to the storytelling by using dynamic film angles, slow motion, fast paced shots, etc. It is really like dancing! We must add that Mr. Ryoichi Kimizuka did a fantastic job with this very entertaining script. We can feel a real empathy towards those police characters! The balance is very good between action & reflection, humour & drama. Finally, all this is very well supported by an excellent soundtrack by Akihiko Matsumoto. The music makes a great difference and gives more punch to the story!

After seeing this film, I really felt good and I wanted to see more (luckily, we were able to find the TV series). We highly recommend this movie. You won’t be disappointed! Hopefully, some North American releaser will eventually release both the TV series and the movie in English. [MM]

Odoru Daisôsasen The Movie (踊る大捜査線 THE MOVIE). Japan, 1998, 119 min. Dir.: Kasuyuki Motohiro; Script: Ryoichi Kimizuka; Phot.: Osamu Fujishi; Mus.: Akihiko Matsumono; Prod.: Fuji TV/Pony Canyon; Cast: Yuji Oda, Toshiro Yanagiba, Eri Fukasu, Miki Mizuno, Kyoko Koizumi, Chosuke Ikariya, Takehiko Ono, Soichiro Kitamura, Akira Saito, Masayoshi Mashita, Yusuke Santa Maria, Kenta Sadoi, Toshio Kakei.

Source: Kinema Jumpo #1269 (11-98): 26-63. For more information you can check out those web sites:

[ AsianWikiIMDbOfficial webpageRotten TomatoesWikipedia ]

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Anime update [002.025.026]

Studio Pierrot

I have already covered much the documentaries about anime and manga on NHK World. There are two shows in particular that are of interest: first, Manben: Behind the Scenes of Manga with Urasawa Naoki (talking about artists like Shigeru Mizuki or Yasuhiko Yoshikazu) and, second, Anime Manga Explosion (talking about the Patlabor Revival, Music in anime : Girl Band Anime or the Legendary Producer Maruyama Masao).

The latest episode of Anime-Manga Explosion is dedicated to Studio Pierrot. It is airing January 25th and 26th on NHK World and should be available soon as Video On Demand (VOD). Studio Pierrot (株式会社ぴえろ / Kabushiki-gaisha Piero) was created forty-five years ago, in May 1979, and produced several famous anime like Urusei Yatsura, Area 88, Kimagure Orange Road, YuYu Hakusho, Here is Greenwood, Fushigi Yûgi, Neo Ranga, GTO, Plastic Little, Key the Metal Idol, Hikaru no Go, The Twelve Kingdoms, Naruto, Bleach, etc., although the documentary focuses only on those last two titles.

If you are interested into anime and its history, you should have a look

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The Boy and the Heron

“After his mother’s death, young Mahito moves to her hometown, where a mysterious heron leads him into a fantastic realm shared by the living and the dead.” [Description from Netflix]

>> Please, read the warning for possible spoilers <<

The Boy and the Heron (君たちはどう生きるか / Kimitachi wa dō ikiru ka / lit. “How do you live?”) is the 12th feature-length movie directed by Miyazaki (despite having announced his retirement several time). It is inspired by his childhood and by Genzaburo Yoshino’s 1937 novel How Do You Live? which Miyazaki has read as a boy and is considering as one of his favourites books. The production lasted for seven years.

During WW2, after the fire-bombing of Tokyo, the twelve year-old Mahito moves to his family’s estate in the countryside. His sick mother has died and his father has remarried his mother’s sister.  He feels watched by a strange grey heron. On the expansive estate, there’s an old tower built by his Great-Uncle and that is said to be cursed. He is told to keep away, but, as all teenagers, doesn’t listen. In a coming-of-age experience, the talking heron guides him into a strange parallel world out of time.

This is the weirdest of all Miyazaki’s movies. It is a mish-mash of everything: biographical elements, bits and pieces of most of his previous movies (even from his book Shuna’s Journey), the myth of Orpheus who visits the underworld to save his wife Eurydice, and even Snow White and the seven dwarves (in this case represented by seven old and ugly maids) ! It is a trip through the mind of Miyazaki (maybe he is the Master of the Tower and each of the doors of the tower leads to one of his universe?). It can be a very simple story (a boy saves his aunt/step mom from the meta universe or the boy has a feverish dream following a bad head injury ?) or a very complex metaphysical allegory that doesn’t make much sense. You choose. However, what ever you think of the story the fact remains that it is an incredibly beautiful hand-drawn animation (the backgrounds are really stunning and the effects when the boy runs through the burning streets of Tokyo are quite impressive). A must-see movie particularly if you are a fan of Miyazaki.

TheBoyAAndTheHeronThe Boy and the Heron : Japan, 2023, 124m, Japanese with English subtitles; Dir. & Scr.: Hayao Miyazaki; Art Dir.: Yôji Takeshige; Anim. Dir. & Char. Design: Takeshi Honda; Phot.: Atsushi Okui; Ed.: Rie Matsubara, Takeshi Seyama, Akane Shiraishi; Music: Joe Hisaishi; Prod.: Toshio Suzuki (Studio Ghibli); Distr.: Toho; Cast: Soma Santoki (Mahito Maki), Masaki Suda (The Grey Heron), Kô Shibasaki (Kiriko), Aimyon (Himi), Yoshino Kimura (Natsuko), Takuya Kimura (father: Shoichi Maki), Jun Kunimura (The Parakeet King), Shohei Hino (Great-Uncle). Rated PG. It has received a score of 97% on Rottentomatoes, 91% on Metacritic and 7.4 / 10 on IMDb. With a box office of US$294.2 million, it’s the highest-grossing Japanese film. It also received several awards: Academy Awards, the BAFTA Awards, the Golden Globes, and the Japanese Film Academy. stars-3-5

To learn more about this title you can consult the following web sites:

[ GoogleIMDbNetflixTIFFWikipedia ]

Also, you can check the official trailer on Youtube:

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Patlabor Revival

The latest episode of NHK World’s documentary series Anime Manga Explosion (see my article “Anime and manga on NHK World”) is dedicated to Patlabor. The show aired on NHK World Saturday 28 and Sunday 29th, but it should be available for viewing on demand (VOD) soon. [update 2024/09/30: it’s now available on VOD]

In Patlabor, Tokyo had been destroyed in a big earthquake and, in order to rebuild it, Japanese created heavy construction machines (more power suits than robots) called “Labors” to do the work. But what to do if someone steals a labor in order to rub a bank? The answer: you make the police drive their own labors instead of cars — and the Patrol Labors (Pat-Labor) were born. The show puts emphasis not on the mecha themselves but on the characters as it follows the daily life of the personnel of a police station (Section 2): the officers who are piloting the labors and the mechanics who are doing their maintenance, as well as their entourage.

Created by Headgear (a group composed by manga artist Masami Yūki, director Mamoru Oshii, screenwriter Kazunori Itō, mecha designer Yutaka Izubuchi, and character designer Akemi Takada), the series first appeared as a 22-volume manga (serialized in Weekly Shonen Sunday between March 23 1988 and May 11 2994) and two OVA series (7 episodes released between April 1988 and June 1989, as well as 16 episodes released in 1990–1992). It was quickly followed, among others, by a 47-episode TV series (aired in 1989–1990), three movies (1989, 1993, 2002) and seven light novels (1990-1994). There was even a 7-episode live-action TV series (2014-2015)! 

However, today’s anime fans probably never heard of this excellent series. The best way to make them discover Patlabor, was to reboot the series (it’s a trend: we have recently seen announced the revival of Ghost in the Shell, Ranma 1/2 and even The Rose of Versailles). Therefore a new Patlabor series titled Patlabor EZY was announced in November 2016 as part of the 35th anniversary of the series. It would feature entirely new characters. Recently it was announced that it would be produced by J.C.Staff and would air in 2026. The series is directed by Yutaka Izubuchi (original mechanical designer), with a script by Kazunori Itō, character designs by Masami Yūki, mecha designs by Kanetake Ebikawa & Toshiaki Ihara, art designs by Masanori Kikuchi & Yuta Akiyama, animation direction by Takamitsu Satou, CG direction by Yoshinori Moriizumi, and music by Kenji Kawai. Akemi Takada is also contributing to the costume designs and Tarō Maki (Genco) is producing.

If you want to have an idea of what this new series looks like, you can watch the Patlabor Special of the Anime Manga Explosion documentary on NHK World. I just hope that, when this series is released, it will also be available in North America.

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Anime and manga on NHK World

If you are a fan of anime and manga there is two documentary TV series on NHK World Japan that will definitely interest you.

The first one is “Anime Manga Explosion” for which there is still a few episodes available on Video On Demand:

The second series is Manben: Behind the scenes of manga with Urasawa Naoki which also has a few episodes available on Video On Demand:

I have already talked about this second series on the blog (“Urasawa Naoki no Manben”). There was an interesting fan site that was offering all the episodes in VOD but it is unfortunately no longer available. However, the episodes can be found on Youtube (Season 1, Season 2, Season 3, Season 4, Season 5: Neo episodes 1-13 ).  You can also find more information on its wikipedia (jp) page or on the official web site.

List of episodes (Neo series):

  1. Chiba Tetsuya (Ashita no Joe [Wikipedia]) aired October 01 , 2020
  2. Nao Iwamoto (Yesterday: Yes a DayThe Seven Knights of the Marronnier Kingdom [Manga Updates]) aired October 08 , 2020
  3. Sugimura Shinichi (All NudeCigarette Anthology [Manga Updates]) aired October 15 , 2020
  4. Yukinobu Hoshino (2001 Nights [Wikipedia]) aired October 22 2020, avail. in VOD
  5. Daijiro Morohoshi (Yōkai Hunter, Saiyū Yōenden [Wikipedia]) aired November 12, 2020
  6. Keiko Nishi (Sanban-chō Hagiwara-ya no Bijin, Love Song [Wikipedia]) aired November 19, 2020
  7. Fuyumi Soryo (Boyfriend, MARS, ES, Cesare, Marie Antoinette [Wikipedia]) aired December 10, 2020, avail. in VOD
  8. Shinichi Sakamoto (The Climber, Innocent, Innocent Rouge [Wikipedia]) aired December 17, 2020
  9. Yushikazu Yasuhiko (Arion, Venus Wars, Joan, M.S. Gundam: The Origin [Wikipedia]) — See my comment
  10. Haruko Kashiwagi (Hanazono Merry go Round (Initiation), Onimushi (Rivage) [ANN]) aired June 16, 2021
  11. Shuzo Oshimi (Blood on the Tracks, Okaeri Arisu [Wikipedia]) aired June 23, 2021
  12. Wataru Watanabe (Yowamushi Pedal [manga Updates]) aired March 2nd, 2022, avail in VOD
  13. Yasuko Aoike (From Eroica with Love [Wikipedia]) aired March 9th, 2022
  14. Hideki Arai (The World is mine, Kiichi [Wikipedia]) aired in March 16, 2022
  15. Osamu Tezuka (Astroboy, Black Jack, Buddha [Wikipedia]) aired February 4th 2023, avail. in VOD. Another Osamu Tezuka Special aired February 17, 2023.
  16. Minase Ai (Hachimitsu ni Hatsukoi, Koi Furu Colorful [Manga Updates]) aired February 11, 2023, avail. in VOD
  17. Katsuya Terada (The Monkey King [Wikipedia]) aired February 18, 2023
  18. Kazuhiko Shimamoto (Honō no Tenkōsei [Wikipedia]) aired February 25, 2023
  19. Shigeru Mizuki (GeGeGe no Kitaro [Wikipedia]), aired March 18th 2024

Update (2024/06/02): Another documentary series is Anime Sanctuaries presenting real-life locations on which anime are based. One episode available in VOD covers Akihabara (location for Love Live!) and another one, airing June 4th, covers Kamiichi in Toyama (location for Wolf Children).

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Indiana Jones and the Dial of Destiny

In 1969, an old Indiana Jones, broken by the death of his son in the war and separated from Marion, is finally retiring from his teaching job. He is visited by Helena, the daughter of his friend Basil Shaw, who seeks an artifact that Indy and Shaw took from some looting Nazis in 1944 and that Indy had promised her father that he would destroy: the Dial of Destiny (or half of it). However the artifact falls into the hands of an old Nazis (somehow helped by the CIA). Ensue a long chase through New York, Morocco and Greece to recover the artifact, finds clues to the location of its second half, recover it and prevent the ex-Nazis to change the course of history.

Meh. If the movie offers good action and is quite faithful to the character, it has nothing really new. My greater complain is that, of course, the Antikythera mechanism (the so-called dial of destiny) didn’t looked like that in reality when it was found, but it is nevertheless a very good plot device for the movie. There are also too many chase and fighting scenes to my taste. I would rather have had more scenes with Archimedes during the siege of Syracuse. The effects for the “de-aged” scenes (in the intro) are quite impressive — but no wonder that the advent of A.I. in movies are worrying the Actors’ Guild as they might not be needed anymore in a near future. Too bad it will also likely be the last Indiana Jones movie.

Over all, if it is not a very exciting movie (rated only 6.6 on IMDb or 69 % on RT), it is still quite enjoyable and entertaining. stars-3-0

DialOfDestinyIndiana Jones and the Dial of Destiny : USA, 2023, 154 min.; Dir.: James Mangold; Scr.: Jez Butterworth, John-Henry Butterworth, David Koepp and James Mangold (based on characters created by George Lucas and Philip Kaufman); Phot.: Phedon Papamichael; Ed.: Michael McCusker, Andrew Buckland and Dirk Westervelt; Prod.: ; Kathleen Kennedy (Lucasfilm), Frank Marshall and Simon Emanuel; Music: John Williams; Distr.: Walt Disney Studios; Cast: Harrison Ford (Dr. Henry “Indiana” Jones Jr.), Phoebe Waller-Bridge (Helena Shaw), Antonio Banderas (Renaldo), John Rhys-Davies (Sallah), Toby Jones (Basil Shaw), Boyd Holbrook (Klaber), Ethann Isidore (Teddy Kumar), Mads Mikkelsen (Dr. Schmidt / Jürgen Voller); Rated: PG. For more information you can visit: GoogleIMDbRotten TomatoesWikipediaYouTube.

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Yasuhiko Yoshikazu

Yasuhiko Yoshikazu est surtout connu pour son travail en animation (réalisateur de Crusher Joe, Arion, Venus Wars, M. S. Gundam: The Origin et character designer pour, entre autres, Mobile Suit Gundam, M.S. Zeta Gundam, Mobile Suit Gundam F91). Toutefois il a aussi produit plusieurs excellents mangas historiques ou de science-fiction reconnus pour leurs séquences d’action (Arion [1979–1984, 5 vol.], Venus Wars [1986–1990, 4 vol.], Nijiiro no Trotsky [1990–1996, 8 vol.], Joan [1995–1996, 3 vol.], Jesus [1997], Waga na wa Nero [1998–1999, 2 vol.], Mobile Suit Gundam: The Origin [2001–2011, 23 vol.], Alexandros ~Dream for World Conquest~ [2003], etc., et Inui to Tatsumi -Siberia Shuppei Hishi- [en cours depuis 2018]).

Malheureusement peu de ses mangas ont été traduit. En anglais en peut trouver (si vous êtes chanceux dans certains cas) Dirty Pair (Dark Horse), Gundam The Origin (Vertical), Joan (ComicsOne), et Venus Wars (Dark Horse). En français il y a eut Jeanne (Tonkam), Jésus (Tonkam), et MS Gundam The Origin (Pika). J’espère sincèrement que des éditeurs vont avoir le courage de remettre ces titres disponibles et de publier d’autres oeuvres de Yasuhiko Yoshikazu

Récemment, NHK World Japan présentait un documentaire intitulé Manben: Behind the Scenes of Manga with Urasawa Naoki. Le mangaka Naoki Urusawa y rencontre Yasuhiko Yoshikazu et discute avec lui de ses techniques de dessins et de son oeuvre. Le documentaire a été diffusé les 29 et 30 juillet 2022 mais est disponible pour visionnement en ligne (streaming, VOD) jusqu’au 30 juillet 2023. C’est extrêmement intéressant et mérite absolument d’être vu si vous êtes le moindre fan de l’un de ces deux mangaka. 

Manben1

Plus d’info sur les sites suivants:

[ ANNGoogleManga NewsManga SanctuaryManga Updates ]

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Cartoon tradition

It is the tradition for my Christmas vacations to read and watch lots of cartoons. Sometimes I read again the complete collection of Astérix or of Tintin. And, at this time of the year, there’s plenty of cartoon on TV. This year, since I am already reading plenty of manga, I decided to go in the documentary way. I’ve found and watched two interesting documentaries about famous cartoon artists (and I read a book of each for good mesure).

Who are you, Charlie Brown?

WhoAreYouCharlieBrown-posterThis documentary, narrated by Lupita Nyong’o, is covering three subjects. First, it brings us a new animated story where Charlie Brown agonize on the fact that he must write an essay about himself for school and he goes on a quest of self-discovery. Also, with the help of old interviews with Charles M Schulz (aka “Sparky”) and some of his close friends and family members we learn about who was the creator of Peanuts and about the genesis of the comics. Finally, fans, actors and other creators discuss the influence the comics had on them and on the global culture. 

The documentary is interesting and also very entertaining, but also a little short and somewhat superficial. We see some early drawings of the Peanuts’ gang (a comic strip called Lil’ Folks) but it never mentions his other comic series, like Young Pillars (which I commented in 2015) or It’s Only a Game. It also doesn’t mention the fact that Schulz’ house was burned down during the Santa Rosa’s fire in October 2017. Fortunately, the nearby Charles M. Schulz Museum and Research Center, where the original illustrations are stored, was spared.  Nevertheless, this documentary is a great way to celebrate the cultural icon that Charlie Brown is and introduce him to a new generation of comic readers.

Who are you, Charlie Brown? : USA, 2021, 54 min.; Dir.: Michael Bonfiglio; Scr.: Michael Bonfiglio & Marcella Steingart; Ed.: Tim K. Smith; Music: Jeff Morrow; Rated PG. It has received a score of 88% on Rotten Tomatoes (91% from the audience) and 7.2/10 on IMDb. stars-3-5

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NiceShotSnoopy-covOf course, after viewing this documentary I was feeling like reading some old Charlie Brown comics. I chose a short one and got lost in nostalgia. When I was a kid, having outgrown the school library, I was making regular trips to one of the city’s libraries to borrow Peanuts’ compilations (the library was located on top of an old fire-station and it reeked of gaz and engine’ oil — for years after that the idea of a library was evoking in me a mix of awe and nauseous feelings!)

This book offers a selection of cartoons from the compilation The Way of the fussbudget is not easy, vol. III. Part of the Peanuts Coronet collection (#79), it was meant to provide a shorter and more affordable sampling of the Peanuts’ world. It present a single four-panel strip per page. The volume doesn’t have a particular thematic and I don’t know if the strips are in chronological order. It is simply a variety of stories involving all characters (Snoopy and Woodstock, Linus and Lucy, Peppermint Patty and Marcie, Schroeder, Pig-Pen, Spike, and, of course, Sally and Charlie Brown). It is a light reading that provides mindless vintage entertainment.

NiceShotSnoopy-p024-025

Page 24-25

Nice shot, Snoopy!, by Charles M Schulz. New York: Fawcett Crest (Ballantine Books/Random House), May 1988. 128 pages, 4.25 x 7 in., $US 2.95 / $C 3.95, ISBN 0-449-21404-4. For readership of all ages. stars-3-0

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© 1983, 1984 by United Feature Syndicate, Inc

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Dear Mr. Watterson

DearMrWatterson-posterThis is an older documentary but I just discovered it. It explores the phenomenon that is the comic strip Calvin and Hobbes, interview lots of people (fans, actor Seth Green, editor Lee Salem and other artists) who pay tribute to its popularity and talk about how it influenced them and the global culture. It also talks a little about its creator, Bill Watterson, who NEVER appears in the documentary (apparently he is a very shy and private person). 

It is a very interesting documentary and it reminded me of all the reasons why Calvin and Hobbes was my favourite comic strip. Unfortunately, I was quite disappointed that I couldn’t learn more about its creator (although I can understand why someone who’s such a purist about his art would shy away fame and a fortune in licensing). However, the documentary also talk about the cartoon world in general and, if I couldn’t see Mr. Watterson, I could hear from many of the artists who created other strips that I like a lot too: Berkeley Breathed (Bloom County), Stephan Pastis (Pearls Before Swine), Jan Eliot (Stone Soup), Bill Amend (FoxTrot), Wiley Miller (Non Sequitur), Dan Piraro (Bizarro), etc. It was definitively worth watching.

Dear Mr. Watterson : USA, 2013, 89 min.; Dir.: Joel Allen Schroeder; Phot.: Andrew Waruszewski; Ed.: Joel Allen Schroeder; Music: Mike Boggs; Prod.: Chris Browne & Matt McUsic; Rated PG. It has received a score of 62% on Rotten Tomatoes (51% from the audience), 54% on Metacritic and 6.4/10 on IMDb. stars-3-0

To learn more about this title you can consult the following web sites:

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EssentialCalvinAndHobbes-covAgain, watching this documentary made me want to read the comic again. I have a little less than a dozen compilations and I chose to read the one that I thought would be the most representative: The Essential Calvin and Hobbes, which includes all strips from the first two compilations (Calvin and Hobbes and Something Under the Bed Is Drooling). In this strip we enviously follow the (mis)adventures of an over-imaginative boy with his pet (stuffed?) tiger. It is superbly drawn in a simple, clean but descriptive style. The humour is brilliant. It is both entertaining and full of meaning. A must read.

The Essential Calvin and Hobbes, by Bill Watterson. Kansas City: Andrews & McMeel (Universal Press Syndicate), March 1989. 256 pages, 8.5 x 10.7 in., $US $18.99 / $C 37.99, ISBN 0-8362-1805-1. For teenage readership (12+). stars-4-0

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© 1988 by Universal Press Syndicate.

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Capsule reviews [002.021.353]

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Free State of Jones

During the Civil War some people from Jones County in Mississippi got tired to be regularly fleeced by the confederate army. So a bunch of farmers and escaped slaves decided to fight back and, since they couldn’t get help from the North either, they created their own independent country. In parallel we follow a descendant of the main character who, eighty-five years later, is on trial for intermarrying while being one-eight black! An historical movie that just shows us things never change. An interesting movie to watch now as the Republicans try to roll back the African American right to vote. It is certainly a difficult subject and that’s probably why it was not well received by the viewers and didn’t make any money (they recovered just about half of the production cost!). Personally, I quite enjoyed it: despite the controversial subject it manages to remain entertaining, as there is a good deal of action, it is interesting because it is based on a true story and it is beautifully filmed. What more could I asked? It’s on Netflix, so give it a try!

FreeStateOfJonesFree State of Jones : USA, 2016, 140 min.; Dir./Scr.: Gary Ross (based on the books The Free State of Jones by Victoria E. Bynum and The State of Jones by Sally Jenkins and John Stauffer); Phot.: Benoît Delhomme; Ed.: Pamela Martin & Juliette Welfling; Music: Nicholas Britell; Cast: Matthew McConaughey (Newton Knight), Gugu Mbatha-Raw, Mahershala Ali, and Keri Russell; Rated 14A. It has received a score of 48% on Rotten Tomatoes (64% from the audience), 53% on Metacritic and 6.9/10 on IMDb. stars-3-5

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Finch

This is quite an interesting post-apocalyptic movie. The survivor of a solar flare that devastated earth build a robot to take care of his dog when he will be gone — he suffers from radiation sickness since the flare destroyed the ozone layer and earth is bathed in cosmic rays. Because there’s a huge storm coming he must leave his refuge and decide to travel to San Francisco. Through the journey we learn a little more about his past and how the human civilisation was destroyed. However he has little time left to train the robot and teach him concepts like caring and trust. It feels like a prequel to Simak’s novel, City, where a robot and some talking dogs are overseeing a post-human civilization. As the robot is like a little kid, this is a kind of coming of age story. It is surprising how much a single actor (well, it’s Tom Hanks after all), a CGI robot and a dog can be entertaining ! 

FinchFinch : USA, 2021, 115 min.; Dir.: Miguel Sapochnik; Scr.: Craig Luck & Ivor Powell; Phot.: Jo Willems; Ed.: Tim Porter; Music: Gustavo Santaolalla; Cast:Tom Hanks and Caleb Landry Jones (motion-captured Jeff); Rated PG. It has received a score of 73% on Rotten Tomatoes (66% from the audience), 57% on Metacritic and 6.9/10 on IMDb. stars-3-0

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News of the world

More Tom Hanks. A former Confederate officer, who has nothing left to go back to, is traveling from town to town reading newspapers to the busy locals for a meagre fee. During his travels he finds a young girl of German origin who was kidnapped and raised by Native American and now speaks only Kiowa. He brings her to the local outpost of the Bureau of Indian Affairs so she can be repatriated to Castroville where she has surviving relatives, but the army — too busy trying to maintain law and order — cannot take care of her. Reluctantly, he decides to undertake the four hundred miles journey on his own. After facing many dangers he succeeds in his mission, only to realize that her relatives would only use her as a labourer on their farm wasting her great potential… It could be just a cute adventure movie if it was not loaded with civil rights implications (the relocation of Native Americans in Indian Territory) and set in such a gritty and harsh environment. I didn’t realize that Texas was such a dry place. It is a western full of action, but also rich in thought provoking concepts which highlights a very interesting period of American history: the Reconstruction era. The peace took a long time to come back particularly in frontier area like Texas. It makes of this movie a fascinating story (unfortunately it didn’t make any money, recovering only a third of its production cost… A shame!). 

NewsOfTheWorldNews of the world : USA, 2020, 118 min.; Dir.: Paul Greengrass; Scr.: Paul Greengrass & Luke Davies (based on the novel by Paulette Jiles); Phot.: Dariusz Wolski; Ed.: William Goldenberg; Music: James Newton Howard; Cast:Tom Hanks (Captain Jefferson Kyle Kidd), Helena Zengel (Johanna Leonberger / Cicada), Elizabeth Marvel (Ella Gannett); Rated PG. It has received a score of 88% on Rotten Tomatoes (89% from the audience), 73% on Metacritic and 6.8/10 on IMDb. *** stars-3-0

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The summit of the gods

This is a French animated movie that adapts one of Jiro Taniguchi’s masterpieces: Kamigami no Itadaki (神々の山嶺) — the seinen manga was originally serialized in Business Jump monthly magazine from 2000 to 2003 and compiled in five volumes by Shueisha; it was published in France by Kana in 2004 under the titled “Le sommet des dieux” and in English by Fanfare/Ponent Mon in 2007. It was also adapted into a Japanese live-action film directed by Hideyuki Hirayama. 

It tells the story of photojournalist Makoto Fukamachi who, while covering a failed attempt to climb the Everest in Kathmandu, hears that Mallory’s camera has been found. If true this would change the history of mountain-climbing if someone had a definitive proof that Mallory’s expedition had been the first (or not) to reach the summit. Fukamachi thinks that the man in possession of the camera is Jôji Habu, a Japanese mountaineer that has not been seen for years. Back in Japan, he starts investigating Habu, researching archives and interviewing some of his old colleagues and friends. Through his investigation — which has become an obsession — we learn more about who is this Habu. Fukamachi finally catches up to him in the Himalayas as he is preparing to climb the Everest southwest face in winter and without oxygen ! He proposes him to cover his expedition and slowly earns his friendship and trust. What mountaineers seek is the thrill of the journey and achieving the goal, sometimes forgetting about their safety or even the necessity of a return trip…

It is a beautiful story, full of action and suspense, that constitute an ode to mountaineering. As far as I can tell, it seems quite faithful to the manga. The animation is really splendid and is quite a tribute to Taniguchi’s superb artwork. A must-see !

SummitOfTheGodsThe summit of the gods : France / Luxembourg, 2021, 90 min.; Dir.: Patrick Imbert; Scr.: Patrick Imbert, Magali Pouzol & Jean-Charles Ostorero (based on the manga by Jiro Taniguchi and the 1998 novel by Baku Yumemakura); Dir. Art.: David Coquard-Dassault; Ed.: Benjamin Massoubre & Camillelvis Théry; Music: Amine Bouhafa; Prod.: Folivari & Mélusine; Voice Cast:Damien Boisseau (Fukamachi), Lazare Herson-Macarel (young Habu), Eric Herson-Macarel (old Habu), Kylian Rehlinger (Kishi), Philippe Vincent (editor in chief), Gautier Battoue (young Inoue), Jérôme Keen (old Inoue), Elisabeth Ventura (Ryoko), François Dunoyer (Ang Tsering), Luc Bernard (Ito), Marc Arnaud (Hase), Cédric Dumond (Nima); Rated PG. It has received a score of 100% on Rotten Tomatoes (86% from the audience), 78% on Metacritic and 7.5/10 on IMDb. stars-4-0

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Dune: Part One

The House Atreides receives as a new fief from the Padishah Emperor Shaddam Corrino IV the planet Arrakis. It was previously under the rule of their arch-enemy, the House Harkonnen, and is the only source of the most precious substance in the universe, the Spice, as it is essential to the Spacing Guild Navigators. It expands consciousness, giving them the prescience needed for interstellar travel. However, it is a poisonous gift. House Atreides has become too powerful and the Emperor seeks to destroy them. Unassuming young Paul Atreides, the only son to the Duke, must leave his beloved Caladan for the dangerous desert planet. After an assassination attempt, the betrayal of his family by the Imperial House and the invasion of his new home by the cruel Harkonnen, he must flee with his mother into the desert and seek refuge among its native population, the Fremen. Against all rules of her Order, Paul has been trained by his mother in the Bene Gesserit way which gives him an hidden advantage. Quickly, the young boy will have to become a man and step into a prophetized future…

As far as I can remember the novel, the movie seems to be faithful to the original story. It seems to be the best adaptation of the novel so far. Some aspects were changed or removed to better suit a cinematic narration but the original spirit of the book is all there. None of those changes bother me. It was quite a powerful book and the movie is even more powerful as it offer strong imagery and soundtrack. The action is good. The cast is well chosen (Zendaya as Chani is perfect!). My only complaint is… where and when is the rest of the story !!! I can’t wait for the release of the second part. Unfortunately I don’t think there’s any planning for going further than the first book… A must-see if you like great sci-fi or are a fan of the novel.

Dune-2021-posterDune: Part One : USA, 2021, 156 min.; Dir.: Denis Villeneuve; Scr.: Denis Villeneuve, Jon Spaihts & Eric Roth (based on the novel by Frank Herbert); Phot.: Greig Fraser; Ed.: Joe Walker; Music: Hans Zimmer; Prod.: Legendary Pictures; Cast:Timothée Chalamet (Paul Atreides), Rebecca Ferguson (Lady Jessica), Oscar Isaac (Duke Leto Atreides), Josh Brolin (weapon master Gurney Halleck), Stellan Skarsgård (Baron Vladimir Harkonnen), Dave Bautista (Rabban), Stephen McKinley Henderson (Mentat Thufir Hawat), Zendaya (Chani), David Dastmalchian (Mentat Piter De Vries), Chang Chen (Suk doctor Wellington Yueh), Sharon Duncan-Brewster (Imperial ecologist Dr. Liet-Kynes), Charlotte Rampling (Reverend Mother Gaius Helen Mohiam), Jason Momoa (swordmaster Duncan Idaho), and Javier Bardem (Fremen leader Stilgar).; Rated 13+. It has received a score of 83% on Rotten Tomatoes (90% from the audience), 74% on Metacritic and 8.2/10 on IMDb. stars-4-0

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Capsule reviews [002.021.347]

Movie capsule reviews

The life ahead

A movie with Sophia Loren based on a novel by Emile Ajar about a young troubled Nigerian boy taken in by a retired prostitute who survived the nazi dead camps. The original story was set in Paris, but for the purpose of this movie they moved it to the city of Bari in Italy. The director is the son of Sophia Loren and Carlo Ponti Sr. The same story was also adapted by Moshé Mizrahi in a 1977 movie titled Madame Rosa and starring Simone Signoret. It is a beautiful but slow movie (like most European film). It is amazing that Loren can still perform so well in her eighties!

TheLifeAhead-posterThe Life Ahead (La vita davanti a sé): Italy, 2020, 95 min.; Dir.: Edoardo Ponti; Scr.: Edoardo Ponti & Ugo Chiti (baed on the novel La vie devant soi  by Emile Ajar (Romain Gary); Phot.: Angus Hudson; Ed.: Jacopo Quadri; Music: Gabriel Yared; Cast: Sophia Loren (Madame Rosa), Ibrahima Gueye (Momo), Abril Zamora (Lola), Renato Carpentieri (Dr. Coen), Babak Karimi (Hamil), Massimiliano Rossi (drug dealer); Rated PG. It has received a score of 92% on Rotten Tomatoes (76% from the audience), 66% on Metacritic and 6.8/10 on IMDb. stars-3-0

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The Dig

This movie gives us a romantic adaptation of the true story of the discovery of what would become the king tut of Britain… In 1939, as WW2 looms, a Suffolk landowner hires a local amateur archaeologist to investigate a series of tumuli that reveal to be an Anglo-Saxon ship burial dating from the 6th or 7th century, belonging possibly to King Rædwald of East Anglia. It is now known as the ship burial of Sutton Hoo and constitute what is probably the greatest treasure ever discovered in the United Kingdom. The story is interesting because it shows that countryside archaeology is nothing simple or glamorous as it reveals all the gritty details of the endeavour. The movie is not entirely accurate as it has diminished the importance of Peggy Piggott (played by Lily James), changed the age of some characters and eliminated the people (Mercie Lack, Barbara Wagstaff and O.G.S. Crawford) who documented the dig with photography to replace them by one single fictional character, Rory Lomax, in order to simplify the story and add a romantic interest for the main character. It remains entertaining and quite educational as it teach viewers about an important discovery.

TheDig-posterThe Dig : UK / USA, 2021, 112 min.; Dir.: Simon Stone; Scr.: Moira Buffini (based on the novel by John Preston); Phot.: Mike Eley; Ed.: Jon Harris; Music: Stefan Gregory; Cast: Carey Mulligan (Edith Pretty), Ralph Fiennes (Basil Brown), Lily James (Peggy Piggott), Johnny Flynn (Rory Lomax), Ben Chaplin, Ken Stott, Archie Barnes, and Monica Dolan.; Rated PG-13. It has received a score of 88% on Rotten Tomatoes (78% from the audience), 73% on Metacritic and 7.1/10 on IMDb. stars-3-0

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Once upon a time… in Hollywood

Another very good Tarantino movie, full of stars, drama, suspense and, of course, violence. We follow an has-been western actor (Rick Dalton played by DiCaprio) and his buddy stunt-double (Cliff Booth played by Pitt) as they keep criss-closing path with their neighbours, the Polanski/Tate couple, and a group of hippies. The fateful night when they all meet is approaching… Tarantino uses a couple of fictional characters to weave a complex storyline that skillfully mixes comedy with drama and tell the nostalgic story of a film industry that is about to move from its fading Golden age to a new era. It is a compelling movie that is both entertaining and edifying as it is full of interesting cultural references. And I never saw the twist of the end coming !

OnceUponATimeInHollywoodOnce upon a time in Hollywood : USA / UK / China, 2019, 161 min.; Dir./Scr.: Quentin Tarantino; Phot.: Robert Richardson; Ed.: Fred Raskin; Cast:  Leonardo DiCaprio (Dalton), Brad Pitt (Booth), Margot Robbie (Sharon Tate), Rafał Zawierucha (Roman Polanski), Damon Herriman (Manson), Mike Moh (Bruce Lee), Damian Lewis (Steve McQueen); Rated 14A. It has received a score of 85% on Rotten Tomatoes (70% from the audience), 83% on Metacritic and 7.6/10 on IMDb. stars-3-5

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TV News

Great news for those who love watching good TV.  All the excellent series that were running on Apple TV (like See, The Morning Show, Foundation and Invasion) might have concluded their seasons for this year, but new shows are coming back on other channels.

On Netflix you will find:

And I still have so much more to watch on Netflix — and I am hoping for more seasons of The Irregulars (cancelled apparently) or Shadow and Bone (based on Leigh Bardugo’s Grishaverse series of fantasy novels and renewed for a second season).

On Amazon Prime Video you will find:

  • The Expense (the superb sci-fi TV series based on James S. A. Corey’s novels) is back with a sixth (and final) season of six episodes. A must-see !!!

Less new stuff here but, anyway, I still haven’t watch The Man in the High Castle, P. K. Dick’s Electric Dreams, The Tomorrow War or The Wheel of Time or Tales from the Loop or The luminaries or Library War or Vinland Saga — and I still hope for a new seasons of The Boys, Jack Ryan, or Carnival Row, which all seem to have been delayed by the covid pandemic…

Finally, Dune (the great 156-minute movie by Denis Villeneuve based on Frank Herbert’s saga) is already available to rent ($24.99) or for purchase ($29.99) on both Amazon Prime Video and Apple TV.

Oh, and the fourth Matrix movie, The Matrix Resurrections will be released on December 22nd not only in theatres but also on HBO MAX (but only in the USA)!

Umm, and the new 10-episode series of Shogun (based on James Clavell novel, starring Cosmo Jarvis, Hiroyuki Sanada and Anna Sawai, and set to air on FX) is still in production. Filming started in September and will last until next April, so it will certainly not be released until the end of 2022 or even early 2023…

That’s all for now.

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Justine et les Durrells

Justine-covEn Grèce, sur une île des Cyclades, un homme se souvient de la ville d’Alexandrie. Avec une mémoire d’archiviste, il raconte ce qu’il a vécu là-bas avant la Seconde Guerre mondiale. Narrateur anonyme, Anglo-Irlandais entre deux âges, professeur par nécessité, il classe ses souvenirs, raconte son amour pour Justine, une jeune pianiste séduisante, un peu nymphomane et somnambule ; il évoque sa liaison avec l’émouvante Melissa, sa maîtresse phtisique. D’autres personnages se dessinent. D’abord Nessim, le mari amoureux et complaisant de Justine, Pombal, le Français, Clea, l’artiste-peintre, Balthazar, le médecin philosophe. Mais Justine, d’abord Justine, est au coeur de ce noeud serré, complexe, étrange, d’amours multiples et incertaines… 

En achevant le premier tome de son fameux Quatuor d’Alexandrie (Balthazar, Mountolive et Clea succéderont à Justine et seront publiés entre 1957 et 1960), Lawrence Durrell (1912-1990) en donna à son ami Henry Miller une définition devenue célèbre : “C’est une sorte de poème en prose adressé à l’une des grandes capitales du coeur, la Capitale de la mémoire…”

[Texte du site de Renaud-Bray]

(Attention, lire l’avertissement de possible divulgacheurs)

Un Britannique déchu, l’aspirant romancier et enseignant L.G. Darley, évoque les souvenirs d’une affaire qu’il a eu à Alexandrie avec la passionnée Justine Hosnari et par ce fait tente de s’exorciser de cet amour impossible. Justine est un roman d’atmosphère sur l’amour — l’amour d’une femme mais surtout l’amour d’une cité: Alexandrie. C’est très beau, très bien écrit mais aussi un peu ennuyant. Cela m’a pris presque deux ans à lire ces deux-cent cinquante pages, dans mes moments libres, entre d’autres livres. C’est la première partie d’une tétralogie (Le Quatuor d’Alexandrie) où chacune des parties est plus ou moins axées sur un personnage différent (Justine, Balthazar, Mountolive et Cléa), offrant chaque fois une perspective différentes sur l’entourage du narrateur (L.G. Darley).

Quatuor-d-Alexandrie-covL’auteur, Lawrence Durrell, est un homme très cosmopolite qui haïssait l’Angleterre (sa société rigide et son climat). Né en Inde il a successivement habité à Corfou en Grèce, à Paris (où il a collaboré avec Henry Miller, Anaïs Nin et Alfred Perlès), à Alexandrie (où il était attaché de presse de l’ambassade Britannique), à Rhodes, en Argentine (où il travaillait pour le British Council Institute), en Yougoslavie, à Chypre (où il a été enseignant) et il s’est établi finalement dans le sud de la France. Le Quatuor d’Alexandrie a définitivement des accents autobiographiques, Durrell s’inspirant d’éléments de sa propre vie: son travail pour le gouvernement Britannique, le fait que sa première épouse s’installe à Jérusalem après leur séparation (comme Justine qui part pour un kibboutz en Palestine), et sa deuxième femme (Eve, une juive alexandrine) étant hospitalisée en Angleterre suite à une dépression, il s’installe à Chypre avec leur fille et prend un travail d’enseignant (comme le narrateur du roman). Et il a sûrement beaucoup aimé la ville d’Alexandrie… C’est là qu’il a rencontré Eve. C’est une ville cosmopolite comme lui, qui offre un complexe mélange de toutes les cultures et toutes les religions. Riches et pauvres s’y côtoient, partageant une culture tant Européenne qu’Arabe, sans trop s’offusquer des moeurs ou de la religion de chacun, qu’ils soient musulmans, juifs, orthodoxes ou chrétiens.

Justine, publié en 1957, a été écrit pendant le séjour de Durrell à Chypre (1952-56). Si il a une belle écriture et qu’il utilise une prose sensuelle et poétique, son style est plutôt expérimental pour l’époque. La narration est désarticulée, avançant et reculant au fil des souvenirs et des sentiments du personnage principal. Et comme ces flashbacks interviennent généralement sans la moindre transition, cela peut laisser le lecteur confus. Si le coeur du récit est le triangle amoureux entre le narrateur, Justine et son mari, le banquier copte Nessim, Durrell y ajoute un ensemble de personnages colorés qu’il utilise pour évoquer la beauté et la diversité de l’Alexandrie d’avant-guerre, ajouter une intrigue socio-politique et même un discours philosophique (voir mystique, au travers du groupe d’adeptes de la Cabbale qui se réunit autour de Balthazar). Toutefois, il s’en sert surtout pour donner une perspective multiple au récit (un peu comme dans le film Rashōmon). C’est aussi en quelque sorte un concept dickien, puisqu’il explore comment notre perception de la réalité est somme toute relative…

“Nous cherchons tous des motifs rationnels de croire à l’absurde. (…) après tous les ouvrages des philosophes sur son âme et des docteurs sur son corps, que pouvons-nous affirmer que nous sachions réellement sur l’Homme? Qu’il est, en fin de compte, qu’un passage pour les liquides et les solides, un tuyau de chair.”

— Lawrence Durrell, Justine (Le Quatuor d’Alexandrie, Le livre de Poche, p. 93) [une réflexion qui rappelle beaucoup Marcus Aurelius dans ses Pensées pour moi-même]

Cette complexité stylistique fait de ce roman, paradoxalement, à la fois un texte attrayant qui captive par sa beauté (au point qu’on en continue la lecture parfois sans même porter attention au récit) et une lecture difficile, voir même par moment désagréable. Je ne sais trop si c’est parce que j’ai lu ce roman par petits bouts, ou parce que j’ai changé plusieurs fois de la version originale à la traduction française (selon la disponibilité du document) mais l’écriture de Durrell m’est apparu compliquée et même parfois difficile à déchiffrer. Il me fallait souvent relire un paragraphe plus d’une fois pour en saisir le sens — certaines phrases échappant totalement à ma compréhension! C’est la version originale qui m’a donné le plus de fil à retordre. Est-ce dû à mon niveau de lecture de la langue de Shakespeare (que je croyais pourtant excellente) ou est-ce que le traducteur français en a poli le texte plus qu’il n’aurait dû en arrondissant certains angles du style de Durrell? Ou alors c’est simplement le style désarticulée de Durrell qui est très demandant. Étrangement, pour passer le temps au travail, j’ai commencé à lire le second tome, Balthazar. Je le lis par curiosité sans avoir vraiment l’intension de le terminer. Chose surprenante, je trouve cette lecture plus facile et plus agréable. Sans vraiment parler d’ “action”, l’histoire progresse plus rapidement et est moins “atmosphérique.” Avec la seconde partie, l’auteur a probablement trouvé son rythme… On verra si j’en continue la lecture…

D’une certaine façon ce roman m’a plus intéressé pour ce qu’il reflétait de la vie de son auteur que pour son récit lui-même. Durrell est un auteur réputé (qui a même été considéré pour un prix Nobel de littérature) et Justine (en fait, l’ensemble de la tétralogie) est considéré comme son chef-d’oeuvre, se plaçant soixante-dixième parmi les cents meilleurs romans de langue anglaise du vingtième siècle. Alors, même si mon impression est plutôt mitigé parce que j’en ai trouvé la lecture difficile, je crois que c’est tout de même un beau roman, profond, qui mérite d’être lu.

Justine (The Alexandria Quartet #1), by Lawrence Durrell. New York: Penguin, July 1991. 253 pages, $19.00 US / $22.50 CND. ISBN 9780140153194. stars-2-5

Vous trouverez plus d’information sur les sites suivants:

[ AmazonGoodreadsGoogleNelliganWikipediaWorldCat ]

• • •

Le Quatuor d’Alexandrie (Justine, Balthazar, Mountolive, Clea) par Lawrence Durrell (Traduction par  Roger Giroux). Paris: Livre de Poche (Coll. Classiques modernes / Pochothèque), octobre 1992. 1056 pages, 25,00 € / $44.95 Can., ISBN 978-2-330-07074-8. Pour lectorat jeune adulte (16+).

[ AmazonGoodreadsGoogleNelliganWikipediaWorldCat ]

Justine, le film

Quelle ne fut pas ma surprise de découvrir que la tétralogie a été adapté en un film hollywoodien à la fin des année soixante ! Il est décrit comme “Les amours d’un jeune Anglais à Alexandrie à la fin des années 1930 avec une prostituée et la femme d’un riche banquier qui complote contre les Anglais” (Wikipedia). 

Le film me semble relativement fidèle au roman. Bien sûr certaines scènes ont été changées et, comme je n’ai lu que le premier quart de la tétralogie, je ne peut pas juger du reste. Je me demande cependant si la partie avec le traffic d’arme et le fait que Darley a été manipulé par Justine a été ajouté pour le film ou si c’est simplement dans la partie du roman que je n’ai pas lu. Si cela représente bien reste de l’histoire, je suis intrigué et peut-être continuerai-je à le lire… Le roman se lit peut être comme un oignon et, avec chaque nouvelle partie, Darley découvre sans doute des vérités de plus en plus profondes sur Justine…

Le film offre une narration bien évidemment linéaire avec juste les éléments essentiels de l’intrigue. Vu de cette façon les personnages sont étrangement bidimentionnels. Est-ce que cela fait du sens pour celui qui n’a pas lu le roman? Et le film nous présente une Alexandrie qui semble plus perverse que belle…

Malheureusement, malgré un casting rempli d’acteurs connus, le film fut un échec total puisqu’il ne rapporta qu’un peu plus de deux millions de dollars au Box Office (alors qu’il en a coûté presque huit à produire).  Il semble aussi qu’il ait fait piètre impression sur l’audience qui ne lui a donné une cote que 5.6 / 10 sur IMBd et 36% sur Rotten Tomatoes. 

Justine-dvdJustine: USA, 1969, 116 min.; Dir.: George Cukor & Joseph Strick; Scr.: Lawrence B. Marcus & Andrew Sarris (basé sur le roman éponyme de Lawrence Durrell); Phot.: Leon Shamroy; Ed.: Rita Roland; Mus.: Jerry Goldsmith; Cast: Michael York (Darley),  Anouk Aimée (Justine), Dirk Bogarde (Pursewarden), Robert Forster (Narouz), Anna Karina (Melissa), Philippe Noiret (Pombal), John Vernon (Nessim), George Baker (Mountolive) et Severn Darden (Balthazar). Disponible pour visionnement sur Youtube. stars-3-0

[ AmazonIMDbRTWikipediaYoutube ]

Les Durrells

Toutefois, ce qui est vraiment intéressant (et amusant) dans cette expérience de lecture, c’est ce qui m’a fait découvrir Lawrence Durrell — et toute sa famille. Car, à une exception près, ce sont tous des auteurs publiés que j’ai découvert en regardant sur PBS la série télé de la ITV Les Durrells à Corfou (The Durrells). Cette série télé de vingt-six épisodes relate les mésaventures (parfois loufoques) de la famille durant un séjour de quatre ans (1935–1939) sur l’île grecque de Corfou. 

À la mort de son époux à Dalhousie, en Inde, en 1928, Louisa Durrell décide de déménager sa famille en Angleterre, à Bournemouth (Dorset), en 1932. Mais la famille y est misérable et à l’instigation de l’aîné — Lawrence (Larry), qui suggère qu’un climat tempéré serait plus agréable — elle déménage à nouveau à Corfou en 1935. Lawrence, vingt-trois ans et écrivain en herbe, s’y rend en premier avec son épouse Nancy Myers. Louisa l’y rejoint avec le reste de la famille: Leslie (dix-huit ans, dont l’intérêt se limite à la chasse et aux armes à feux), Margaret (Margo, seize ans et égocentrique, qui s’intéresse surtout aux garçons) et le cadet Gerald (Gerry, dix ans, qui ne s’intéresse qu’aux animaux). Ils seront aidé dans leur aventures par le chauffeur de taxi exubérant Spýros Hakaiópoulos et le médecin, naturaliste et traducteur Theódoros (Théo) Stefanídis. Chose amusante, si Lawrence parle de son séjour à Corfou dans son livre Prospero’s Cell, il y mentionne à peine la présence de sa famille. À l’opposé, Gerry, dans sa Trilogie de Corfou, ne mentionne jamais la présence de Nancy, la femme de Lawrence, ce qui fait qu’elle n’apparait pas dans la série télé… Avec le début de la deuxième guerre mondiale et l’invasion imminente de la Grèce par les Allemands, la famille retourne en Angleterre en 1939. Lawrence et Nancy, quant à eux, fuient à Alexandrie en 1941.

La série télé est très amusante et divertissante. Je la recommande chaudement. 

TheDurrells-dvdThe Durrells: UK, 2016-2019, 4 seasons de 6 episodes; Dir.: Steve Barron & Roger Goldby; Scr.: Simon Nye (basée sur la Trilogie de Corfou par Gerald Durrell); Phot.: Julian Court, James Aspinall; Mus.: Ruth Barrett; Prod.: Christopher Hall; Cast: Keeley Hawes (Louisa), Milo Parker (Gerry), Josh O’Connor (Larry), Daisy Waterstone (Margo); Callum Woodhouse (Leslie), Alexis Georgoulis (Spiros), Anna Savva (Lugaretzia), Yorgos Karamihos (Theo), Leslie Caron (Countess Mavrodaki), Ulric von der Esch (Sven), et James Cosmo (Captain Creech). stars-3-5

[ AmazonGEMIMDbNelliganOfficialPBSRTWikipedia ]

En plus de l’oeuvre prolifique de Lawrence Durrell (dont Citrons acides qui relate son séjour à Chypre), son frère Gerald a écrit plusieurs ouvrage sur son travail de naturaliste et de conservationniste (il a pour ainsi dire réinventé le concept moderne du zoo) mais il est surtout connu pour sa “Trilogie de Corfou” (Ma famille et autres animaux publié en 1956 [Nelligan], Oiseaux, bêtes et grande personnes publié en 1969 et Le jardin des dieux publié en 1978) qui relate avec beaucoup d’humour le séjour de la famille en Grèce et a inspiré la série télé.  Même sa soeur Margaret a écrit un livre sur la pension de famille qu’elle a tenu à Bournemouth après le retour de Grèce, intitulé Whatever happened to Margo? [Nelligan], écrit dans les années ’60 et publié par sa petite-fille en 1995 (qui a retrouvé le manuscrit dans le grenier). Je vais m’efforcer de lire quelques uns de ces ouvrages et de les commenter plus tard…

À noter aussi que le 11 mars 1968 Lawrence Durrell a été interviewé à Radio-Canada sur l’émission Le Sel de la Semaine, animée par Fernand Seguin. L’entrevue est disponible sur les archives de Radio-Canada, sur Youtube et sur DVD [Nelligan]. On la décrit ainsi: “Lors de son passage au «Sel de la semaine», l’écrivain dévoile la source de son inspiration pour son chef-d’oeuvre [«Quatuor d’Alexandrie»]. L’animateur le questionne d’abord sur son parcours inusité, sur son enfance, sa carrière diplomatique, sa discipline d’écriture, ses rencontres, entre autres sa rencontre déterminante avec l’Américain Henry Miller”. C’est fort intéressant d’entendre l’auteur lui-même parler de sa vie et de son oeuvre.

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Quelques lectures à venir

J’ai récemment fait la découverte de quelques titres que je vais m’empresser de me procurer à la bibliothèque afin de les lire (et possiblement commenter) le plus rapidement possible.

Kebek-2-covD’abord, j’ai découvert que le tome deux de Kébek par Philippe Gauckler allait finalement paraître le 14 janvier 2021. J’ai déjà commenté le premier tome et j’ignore si l’histoire se terminera avec le deuxième ou si elle nécessitera un troisième (ce qui aiderait à ne pas trop précipiter le récit). Le titre de ce deuxième tome sera “Adamante” mais aucun descriptif n’est disponible pour l’instant. J’espère qu’il ne tardera pas trop à traverser l’Atlantique car j’ai très hâte de le lire…

Kebek: t. 2: Adamante, par Philippe Gauckler. Ed. Daniel Maghen, 96 pages. 19,00 € / $C 39.95. ISBN 978-2-35674-084-7. À paraître le 14 janvier 2021. [ Google ]

Je viens à peine de finalement mettre la main sur le volume six de Isabella Bird que je découvre que le sept est déjà paru en Europe depuis le début décembre ! Celui-là va certainement prendre quelques mois avant de nous parvenir…

J’attend également avec impatience le Pline #9: L’Opium d’Andromaque, qui est paru fin Octobre, et qui devrait atteindre nos rivages d’ici la mi-janvier (selon Les Libraires) — en espérant qu’il n’y ai pas trop de délais avant qu’il soit disponible en bibliothèque…

J’aimerais bien aussi lire le Cesare #13. L’auteur avait fait une longue pause en 2014 et avait reprit la production en 2018 pour le volume 12 (paru en France en janvier 2020 et déjà commenté). Fuyumi Soryo a par la suite remit le manga sur pause à nouveau… et aurait reprit le travail à l’automne 2019 mais le volume treize n’est toujours pas paru…

Bambi-covJ’ai récemment découvert que l’histoire originale de Bambi a été republiée avec des illustrations du célèbre dessinateur de livre pour enfants Benjamin Lacombe. Considéré comme un conte pour enfant (9 à 12 ans) à cause du film de Disney ce livre est actuellement un roman animalier pour adulte écrit par Félix Salten, un auteur autrichien, en 1923 mais qui “fut interdit et brûlé par les nazis qui y décelaient “une allégorie politique sur le traitement des juifs en Europe”. Les éléments symboliques sont nombreux tout en restant discrets (…)” [Paris-Match #3733, p. 33]. Je suis donc curieux de revisiter cette histoire…

Bambi, par Félix Salten, illustré par Benjamin Lacombe. Paris: Albin Michel, novembre 2020. 176 pgs. 22.7 x 30.7 cm, 29.90 € / $C 44.95. ISBN 9782226450210. [ AmazonGoogleBeDethèqueGoodreadsWorldCat ]

Les superbes adaptions de Lovecraft par Gou Watanabe se poursuivent chez Ki-oon avec L’Appel de Cthulhu (qui est paru en Septembre, cette fois avec une couverture rouge). Je l’ai réservé à la bibliothèque et m’y attèlerai dès que je le reçois ! Mais cela ne s’arrête pas là, puisque Ki-oon annonce déjà Celui qui hantait les ténèbres pour mars 2021 (avec une couverture verte) !

J’attend toujours aussi Olympia Kyklos par Mari Yamazaki (Casterman, vol. 1/4, 15,95 $, 200 pages, ISBN 9782203202986) qui devait paraître en juin 2020 mais qui semble avoir été retardé à cause de la COVID et paraîtra plutôt en mars 2021. C’est une comédie du style de Thermae Romae mais avec des grecs. [ MangaNewsGoogleAmazon ]

Même si j’ai été plutôt déçu par le premier volume de Ad Romam (commenté récemment), j’ai tout de même l’intention de lire le tome deux que j’ai déjà réservé à la bibliothèque… Par simple curiosité…

J’ai déjà sur ma table de chevet Aliss de Patrick Sénécal / Jerk Dion publié chez Alire (en collaboration avec Studio Lounak). Mais cela m’apparait un peu heavy donc je vais probablement attendre un peu avoir de le lire…

J’ai aussi réservé pour ma femme à la bibliothèque la BD biographique Les Étoiles de l’Histoire t.3: Brigitte Bardot (Dupuis, mai 2020, 136 pages, ISBN 9791034749133, 12+). Comme BB était l’une des idoles de mon adolescence (je me demande bien pourquoi) je vais probablement en profiter pour la lire aussi…

Voici encore quelques titres que j’ai l’intention de lire dans les prochains mois (dès que disponibles):

DernierEnvolDuPapillon-COvEt j’en passe… Il y a plusieurs titre en cours / en attente de lecture sur ma table de chevet (Justine par Laurence Durrell, La lanterne de Nyx vol. 1-2 par Kan Takahama, Le dernier envol du papillon aussi par Kan Takahama, The Hound and other stories par Gou Tanabe chez Dark Horse ainsi que plusieurs périodiques — Solaris, dBD, Animeland) et plusieurs autres déjà lus qui attendent d’être commenté (Histoires Courtes d’Aoi Makino, Les frères Karamazov chez Kuro-Savoir, Les fleurs de la Mer Égée par Akame Hinoshita, Isabella Bird #6, Mariko Parade par Boilet et Takahama, Terre Errante par Liu Cixin — tiens, un roman!, La librairie de tous les possibles par Shinsuke Yoshitake, Tokyo, amour et libertés par Kan Takahama, et Nos compagnons par Jiro Taniguchi).

Cela me fera beaucoup de lectures et beaucoup de pain sur la planche! Il va me falloir essayer de regarder moins de télé, ce qui sera sans doute difficile car beaucoup de nouvelles séries intéressantes devraient se pointer en 2021. Sur ce sujet d’ailleurs j’ai aussi découvert que l’une de mes série anime fétiche, Kimagure Orange Road, est maintenant disponible sur RetroCrush ! J’ai aussi débuté le visionnement de la cinquième saison de la sublime série The Expense ainsi que de la nouvelle série Raised by Wolves — dont le sujet est une guerre de religion entre les Athées et les adeptes de Mithra qui se poursuit sur une planète désolée après que les derniers survivants de l’humanité y ait trouvé refuge. Pour épargner la sensibilité des croyants, il semble que le récit ait été placé dans le futur d’un monde alternatif où le culte de Mithra a prédominé sur les autres (dans NOTRE réalité il a éventuellement été absorbé par le culte de Sol Invictus au IIIe siècle avant d’être définitivement supplanté par le christianisme au IVe siècle mais a en quelque sorte survécu à travers le manichéisme et le zoroastrisme). 

Aussi Doctor Who (série 13) devrait reprendre le 1er janvier, A Discovery of Witches (S2) le 9 janvier, Real Time with Bill Maher (S19) le 15 janvier, Batwoman (S2) le 17 janvier, Euphoria (spécial #2) le 24 janvier, For All mankind (S2) le 19 février, When calls the Heart le 21 février, The Walking Dead (S10) le 28 février, sans compter le film Dune annoncé pour le 1er octobre, The Mandalorian (S3) pour le 25 décembre, un quatrième film de The Matrix (pour décembre également) ou encore les séries télé de Foundation, Lords of the rings, McMafia (S2), His Dark Materials (S3), Gentleman Jack (S2), Star Trek Discovery (S4), Outlander (S6), Westworld (S4), Call the Midwife (S10), Lost in Space (S3), The Morning Show (S2), Carnival Row (S2), Emily in Paris (S2), Star Trek: Picard (S2), un remake de Shōgun (!) et les multiples spin-off de Star Wars qui n’ont pas encore de dates annoncées! Wow! Où vais-je trouver le temps de lire ?

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Ghost in the Shell: Arise

>> Please, read the warning for possible spoilers <<

GITS Arise 1: Ghost Pain

GITS-Arise-1“World War IV is over, but a bomb has gone off in Newport City, killing a major arms dealer who may have ties with the mysterious 501 Organization.” [Text from Netflix, see also the Japanese trailer]

In the first episode (June 2013, 58 min.), we discover the Major when she is still in the military. As she comes back to Japan, she must do an investigation on the possible corruption of her deceased superior officer as well as on his murder. She discover that she is much more involved that she would have thought. In the course of her investi­­gation, she encounters Aramaki, who offers her a job as consultant. This episode, as well as the whole series, offer us the origin story of the Major and the Section 9. It is quite an interesting story and the animation is pretty good (not as much as the movies, of course).

GITS Arise 2: Ghost Whisperers

GITS-Arise-2“Freed of her responsibilities for the 501 Organization, Motoko must now learn how to take orders from Aramaki.” [Text from Netflix, see also the Japanese trailer]

In the second episode (November 2013, 56 min.), we find again a story where the military are being scapegoated and seek revenge for it — but they are actually being manipulated. The Major is told to assemble a team but it might be hard to chose the members… As always, it is a nice cyberpunk story with great animation.

GITS Arise 3: Ghost Tears

GITS-Arise-3“As Motoko and Batou attempt to thwart a mysterious terrorist group, Togusa tracks the killer of a man with a prosthetic leg made by Mermaid’s Leg.” [Text from Netflix, see also the Japanese trailer]

In the third episode (June 2014, 58 min.), the Major has assembled a team composed of her recent “adversaries”, but they are still just a bunch of mercenaries working for Section 9. And she is still missing a member to fit with Aramaki’s requirement. This a story of foreign terrorists using technology to move their ideology forward. The Logicoma (a bigger and less advanced version of the Tachicoma) are interacting more with the team. The theme of artificial intelligence is, as always, omnipresent.

This series (and this episode in particular) shows us a more personal side of the Major as she has a boyfriend. She is shown as being more vulnerable as she is getting often infected by viruses. Both in episodes one and three, she gets personally involved with the subject of her investigation. Also, having a personal relationship is a weakness that enemies can exploit. I guess, with time, she will learn from her mistake and become the more hardened, distant and cold Motoko that we know in the rest of the franchise. Your real enemy is often closer than you might think… This is a really interesting story with good animation. It is certainly a must-see for all Ghost in the Shell fans.

Strangely, this OVA series has five episodes but Netflix has been  streaming only three of them — go figure why. The two other episodes are “Ghost Stands Alone” (September 2014, see Japanese trailer) and “Pyrophoric Cult” (August 2015, see Japanese trailer). The series was also adapted into a TV series (titled GITS: Arise – Alternative Architecture) and completed by a movie (GITS: Arise – The New Movie, which concludes the plot of episode 5) and a manga (GITS: Arise ~Sleepless Eye~ which was published in Monthly Young Magazine between April 2013 and June 2016, was compiled in seven volumes and tells how Batou and the Major met during the civil war).

I suspect the series was titled “Arise” because it is about the origin story of both the Major and Section 9. All in all, it is a good cyberpunk story, compelling storytelling, full of socio-political background typical of the rest of the franchise. It is well worth watching if you are either an anime fan or a cyberpunk aficionado.

Data File

Ghost in the Shell: Arise (攻殻機動隊 ARISE / Kōkaku Kidōtai Araizu / Mobile Armored Riot Police: Arise): Japan, 2013-2015, OVA anime, 5 x 50 min.; Dir. / Char. Des.: Kazuchika Kise; Scr.: Tow Ubukata; Music: Cornelius; Studio: Production I.G. Cast: Maaya Sakamoto / Elizabeth Maxwell (Major Motoko Kusanagi), Ikyuu Jyuku / John Swasey (Aramaki), Kenichiro Matsuda / Christopher Sabat (Batou), Yoji Ueda / Jason Douglas (Paz), Tarusuke Shingaki / Alex Organ (Togusa), Takuro Nakakuni / Marcus Stimac (Saito), Mayumi Asano / Mary Elizabeth McGlynn (Kurutsu), Atsushi Miyauchi / Brian Mathis (Mamuro), Masahiro Mamiya / Chris Rager (Ibachi), Kenji Nojima / Eric Vale (Tsumugi), Takanori Hoshino / David Wald (Raizo), Miyuki Sawashiro / Jad Saxton (Logicoma).stars-3-0

For more information you can consult the following web sites:

[ AmazonANNGoogleIMDbNetflixOfficialWikipedia ]

Also, you can check the official trailer on Youtube:

© 士郎正宗・Production I.G / 講談社・「攻殻機動隊ARISE」製作委員会

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Capsules

Ghost in the Shell: SAC_2045

Ghost-in-the-Shell_SAC-2045_Main-PosterWhen sustainable war spawns a “post-human” threat, Major Kusanagi and her Section 9 team are called back into action.

In the year 2045, after an economic disaster known as the Synchronized Global Default, rapid developments in AI propelled the world to enter a state of “Sustainable War”. However, the public is not aware of the threat that AI has towards the human race.

Full-body cyborg Major Motoko Kusanagi and her second-in-command Batou are former members of Public Security Section 9, who are now hired mercenaries traveling hot devastated American west coast. This land is full of opportunity for the major and her team, they utilize their enhanced cyberbrains and combat skills from their time working in Section 9. However, things get complicated with the emergence of “post humans,” who have extreme intelligence and physical powers. The members of Section 9 comeback together again in order to face this new threat.

[Text from the official website]

>> Please, read the warning for possible spoilers <<

Anime Story

At the end of the Stand Alone Complex TV series, Section 9 is disbanded. In this series, the team has become a mercenary unit named GHOST that operated outside Japan (mostly in the United States) for the last six years. The only former member that didn’t joined GHOST was Togusa. He hesitated because of his family and later regretted the decision. He eventually divorced and found a job at a private security company. The Prime Minister asks Aramaki to reform Section 9 and Togusa is put in charge of locating his former colleagues.

After a failed mission where they were defending a one-percenter against the attack of a group of outlaws, the GHOST team is kidnapped by the NSA who want to use them in a mission to capture Patrick Huge, the rich owner of a tech company. The target reveals itself as a formidable opponent that can anticipate their move and even hack their cyberbrains. As the Major is about to be taken over, Saito terminate Huge. Smith is furious because he wanted him taken alive in order to study him. He explains that Huge was what the NSA calls a “Post-Human.” So far, humans have improved themselves with cyberbrains and cyber-implants. However, the post-humans are the opposite: A.I. which somehow have succeeded in taking over the brain of humans and therefore represent an unprecedented threat to humanity. Unfortunately, Smith consider the GHOST team as a liability and want to eliminate them. He is stopped by Aramaki who arrives in extremis with new orders from the American President. The new Section 9 mission will be to hunt post-humans.

It’s episode 8 and the real story finally begins. The team is back in Japan after six years (Batou came back a few days earlier but got entangled in a bank robbery). There are three post-humans that have been identified in Japan. One is an ex-boxer who seems to have a grudge against corrupt politicians. He kills the Prime Minister’s father-in-law and then goes after Teito himself but stops short of killing him (maybe he felt that he was a good man?). The next post-humans to be identified is a teenager that wrote a program creating mob justice. As they are investigating his story, Togusa get infected by some of his code and disappears! Will he becomes a post-human too? To be continued… in the second season (another twelve episodes, directed this time by Shinji Aramaki, but no release date has been announced yet).

>> End of Warning <<

I’ve mentioned this series recently and was eager to have a look — although I was sure that I would totally dislike its 3D animation. Yes, a few aspects of the CGI are quite awkward — the movements of the characters seem sometimes odd despite that fact that it’s motion capture animation and some character’s hair, mostly Aramaki’s and Tokusa’s — but the 3D quickly grow on you and you eventually even forget that it’s there as you focus on the action and the story. The character designs (by a Russian artist) are faithful and pleasant (the Major sure looks like a doll!) and the storytelling is excellent: well paced and captivating. My favourite part is that, as usual with Ghost in the Shell, the cyberpunk background world (socio-political setting, technology, etc.) is quite superb. 

Interestingly, the story seems inspired by the work of transhumanist Ray Kurzweils, who predicted that the A.I. singularity would occur in 2045. One element of the story that differ from the previous series, which are generally nippo-centric, is that the first half is set in the United States (which has experience some sort of civil war again). Also, when I watched the series on Netflix, no dubbed version was available yet because the coronavirus lock-down has delayed production (I am more of a subtitles guy anyway). 

So far, this new Stand Alone Complex series seems not much appreciated by the critics, considering the very average ratings that it is receiving (6.0 on IMDb, 47% on Rotten Tomatoes, and C+ on ANN). Anime fans are probably irked by the 3D animation. Too bad for them. It is an excellent anime, well worth watching. It is entertaining, an appropriate continuation of the franchise and, despite my initial misgivings, quite beautiful. A must see for any anime, cyberpunk or Ghost in the Shell fans. stars-4-0

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Continue reading

GITS: Stand Alone Complex 2nd GIG

Anime Story

2004 was a great year for theatrical anime releases in Japan. It brought us Hayao Miyazaki’s Howl’s Moving Castle, Katsuhiro Otomo’s Steamboy and, of course, Mamoru Oshii’s Ghost In The Shell 2: Innocence. However, most of the Japanese anime industry’s production, and what really sustains it, remains the television series, like Gundam Seed, Fullmetal Alchemist, and yes, Ghost In The Shell: Stand Alone Complex. 

SAC-2gig-logoGhost in the Shell: Stand Alone Complex was a big hit in 2003 and Japanese DVD sales did great, so the creative team at Production I.G. decided to bring out a second season (titled “2nd Gig”). Now fans can look forward to another 26 episodes of cyber-political intrigue and action. 

Sac-2gig-illo11I can easily imagine that director Kenji Kamiyama was under a great deal of stress, with his work being compared with Mamoru Oshii’s Innocence, and to meet the fans’ expectations after the first season! Despite the high stakes, the young director was up to the task and I think he did a marvellous job. The “2nd Gig” is even better and more intriguing than the first season. He succeeded totally in creating his own world, telling the story in his own personal style, and we don’t even feel the need to compare his series with Oshii’s movie. Each has its own merit. 

Kamiyama not only respected Masamune Shirow’s original manga, but he gave it life by detailing, even more so than Oshii’s movies did, its near-futuristic setting defined by the interaction of humanity and technology in a complex Asian geo-political environment. His strong, captivating storytelling is very well supported by the superb animation, the beautiful and elaborate artwork and an enchanting soundtrack. It is so great to see that there is such a great new talent in Japan, able to create a serious and intelligent story that can both entertain our senses and stimulate our mind. It is not surprising that both seasons of the TV series have received a great deal of acclaim, not only from anime fans, but also from those who seek serious science fiction shows. 

SAC16-illoASAs the “2nd Gig” starts, Section 9, which had been dissolved at the end of the 1st season, is resuming its job as an anti-cyberterrorist mobile unit. Although the team has returned, their work isn’t easy, and many difficulties lie ahead of them. The Japanese political landscape is changing and the government is keeping a close eye on their special police. The “Laughing Man” case might be solved, but it doesn’t take long for another terrorist organization, “The Individual Eleven,” to show up. Who are they? Are they the result of another “Stand Alone Complex”? They seem to be stirring up an uprising against the Asian immigrants and refugees. Could it be that simple? But some other politically-motivated forces seem to be at work. Can Major Motoko Kusanagi and her team unravel the complex overlapping political plots before they affect the nature of the government? 

Technology might be omnipresent in Stand Alone Complex, but it is not overwhelming. In the “2nd Gig,” Director Kamiyama and Production I.G. keep an even greater focus on the human side of the story by exploring the characters’ hearts and emotions — even in the case of some of the terrorists. Each key member of Section 9 has a dedicated episode where we learn more about their past and personality. It is not done simply to paint a richer background; every single bit of information has its meaning. They also give a more humane face to the government (more likeable than the usual fat, corrupt, old minister) with the new Japanese prime minister, a young, good-looking lady who embodies the beauties (and sometime ineptitudes) of democracy. In contrast, there is the ugly face of Gohda, a shady character who embodies the threat of militarism. Also, the intelligent Tachikoma robots (their name means “standing, spinning top”) are back with a new, expanded sidekick role (definitely inspired by Motoko’s cute “helper” programs in the Man-Machine Interface manga). With their cute voices and comical comments, they give a human feel to the technology. 

SAC14-illoASThe terrorism and the Asian refugees’ problems seem to be an allusion to the Palestinian question and to some conspiracy theories that surfaced after 9/11 in Europe and in Japan (such as, American right wing groups being behind 9/11 in order to justify military action abroad and domestically limit civil liberties). But it is only used to emphasize the fact that, even in the future, terrorism — the favorite style of warfare of the 21st Century — is still omnipresent and we still haven’t found a way to deal with it. Despite all the advanced technology, humanity is still facing tremendous problems (war, pollution, corruption, poverty, overpopulation, crime). Nothing changes, and even the future’s future is still uncertain. Is there a solution to the crisis? Is there a possibility for us humans to be saved? The answer in “2nd Gig” might be in the origami cranes that appear in some episodes and that symbolize the prayers for peace and salvation. All we can do is, like Section 9, act with courage and determination (even if it means going against the rules sometimes), pray and hope for the best! 

In conclusion, “2nd GIG” is even better than the first season. While still very political, dealing with terrorism and immigration problems, it also elaborates on more of the personal history of each of the main characters, including Major Kusanagi. The cyberpunk political intrigue is at moments a little complex, but it is the most intelligent anime series I have ever seen and it is superbly animated. It’s not all action, there’s also drama — and I did cry a few times. A real masterpiece! Of course, such an exceptionally excellent anime series cannot be seen only on TV. SAC-2gig-ratingsYou have to purchase the DVD to watch it over and over again, to enjoy all the minute details of this superb animation and share the experience with your friends! And if after that you want more, the series was followed by a movie: Solid State Society. 

> Please, read the warning for possible spoilers <<

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Ghost in the shell: Stand Alone Complex (anime)

Overview

GITS-SAC-logoWith the TV version of Ghost in the Shell (Kokaku Kidotai) director Kenji Kamiyama (and his production team — including the full support of original creator Shirow Masamune) is bringing a new dimension to the standard police detective drama adding a techno-cyberpunk flavour. Not only is this a very high quality show visually (HD full-digital screen to satisfy even the most hard-core fan!), but it is also full of exciting, intelligent storytelling. You can see that the writers really put forward their best efforts to attract viewers. 

SAC-KusunagiCCThe story is set in a future Tokyo populated with high-tech doohickeys, and lots of cyborgs and androids. Fans of Ghost in the Shell find out immediately that this story is quite different from the manga or games. It’s a kind of alternate world created for the TV series, closer to what was already developed for the movie. The manga is funny and set in a fictitious future (lots of made-up names) where Section 9 is an international anti-terrorist unit. The TV series’ setting feels less like a militaristic anti-terrorist outfit and more like a special police force dealing with cyber crimes. It is more serious and more realistic. Nevertheless, like the movie, which was based mostly on the manga, the TV series is using bits and pieces of the manga’s story. We could consider the TV series as a prequel to the movie, whereas the new manga, Man-Machine Interface, is the direct sequel of the original manga. 

GHSill02RSo what do they mean by “Stand Alone Complex”? It could mean that the series is mostly made of stand alone episodes (self contained stories), with a few more complex episodes (the “Laughing Man” story arc). However, episode 6 also provides another explanation: it refers to the fact that Laughing Man’s imitators are independent copycats, created without an original. To me it seems that Production I.G.’s writers want to make the point that “It’s extremely difficult and almost impossible today to stand alone in this complex society of computers and networks.” Each episode throws enormous amounts of technical information and detail about computers, science and politics for the viewer to digest. At first, for an average nincompoop like myself, the contents of this show can be too much, but with a bit of patience it’s certainly educational. I think, in a way, it’s charming to see so much information on technology. Compared to ordinary anime shows, the amount of dialogue and information is quite huge. 

You really have to sit down and watch this TV show over and over again to catch the small details and to understand better. In this respect it shares much in common with its source, the manga. On the other hand, despite all this, the show can also be watched as an intelligent police/detective drama. The viewers can try to solve crimes with Section 9 members and get great satisfaction to see the conclusion of each cyber-crimes case. But don’t think that the show is as slow paced as the film — there is still a lot of action! 

SAC-illo02The characters seem to be like normal humans, but in fact most of them are cyborgs (or with some sort of cybernetic enhancement). I wonder if, in the near future, when humans begin to replace body-parts to improve their lives and live more comfortably, we’ll have different kinds of crimes? It’s the same type of premise as in Patlabor : if technology takes us there, the nature of crime will change. Of course we’re all human, but how in the world can we live and “stand” with our own personalities in this extremely complex society of the future? In this show, all criminals are making statements of a kind (politically, individually or otherwise). 

SAC01-03This is certainly a strong series evolved from speculative fiction, with excellent (and exotic Russian sounding) music by Yoko Kannno (Cowboy Bebop, Escaflowne and Macross Plus) and viewers will enjoy this full-action crime fighting anime! In our opinion, this series clearly shows one thing: good writing and storytelling make a great difference! There are many shows with high quality visuals, but with weak stories. Ghost in the Shell is one of the best shows to come down the road in the last few years and hearkens back to a period where stories and strong characters were the main focus. I’d like to send out enthusiastic applause to the creators of this show! 

Despite its high quality animation and intelligent story, the show has a few annoying details: the original opening is much better than the 3D one which starts with episode 3 and there are some technical impossibilities (like the cloaking devices which are not consistent with those in the movie). 

SAC08-02This anime won’t disappoint you — in fact, you’ll be totally hooked! A must see show that I’d recommend to anyone. In order to understand the TV series a bit better it is recommended to have seen the movie or read the manga (you would already know the characters and technological background), but you will probably manage anyway if you just dive straight in (you’ll find some helpful information, right after the jump). The series was very well received with critics’ rating of 8.5 on IMDb and of 67% / 100% on Rotten Tomatoes. Enjoy !

>> Please, read the warning for possible spoilers <<

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Life at the time of the Corona

Or what to do when you’re stuck at home because of the COVID-19 social distancing mesures. 

There is not much we can do besides sleeping, taking walks in the park (while keeping our distance from other people), reading books, watching TV series or movies, or using the internet to virtually travel elsewhere. We took a little time to gather for you a few suggestions of places where you can find pleasurable distractions. Enjoy !

Reading

All libraries are closed but — if you don’t already have a good book collection at home or a nearby book store — you can always rely on digital books. Beside the obvious commercial options (Amazon, Audible, Barnes & Noble, Kobo), here are a few suggestions to find free digital books:

More precisely, if you want to read free manga online (see also a list on epubor), here a few suggestions:

Movies & music

There are plenty of free music streaming sites on the internet (Spotify, Pandora, Google Play, iHeartRadio, etc.) but personally I use mainly Internet Radio, Stingray, and TuneIn. 

However, beyond the commercial streaming sites (Amazon Prime Video, AppleTV+, Disney+, Hulu, Netflix, etc.), the free movies streaming sites are less well-known. Here are a few suggestions:

Also, if you are interesting in Japan and Japanese culture, I suggest you stream shows from NHK World.

Virtual visits

You can find a lot of places to visit virtually on Google: Art & Culture, but here are a few suggestions:

Museums

Music

Nature

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TV updates (Fall / Winter) Part 1

At last, another TV season is in view…

First some news…

  • The Crown S03 is now available to stream on Netflix (trailer)
  • Vikings S06 started on December 4th on History (trailer)
  • The Expense S04 started streaming (this time on Prime Video) on December 13th (trailer) !
  • Lost in Space S02 will be back on Netflix on December 24th (trailer) !
  • There will be another Call the Midwife Holiday Special on December 25th (trailer)
  • Doctor Who S12 will start January 1st (trailer)
  • The first half of Father Brown S08 will air between January 6th and January 10th
  • Grantchester will come back for another six episodes (S05) on January 10th
  • In the same genre, I can say that Endeavour will soon come back for S07 (February or March?), set in 1970. A S08 is also already planned.
  • The young Pope will have a sequel titled The New Pope and should start airing January 13th on HBO (trailer)
  • Avenue 5, a sci-fi comedy with Hugh Laurie will premiere on January 19th on HBO (trailer)
  • Star Trek: Picard will premier on January 23rd (trailer)
  • Homeland S08, the final season, will premiere on February 9 (trailer)
  • Outlander S05 will start on February 16th 2020 (trailer)
  • Westworld will be back for a third season in 2020 on HBO. Sorry no more details… (trailer)
  • The Boys S02 should be back on Amazon Prime around mid-2020 (trailer)

And then a few shows worth talking about…

Watchmen S01

Watchmen-poster-600x750I was disappointed by the trailer because the series looked cheaply made as I thought that Rorschach’s mask was not animated but only drawn but, actually, it’s not a Rorschach’s mask at all but an imitation worn by the 7th Cavalry, a group of white supremacist terrorists. The series is actually quite excellent. It is officially a sequel that tells us what happened after the comic book, ties some lose ends and builds a new level of complexity on the original story, but there is so many flashbacks that it could also be considered a prequel as it tells the origin stories of several characters. The story revolves around three generations of mask vigilantes, mostly the Minutemen’s Hooded Justice / Will Reeves (played by Louis Gossett Jr.),  the Crimebusters’ Ozymandias / Adrian Veidt (Jeremy Irons) and Doctor Manhattan / Jon Osterman (Yahya Abdul-Mateen II) — we could probably also add Laurie Blake (Jean Smart), formerly Silk Spectre, who is now an agent for an Anti-Vigilante division of the FBI — and, the newest generation, police detective Sister Night / Angela Abar (Regina King) who is the main protagonist. 

In an alternate history where the vigilantes (masked heroes who won the Vietnam war and saved the world from nuclear holocaust through an elaborate hoax) are now outlawed, the social policies of the Redford government are stirring racial unrest and, as the police has become the official masked heroes, the old vigilantes seeks to ties some lose ends in order to save the world again.

The story, about racism and justice, is well written and riveting, the visuals (without any big special effects) are stunning and respects the look and spirit of the original comic book. Despite very mixed ratings on Rotten Tomatoes (critics’s rating of 96% versus an audience score of 49%), I personally think that Watchmen is a superb production and a must see TV series. stars-4-0

[ GoogleHBOIMDb • WikipediaYoutube ]

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The Expanse S04

the-expanse-season-4-posterThe creation of the Ring by the Protomolecule has opened the way to thousands of new worlds. However, Avasarala, the U.N. secretary-general, had ordered a blockade until it is sure that those worlds are safe for colonisation. Unfortunately, some ships were able to pass through the blockade. When crews of both Belters and an Earth Corporation landed on Ilus to claim its natural resources, Holden and the crew of the Rocinante are sent by the U.N. the assess the situation — which quickly degenerate into conflict. On top of that, the protomolecule entity known as “Miller”, with which Holden is in contact, is wreaking havoc with the planetary systems in order to investigate why its civilisation has been obliterated and by whom. Despite the truce, all factions from Earth, Mars and the Belt are on edge…

This series is an example of incredibly well written hard science-fiction, where the complexities of science and politics make for a rich and intriguing plot. It offers breathtaking visuals that make you feel like you are there with the characters. I bingewatched the entire 10-episode season in only a couple of days. It is definitely the best sci-fi TV series of the moment and my favourite show. And I’m not the only one to think that because it received excellent ratings (an overall rating of 8.5 on IMDb although the lowest episode rating for season 4 is 9.1 and on Rotten Tomatoes we find a critics’ rating of 100% and an audience score of 98% !!!). I can’t wait for season five (which has reportedly already began shooting)! It is really a must see. stars-4-5

[ Amazon PrimeGoogleIMDbWikipediaYoutube ]

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Ken Burns’ Country Music

KenBurnsCountryMusic-DvdLast night I watched on PBS the first episode of Ken BurnsCountry Music documentary and I was mesmerized! I don’t really like country music (or at least I thought I didn’t) but I was fascinated by this documentary about the history of country music in the USA. In fact, it is much more than that: it is the history of America and its culture — mostly of the deep America. It is very interesting and educating. Like all documentaries by Ken Burns it is very well researched. It is very interesting to see all those old pictures and footage, as well as to ear such music from another era (the documentary covers until 1996)… Certainly a must see.

Country music is certainly a pretty large musical genre that has evolved a lot and encompass many sub-genres (hillbilly, bluegrass, western, etc.) and cross-over styles. It is difficult to define and I am looking forward to learn more about it. For instance, Bob Dylan sang many songs from the country music pioneers (and adopted their style) but he is considered a folk singer. What’s the difference between country and folk? Is folk a sub-genre of country music? I am just wondering…

Country Music is an eight-part mini-series (120 mins each) that premiered September 15, 2019 and airs on PBS every week day until September 25. It is also available for streaming on PBS website (U.S. only). stars-3-0

To learn more about this title you can consult the following web sites:

[ AmazonGoogleIMDbOfficialPBSWikipediaYoutube ]

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Carnival Row

5860359.jpg-r_1280_720-f_jpg-q_x-xxyxxWith a serial killer loose on Carnival Row, and a government that turns a blind eye to the deaths of its lower class citizens, Rycroft Philostrate, a war-hardened investigator, is the only person willing to stop the murders and maintain the fragile peace. But when Vignette Stonemoss, a faerie refugee, turns up in the Burgue, she forces Philo to reckon with a past he’s tried to forget.

I was quite intrigued as soon as I watched the teaser for this superb dark fantasy (“neo-noir”) TV series on Amazon’s Prime Video. The world it offers is really interesting. It doesn’t feel entirely original since it is constituted by a blend of mythos that oozed from our collective psyche (legendary creatures mostly from celtic or classical lores) and it seems inspired by various literary classics (you’ll find little hints of Shakespeare, of Mary Shelley’s Frankenstein, of Alexandre DumasCount of Monte Cristo, of Victor Hugo’s Les Misérables, or a little Jack The Ripper and even a bit of Lovecraft), but it is all put together in a very clever and inspiring manner.

In an alternate Victorian world, a British-like country (a city-state named The Burgue) is fighting a German-like folk (The Pact, which remains quite mysterious throughout the series) over new territory to increase their colonial empire. It seems set in a period similar to the Boer War mixed with some aspects of WWI. Strangely, this society looks almost like the Victorian or Edwardian era from our world, but with slight differences in technologies and with everything having akin but different names. For example, the religion they practice is very similar to Christianity (with the typically puritan attitude of the Victorian England) but the Christ is called the Martyr and is represented as a hangman on the gallows instead of a cross! 

As The Burgue is losing the war, refugees from their invaded colonies are starting to flow into the London-like city-state creating social problems and racial frictions. It would be a normal historical drama if those population were not made of mythical creatures like faeries (fae), goblins, pucks, kobolds, werewolves, centaurs, etc. In the middle of all this, Rycroft Philostrate — a police inspector with a mysterious past and an identity crisis — is investigating a series of gruesome murders and is somewhat reunited with his long lost lover, Vignette Stonemoss.

CarnivalRow

Carnival Row is an excellent steampunk story (they still use coal but also telegraph, electricity, airships, gatling guns and small rockets). It is full of mystery, moral (battle of good vs evil, high society vs the slums), politics, forbidden love (inter-racial and LGBTQ+) and even sex (faeries are apparently quite sexual creatures). It tackles very contemporary themes, like social inequity, immigration, feminism or racism. This series is a real advocacy for tolerance and diversity, a call to rediscover and preserve the magic that is in our hearts. It makes me realize that steampunk (and Neo-victorian), as a genre, is really getting popular — we start noticing it more and more in novels, in anime and manga, and now even in TV series.

This series is quite captivating (I binged the first season in a couple of days) and incredibly well-made (superb special effects and costumes), with a great cast (Orlando Bloom, Cara Delevingne, Indira Varma, Jared Harris) and an excellent storytelling. It will surely be the event of the season. I found it both fascinating and entertaining, and cannot understand the poor reception it got from the critics (54% on Rotten Tomatoes !) although it was better appreciated by the public (87% on Rotten Tomatoes and 8.1 on IMDb). I admit that the ending of the first season was a little predictable and disappointing (aren’t they all — but this one does solve the identity crisis of the main character and the murder mystery). Some people complained that the folks of the Pact were never properly introduced or developed, but I am sure that more will be explained in the second season (I can’t wait to see where the plot will take us). No, this series is definitely a must-see (be sure to check also the behind the scene videos) and I highly recommend it. stars-4-5

To learn more about this title you can consult the following web sites:

[ GoogleIMDbPrime Video  Wikipedia ]

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Arzak Rhapsody

ArzakRhapsody-DVDPerché sur son fidèle Ptéroïde anti-gravité (où rien de grave ne peut l’atteindre), Arzak explore le Désert ‘B’, un monde parallèle peuplé de créatures étranges, situé aux frontières du rêve et d’une réalité au-delà du réel. Mais Arzak ne rêve-t-il pas d’un univers qui est en lui…ou en chacun de nous ?

(Texte promotionnel — voir aussi la couverture arrière de la jaquette)

Ce dessin animé est une série de quatorze capsules de 3:30 min. chacunes qui offrent un dessin minimaliste qui est terriblement animé. On y retrouve différentes aventures (et mésaventures) du célèbre guerrier solitaire et (généralement) silencieux alors qu’il parcours le désert B, affrontant l’herbe-serpent ou diverses autres créatures. C’est un peu sans queue ni tête mais les récits sont étoffés par une narration et Moebius donne, pour la première fois, la parole à Arzak. Tout comme les planches de Moebius, ces capsules sont un peu inégales en qualité (et en intérêt). L’univers d’Arzak est un peu tourné en ridicule avec des personnages clownesques (où l’on pourrait peut-être discerner une influence de Winsor McCay?). 

C’est mauvais mais tout de même amusant et intriguant. À la défense de cette curiosité décevante, il faut admettre qu’elle est définitivement produite pour un public jeune alors que la série originale s’adressait aux adultes. On s’attendrait néanmoins à mieux de la part d’un créateur comme Moebius. C’est trop court et plein de potentiel inexploité (quoique le graphisme s’améliore avec les derniers épisodes). Cela aurait pu être tellement mieux…

Il est intéressant de constater que l’on voit déjà le début de la convergence des différents univers (et styles) de Giraud / Moebius avec des éléments qui rappellent Le Garage Hermétique, d’autres qui font définitivement partie du monde SF déjanté et imaginatif de Moebius — parfois hilarant et absurde, parfois mystique et obscure (avec des allusions au Arzach original ou à Edena) — et même des relents d’atmosphère western à la Blueberry. Cette série d’histoires nous laisse donc présager la suite — L’Arpenteur

À voir par amusement ou par curiosité.

Arzak Rhapsody: France, 2002, 51 min., série télévisée d’animation (14 episodes); Dir., Scr., Des.: Moebius; Dir. Art.: Alexandre Brillant; Ass. Réal.: Francois Narboux; Mus.: Zanpano; Studio: Millimages Online; Prod.: Wolfland Pictures, Carrere Group, France 2. stars-2-5

Pour en savoir plus vous pouvez consulter les sites suivants:

[ AmazonGoogleIMDbWikipedia ]

 

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TV Rant

What is it with this new trend? Many paying TV services like AMC Premiere, HBO Now (U.S. only), PBS Passport (U.S. only), etc., start appearing. Look, I am already paying for the damn channel and now you tell me I have to pay some more to get access to your back-catalog streaming, bonuses, extra, previews or advance screening ? Man, that’s harsh. That’s being greedy. That’s exploitation of the masses. I really effing hate you, TV.

And now a special word for PBS: I am already paying for your damn stations (three, in fact) with Bell Fibe TV. How come when I go to your website I cannot watch ANYTHING because “this video is not available in your region due to rights restrictions” ? And it’s the same damn thing for Passport ! Isn’t your call sign saying “Mountain Lake PBS : Plattsburg, Burlington, Montreal” ? I can even donate some money to your station. And yet I cannot use your website or the iPad app ? That’s nonsense! Just go to hell. I’ll donate money when I’ll be treated as a real customer and be able to use your online service!

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